¿Qué hora es? (1989)

Esplendor es el nombre de una vieja sala de cine dirigida por Jordan (Mastroianni), quien la heredó de su padre. El teatro está en decadencia y solo genera deudas y problemas, pero Jordan recibe ayuda en su búsqueda casi quijotesiana del proyeccionista Luigi (Troisi) y la cajera Chantale (Vlady). Sin embargo, Jordan finalmente se ve obligado a vender el Esplendor al empresario Lo Fazio (Piperno), que planea transformarlo en algún tipo de tienda de muebles. Cuando Jordan deja el teatro por última vez , recuerda los gloriosos días de Esplendor y películas en general.

Julia, una americana divorciada que es diseñadora de moda, sufre una enfermedad incurable. Cuando sólo le quedan algunos días de vida, decide pasarlos en un pueblecito italiano. Allí se enamora de un ingeniero que acaba de inventar un sistema de airbag para coches. A pesar de que le piden que vuelva al hospital, decide pasar sus últimas horas con él

A troubled love between Camillo, psychosomatically ill, and Vittoria, a French girl who is about to marry another. Camillo is assisted by his brother Leone whose only purpose in his life is to look after him and has the company of a friend he met on a pilgrimage to Lourdes, Orlando, who is truly paralyzed. The two friends, very different from each other, are very close until the situation becomes complicated: Camillo, hoping for a rapprochement with Vittoria, gets well and without his friend's knowledge starts walking again, while Orlando unexpectedly falls in love too. of the girl. Camillo ends up in prison where he remains paralyzed again for two years, Vittoria leaves Italy for Paris. Camillo gets out of prison thanks to the help of his friend Orlando, became a major player in the fascist party. Finally free and definitively cured, the young man joins Vittoria in Paris. Love has healed and saved.

Vincenzo, a 30 years old apathetic and lazy man who still lives with his mother, has no job and no desire to improve. He meets Anna and fell in love with her but to keep the relationship alive he has to learn to accept more responsibility.

Friendship and competion among the clerks of a bank.

A railway controller and his sweetheart live in peace next to the railway tracks. Out of nowhere, an umbrella flies into their life.

Marco Veniera va a Bogotá , Colombia para encontrar a su hermano, Luca, que supuestamente se suicidó . En su búsqueda , se encuentra con la exótica Irene Costa, que le lleva a las profundidades de la selva amazónica. Pero es sálvese quien pueda...

En 1938, en la Italia fascista, una familia judía y un médico homosexual sufren persecución por sus respectivas condiciones de raza e inclinación sexual.

A mysterious killer eliminate the singers of a brand new music Festival in Naples. Some journalists will try to discover who is that murderer who seems to be obsessed by the song "Funiculi, Funicula".

Francia, siglo XVII. El único superviviente de la familia Sigognac deja el castillo de sus antepasados para seguir a unos actores itinerantes que, entre duelos, emboscadas y amoríos, se dirigen a París para ver al rey. Atraído por la singular belleza de la experta Serafina y la ingeniosa Isabella, el joven barón sufre, pero, al mismo tiempo, descubre la grandeza de su nueva profesión.

The annual film festival in Venice is, of course, an ideal place to make a film (how come no-one has thought of it before). Everything is there in Pupi Avati's Festival: the famous hotels Des Bain and Excelsior on the Lido, the shimmering sandy beach which captivated Visconti. The film was made last spring and exploits the presence of passing film stars such as Jack Nicholson. We see the hysterical press conferences, where journalists and experts ask intelligent questions-without listening to the answers.

Matteo Scuro (Marcello Mastroianni), un funcionario rural ya jubilado, decide recorrer Italia para visitar a sus cinco hijos, que viven en diferentes ciudades. Pero, desgraciadamente, este viaje sólo le sirve para comprobar que, bajo una apariencia de prosperidad y bienestar, la vida de sus hijos y sus familias está marcada por la tristeza y la insatisfacción. Tras el éxito de "Cinema Paradiso", Tornatore vuelve a hacer un emotivo melodrama, que obtuvo buenas críticas y el Premio del Jurado en Cannes.

“Since airplanes did not exist, people moved around using prayers; they went from one land to another and returned early, before dawn. In old audio recordings, the voices of pastors speak of the mythical existence of witches and their travels. In the daily life of a woman, the magic of her tales begins to materialize as night falls. Night is the time when travel is possible.”—Samuel Delgado & Helena Girón

An acerbic and surreal comedy about marriage and married life.

In a specialized, hermetic drama about love won and lost, not necessarily by the same individuals, novice director Christine Laurent has focused on the backstage melodramas of an opera company. The conductor for an upcoming performance of the Marriage of Figaro has his mind and heart on other matters -- an entrancing diva who keeps him enraptured with her presence and voice. In the meantime, he finds fault with his cast members who cannot, of course, measure up to the woman of his dreams. As singers encounter one problem or another, it is clear that something has to be done about the conductor. Director Laurent designed costumes for both theater and opera, giving her some insight into the venue.

Comienza con tres pequeñas historias: "El beso", "Los enamorados" y "Disculpe, pero..." Los episodios principales son: "Mara" con Danièle Delorme e Yves Montand. Una prostituta se enamora y decide cambiar de vida. "El niño" con Lea Padovani y Marcello Mastroianni. Unos padres desesperados por la pobreza deciden abandonar a su hijo pero no saben dónde. "Escena en abierto" con Vittorio De Sica y Elisa Cegani. Un actor y una actriz muy mayores se vuelven a ver después de varios años. "Casa ajena" con Michel Simon y Sylvie. Un párroco intenta convencer a una anciana para que no se suicide. "Don Corradino". Vittorio De Sica interpreta a un conductor de autobús napolitano que no permitirá que el reglamento de la empresa interfiera en sus conquistas amorosas. "La cámara de fotos". Totò interpreta a un vividor que trata de seducir a Sophia Loren con la excusa de hacerle una foto.

Cathrine (16) has fallen in love with Lars (33), whom she has met in a local shopping center. Cathrine conceals the relationship from her controlling parents, who would never accept it. But one day after school her secret is revealed.

Catherine, a concert pianist, is surprised one night by the arrival of her best friend from childhood, Marie-Alexandrine (Max), whom she hasn't seen for 25 years. Catherine and Max were Québec's most promising young pianists in the mid-1960's when the adventurous Max gets pregnant. She wants to keep the child, but her mother forces her to give him up for adoption; afterwards, Max leaves Québec and music. Now, years later, she returns, obsessed with finding her son. She locates the adoption records, and social services contacts her son to ask if he wants to see her. He refuses, but she keeps trying. Is a relationship with him possible? And what about her musical talent?

You wake up in a warehouse where a bunch of degenerates is willing to execute you.

A man trying to keep himself afloat and marry the woman he loves sees all that's dear to him threatened in this drama. Marcus (Sam Louwyck) works as a maintenance man for a Belgian power company, keeping lines and electrical towers in repair along a thinly populated area with a few low-income neighborhoods scattered across the plains. Marcus has been living with his pretty girlfriend Bettina (Lisbeth Gruwez) for quite some time; she runs a diner, and they have a nine-year-old daughter Tessa (Kimke Desart) who seems to live in a world of her own. Marcus's boss is Hungarian émigré Szabolcs (Zoltan Miklos Hajdu), and when Marcus is seriously injured on the job, Szabolcs steps in to do his work. However, after meeting Bettina, Szabolcs decides to move into Marcus's personal life as well as his professional life.