What Time Is It? (1989)

영화관 스플렌도르가 문을 닫는다. 더 이상 사람들이 찾지 않는 낡은 영화관은 사업가에게 넘어가고 그 건물에는 가구점이 들어설 예정이다. 아버지의 이동영화트럭을 타고 다니던 어린 시절부터 오로지 영화와 함께 살아온 조르단은 스플렌도르의 안내원 샹탈과 영사기사 루이지, 그리고 그곳에서 상영했던 영화들에 대한 기억을 통해 자신의 삶을 회상한다. 1989년 칸영화제 경쟁부문 상영.

Globe-trotting clothes-horse Julia, who's harboring a secret, embarks on a 10-day fling with Valerio in Italy.

A troubled love between Camillo, psychosomatically ill, and Vittoria, a French girl who is about to marry another. Camillo is assisted by his brother Leone whose only purpose in his life is to look after him and has the company of a friend he met on a pilgrimage to Lourdes, Orlando, who is truly paralyzed. The two friends, very different from each other, are very close until the situation becomes complicated: Camillo, hoping for a rapprochement with Vittoria, gets well and without his friend's knowledge starts walking again, while Orlando unexpectedly falls in love too. of the girl. Camillo ends up in prison where he remains paralyzed again for two years, Vittoria leaves Italy for Paris. Camillo gets out of prison thanks to the help of his friend Orlando, became a major player in the fascist party. Finally free and definitively cured, the young man joins Vittoria in Paris. Love has healed and saved.

Vincenzo, a 30 years old apathetic and lazy man who still lives with his mother, has no job and no desire to improve. He meets Anna and fell in love with her but to keep the relationship alive he has to learn to accept more responsibility.

Friendship and competion among the clerks of a bank.

A railway controller and his sweetheart live in peace next to the railway tracks. Out of nowhere, an umbrella flies into their life.

콜롬비아, 브라질, 페루 3국에 접경하여 관심밖 땅인 아마존 정글의 심장부로 마르코 베니에리(Marco Venieri: 존 세비지 분)는 그의 죽은 형 루카를 찾아나선다. 루카는 도피 중인 이태리 테러리스트로 자살로 죽었다고 되었지만, 마르코는 그 진상을 알고 있었다. 한편 이태리 대사는 마르코를 가장 어둡고 위험한 여행길로 안내하고 거기서 형을 발견하게 되는데...

파시즘이 창궐하던 시기, 유태인 출신인 파디가티 박사는 자신이 동성애자라는 사실을 숨기고 있다. 어느 날 박사는 대학생 에랄도에게 매력을 느끼고 그를 후원해 주기로 한다. 하지만 박사는 유태인이라는 점과 자신의 성정체성 때문에 이중의 어려움을 겪는다. 조르조 바사니가 쓴 동명의 소설을 원작으로 하였고, 엔니오 모리코네가 음악에 참여했다.

A mysterious killer eliminate the singers of a brand new music Festival in Naples. Some journalists will try to discover who is that murderer who seems to be obsessed by the song "Funiculi, Funicula".

Serafina, Pulcinella and Isabella are three lusty, beautiful members of a traveling theatrical troupe touring the French countryside in the 17th century, leaving in their wake a crop of broken hearts. This picaresque romantic comedy is based on the 1863 novel Le Capitaine Fracasse by Theophile Gauthier. In the story, the company stops at a castle owned by the scruffy young Baron de Sigognac, who is deeply smitten with the charms of the middle-aged (and somewhat morose) beauty Serafina. He decides to travel with the company, and Serafina perversely tries to get him to woo the youngest of the company, the newly bereaved Isabella.

The annual film festival in Venice is, of course, an ideal place to make a film (how come no-one has thought of it before). Everything is there in Pupi Avati's Festival: the famous hotels Des Bain and Excelsior on the Lido, the shimmering sandy beach which captivated Visconti. The film was made last spring and exploits the presence of passing film stars such as Jack Nicholson. We see the hysterical press conferences, where journalists and experts ask intelligent questions-without listening to the answers.

자신만의 원칙을 철저히 지키려 노력하며 사는 홀아비 마테오 스크로(마르첼로 마스트로이안니 분)는 퇴직을 하고 연금을 받으며 시칠리아 섬에 있는 카스텔베트라노에 살고 있다. 그는 언제나 죽은 아내 안젤라와 오래 전부터 이탈리아 전역에 흩어져 살고 있는 다섯 명의 자식들을 그리워한다. 그러나 휴가철이 되어도 자식들이 고향인 시칠리아에 오지 않자 자신이 직접 그들을 만나러 가기로 결심한다. 하지만 여행을 하면서 실망과 회한만 느끼게 된다. 그가 처음으로 간 곳은 아들 알바로가 가 있는 나폴리이다. 마테오는 아들이 차기 국회의원 정도의 위치에 있는 줄 알았으나, 실제로는 어느 국회의원 밑에서 자료나 수집해 주는 일을 하고 있다. 다음에는 피렌체로 가서 예쁜 용모를 가진 딸 토스카를 만난다. 마테오의 생각으로는 딸이 유명한 배우가 되어 있어야 하는데, 실제로는 속옷 광고의 사진 모델을 하고 있고, 게다가 아비 없는 자식까지 기르고 있다. 그리고 밀라노에서는 교향악단에서 베이스 드럼을 연주하며 음악가로서의 길을 걷고 있지만, 자신의 직업에 만족하지 못하는 아들 굴리엘모를 만난다. 마지막으로 토리노에서는 전화국의 중역이 된 줄로 알고 있었던 노르마를 만나지만, 노르마 역시 전보를 치는 일을 하는 일개 직원일 뿐이고 결혼 생활도 파탄 지경에 이르러 있다. 자식들 모두 고향에서 외로운 홀로 생활을 하고 있는 노부에게 심려를 끼치지 않기 위해 잘 지낸다고, 일도 가정도 모두 평탄하다고 속여왔고, 자식들의 말을 곧이곧대로 믿은 마테오는 자식들이 그렇게 힘들게 살고 있는 줄은 꿈에도 몰랐던 것이다. 쓰라린 마음을 안고 고향인 시칠리아로 돌아 온 마테오는 그토록 사랑했던 아내의 무덤에 찾아가 낮은 목소리로 이야기 한다. “모두 잘 지내고 있다오.”

“Since airplanes did not exist, people moved around using prayers; they went from one land to another and returned early, before dawn. In old audio recordings, the voices of pastors speak of the mythical existence of witches and their travels. In the daily life of a woman, the magic of her tales begins to materialize as night falls. Night is the time when travel is possible.”—Samuel Delgado & Helena Girón

An acerbic and surreal comedy about marriage and married life.

In a specialized, hermetic drama about love won and lost, not necessarily by the same individuals, novice director Christine Laurent has focused on the backstage melodramas of an opera company. The conductor for an upcoming performance of the Marriage of Figaro has his mind and heart on other matters -- an entrancing diva who keeps him enraptured with her presence and voice. In the meantime, he finds fault with his cast members who cannot, of course, measure up to the woman of his dreams. As singers encounter one problem or another, it is clear that something has to be done about the conductor. Director Laurent designed costumes for both theater and opera, giving her some insight into the venue.

Nine episodes about life in Italy in the period just before its economic boom.

Cathrine (16) has fallen in love with Lars (33), whom she has met in a local shopping center. Cathrine conceals the relationship from her controlling parents, who would never accept it. But one day after school her secret is revealed.

Catherine, a concert pianist, is surprised one night by the arrival of her best friend from childhood, Marie-Alexandrine (Max), whom she hasn't seen for 25 years. Catherine and Max were Québec's most promising young pianists in the mid-1960's when the adventurous Max gets pregnant. She wants to keep the child, but her mother forces her to give him up for adoption; afterwards, Max leaves Québec and music. Now, years later, she returns, obsessed with finding her son. She locates the adoption records, and social services contacts her son to ask if he wants to see her. He refuses, but she keeps trying. Is a relationship with him possible? And what about her musical talent?

You wake up in a warehouse where a bunch of degenerates is willing to execute you.

A man trying to keep himself afloat and marry the woman he loves sees all that's dear to him threatened in this drama. Marcus (Sam Louwyck) works as a maintenance man for a Belgian power company, keeping lines and electrical towers in repair along a thinly populated area with a few low-income neighborhoods scattered across the plains. Marcus has been living with his pretty girlfriend Bettina (Lisbeth Gruwez) for quite some time; she runs a diner, and they have a nine-year-old daughter Tessa (Kimke Desart) who seems to live in a world of her own. Marcus's boss is Hungarian émigré Szabolcs (Zoltan Miklos Hajdu), and when Marcus is seriously injured on the job, Szabolcs steps in to do his work. However, after meeting Bettina, Szabolcs decides to move into Marcus's personal life as well as his professional life.