Original Story
빈센조는 파리에서 자신이 소유한 서점과 몇 년 전에 일어난 사고로 인해 집에 머물러야 했던 딸 알베르틴을 위해 그의 삶을 바친다. 어느 날 활기차고 괴팍하고 재미있고 아름다운 소녀 욜란데가 빈센조의 가게에 들이닥친다. 그녀의 활력 넘치는 에너지에 매료된 남자는 너무 오랫동안 끊어져 있던 감정을 다시 느끼기 시작하고, 그것은 그가 우울하고 왠지 모르게 중단된 삶을 대하는 그의 방식에 의문을 갖게 할 것이다.
Screenplay
Speaking of serious things by making you laugh has always been the characteristic of Ettore Scola’s cinematic style. With the same intent, his daughters Paola and Silvia, using Pif’s verve as an interviewer, retrace their father’s career.
Director
Speaking of serious things by making you laugh has always been the characteristic of Ettore Scola’s cinematic style. With the same intent, his daughters Paola and Silvia, using Pif’s verve as an interviewer, retrace their father’s career.
Writer
On the 20th anniversary of Federico Fellini's death, Ettore Scola, a devoted admirer of the incomparable maestro, commemorates the lesser-known aspects of his personality, employing interviews, photographs, behind-the-scenes footage as well as his drawings and film clips.
Writer
Screenplay
이탈리아 카톨릭교도 움베르토(디에고 아바탄투오노 분)는 이웃의 유태인 레오네(세르지오 카스텔리토 분)에게 손님을 계속 잃자 싸움을 벌인다. 부모들은 견원지간지만 아이들은 누구보다 친한 사이. 꼬마들은 학교 단짝이고 그들의 형과 누나는 연인이다. 1938년 인종법(Race laws)이 공표되자 유태인은 일을 할 수도, 마음대로 사유재산도 가질 수 없게 된다. 두 집안은 남다른 우정과 연대를 보이게 되지만...
Writer
프로라가 운영하는 식당에서 고객, 직원들의 다양한 이야기, 대화들이 펼쳐진다.
Screenplay
Two neighbors, young Vincenzo and old Mr. Bartoloni, are utterly unhappy. On the one hand Vincenzo must lead a miserable and frustrating life as he cannot find any regular job, despite his Arts degree. On the other hand, Mr. Bartoloni is fed up with his despotic wife: the woman who used to be a beautiful artist is now a fat and shabby drunkard. The two men meet on a particularly sad night and, during an outburst Mr. Bartoloni asks Vincenzo to help him to get rid of his wife by simulating an accident with the promise of a considerable amount of money. At night Vincenzo can't sleep: Mr. Bartoloni wasn't joking and he is in a desperate need for money...
Screenplay
Mario and Maria Boschi, a 30-year-old couple with small children, are hit by a crisis: husband and wife cannot agree on a party name. A colleague, also named Mario, makes an impressive speech, and Maria find herself increasingly attracted to him. She feels able to relate to him like she could to her husband in the old days. They spend the night together, and she falls ill. When she is asked by her husband to leave the house, she realizes that there may be a difference between real love and a vague need for understanding.
Writer
A father and his son who lived seperated for some time meet each other one day and try to talk their problems over and understand their diametrical differences.
