Dos semanas en otra ciudad (1962)
...only in Rome could this story happen...
Género : Drama
Tiempo de ejecución : 1H 47M
Director : Vincente Minnelli
Escritor : Charles Schnee
Sinopsis
Después de haber pasado tres años en un centro psiquiátrico, Jack Andrus, un actor acabado, vuela a Roma invitado por Maurice Kruger, un director amigo suyo, que le ofrece cinco mil dólares y un pequeño papel en una película que está rodando en los estudios de Cinecittà. Andrus acepta la oferta con la esperanza de recuperar la fama. Lo malo es que en Roma se encuentra con su ex mujer Carlotta, la responsable de su crisis artística y personal.
When a girl makes a drunk decision to break up with her boyfriend for another man. She pretends that nothing ever happened.
In the Deep South, 1963. Bennie Patrick doesn't belong here. A stand-up comic from Chicago, he has been thrust into the south by fate and a contract with That Sordid Little Story, a family band on a tour below the Mason-Dixon Line. Tonight is just one more night to survive. Do the set and hope you don't get killed.
Mediados de los 60. Durante el rodaje de una de sus películas, el director francés Jean-Luc Godard, recién divorciado de Anna Karina, se enamora de la actriz de 17 años Anne Wiazemsky, con la que más tarde se casaría. Pero la acogida de la película no es positiva y desata una crisis en Jean-Luc.
Tres amigos importantes se reúnen, con sus esposas, en una casa para realizar un programa de festejos del pueblo de Alfajarón. Terminan haciendo un intercambio de parejas, pero a escondidas unos de otros, con el temor de que sean descubiertos.
The director of films for kids called Bonzurka together with her loyal assistants Drahuska and Honza are looking for the actors for a new movie "The Knee". Children for this movie should not be afraid and shy and they must have talent for acting. Thus the scouting is quite difficult. The most difficult is to find an actress for a main character who lost her hair after a serious illness and now has to spent the whole holiday in the countryside with a bald head resembling a knee. Although the makeup artist does his best an artificial baldness does not solve anything. From the selected little girls only the self-assertive Rosemary has the guts to let her long hair to be cut and shave off her head.
A very special encounter between legendary American cinematographer Vilmos Zsigmond and young French director Pierre Filmon. A personal journey with the brightest shadowmaker and his friends.
A married woman seeks the fulfillment she can't find in her marriage by visiting a secret club where participants explore sexual boundaries.
A group of film students will shoot and broadcast a live horror show for the first time. The audience is excited. But as the broadcast starts, everything goes haywire and the show turns into a bloodbath.
Un expolicía alcohólico encuentra el cadáver de una mujer y como si se tratara de un acto de redención, se obsesiona con el caso.
Anger discusses his Aleister Crowley-inspired theories of art: How he views his camera like a wand and how he casts his films, preferring to consider his actors, not human beings but as elemental spirits. In fact, he reveals that he goes so far as to use astrology when making these choices. This is as direct an explanation of Anger’s cinemagical modus operandi as I have ever heard him articulate anywhere. It’s a must see for anyone interested in his work and showcases the Magus of cinema at the very height of his artistic powers. Fascinating. (Dangerous Minds)
Cuenta la historia de un ex-policía caído en desgracia, recién salido de prisión tras seis años por una sentencia de intento de asesinato, vuelve a casa en busca de redención pero se encuentra de frente con el lío que dejó atrás en el pasado.
Reconstrucción de los últimos días de Marilyn Monroe a través de las cintas grabadas por su psicoanalista Ralph Greenson, la última persona que la vio con vida. Durante sus últimos años, la actriz se sometió a sesiones de psicoanálisis en la consulta de Greenson, uno de los psicoanalistas más famosos de Hollywood. Las cintas desvelan aspectos importantes de la vida de la actriz como su fascinación por directores de cine como George Cukor y John Huston, escritores como Truman Capote o Arthur Miller, y políticos como J. F .Kennedy.
La Inglaterra rural de 1865. Katherine (Florence Pugh) vive angustiada por culpa de su matrimonio con un hombre amargado al que no quiere y que le dobla la edad, y de su fría y despiadada familia. Cuando se embarca en un apasionado idilio con un joven trabajador de la finca de su marido, en su interior se desata una fuerza tan poderosa que nada le impedirá intentar conseguir lo que desea.
A man pursues the vice lord who killed his daughter, but his journey leads to self-discovery and the desire for a better life.
Michael Dudok de Wit was asked by the famous Japanese animation studio Ghibli, to create his first feature length animated film. This would be Ghibli's first international co-production ever. Maarten Schmidt and Thomas Doebele followed Dudok de Wit and his team during the complex creative process for over two years. He is a perfectionist that is used to making his own hand drawn animated films by himself. For this new and timely production, he was assisted by a team of 20 to 30 artists from all over Europe.
Travelogue/documentary follows newly married Rita Hayworth and Prince Aly Khan on their honeymoon trip through exotic locales.
An argumentative film crew attempts to recreate an on set accident.
Countess Anna Guerrieri, a rich and provocative noblewoman, marries Romano, an important fascist who is very loyal to the party. Sadly his sexual performance is found very lacking by the Countess, and so frustrated, she decides to look elsewhere for satisfaction and ends up setting her sights on Stefano, a naive and inexperienced young nephew undergraduate who has recently arrived from the provinces.
Rémy is always between two planes, travels to Shanghai on business. During this trip, he takes the opportunity to cheat Dominique first with a woman, then with a man. Upon his return, his wife puts him out after showing him more than compromising photos of his Asian aspirations.
Este documental analiza el nacimiento, la muerte y resurrección del arte de la ilustración del póster cinematográfico.
Con entrevistas a los grandes artistas de las últimas cuatro décadas, busca responder a una pregunta: ¿Qué pasó con los carteles de películas? ¿Dónde desaparecieron? ¿Por qué? A través del testimonio de grandes artistas como Drew Struzan ("Los Goonies", "Hellboy"), Orlando Oracena, Scott Hopko, el trabajo de los clásicos como Roger Kastel ("Tiburón", "El Imperio contraataca"), Philip Castle ("La naranja mecánica", "La chaqueta metálica") o William Staut ("La vida de Brian"), la intervención de coleccionistas o los nuevos creadores a través de herramientas digitales, el documental defiende la continuación de un arte relevante para la cultura popular.