Mahler - Symphonies Nos. 4, 5 & 6 (1976)

This is one of the most important recordings of the 20th century, both for its content (considered by many the greatest cello music of all time) and for the intense devotion, careful preparation, and towering technical skill that went into the project. It was a brilliant idea to make a video as well as an audio recording. Cellists will welcome the chance to study Rostropovich's bowing and fingering techniques, close up and at leisure. And music-lovers will welcome the visuals of the recording location, a French church whose architecture, statues, and flickering candles complement the music.

Ever since his first visit to the magical Hall of Mirrors at Versailles Palace, superstar classical pianist Lang Lang had dreamed of performing there. His dream came to fruition in the form of a special concert there in June 2015. Lang Lang selected the same repertoire that the city of light inspired him to play on his latest album, Lang Lang in Paris - Chopin s four momentous Scherzi and Tchaikovsky s rarer, masterful cycle, The Seasons making Lang Lang Live in Versailles a companion piece to the album.

Vista generalPara su concierto anual de fin de temporada, la Filarmónica de Berlín lleva a la audiencia a un viaje mágico y de ensueño a través del río Rin con la amada tercera sinfonía renana de Schumann. Piezas de Der Ring des Nibelungen de Wagner bajo la batuta del dinámico director Gustavo Dudamel completan esta noche. Repertorio Robert Schumann: Sinfonía n. ° 3 en mi bemol mayor Richard Wagner: Einzug der Götter en Walhall (de Das Rheingold), Siegfrieds Rheinfahrt (de Götterdämmerung), Marcha fúnebre (de Götterdämmerung), Waldweben (de Siegfried), Walkürenritt (de Die Walküre), Isoldes Liebestod (de Tristan) Preludio 3. Acto (de Lohengrin) Filarmónica de Berlín Gustavo Dudamel

The New Year’s Concert live from Vienna is one of the world’s most famous and spectacular classical music events. It was be broadcast on TV and radio and reaches over 90 countries around the world with more than 40 million viewers. Broadcast on BBC2, New Year’s Day, 10:15am, Highlights broadcast on BBC2, New Year’s Day, 7pm. The annual New Year's Day Concert in Vienna has been a major event for more than eight decades. The resulting recordings with works from the Strauss dynasty and their contemporaries are among the classical market's most important releases. In 2018, Riccardo Muti returns to conduct the New Year's concert for the 5th time! Muti has conducted the world famous Vienna Philharmonic Orchestra more than 500 times, which has created a special relationship and connection with the orchestra, resulting in a fantastic sound.

The 2019 New Year's Concert will be conducted for the first time by Christian Thielemann. A native of Berlin, Thielemann has been a regular and welcome guest of the Vienna Philharmonic since 2000, with the result that his first New Year s Concert may be seen as setting an example and providing an appropriate tribute to his previous work with the orchestra. According to the orchestra s chairman, Daniel Froschauer, orchestra and musicians trust each other completely: "The profound musical understanding and trust that have existed from the outset and that have always functioned perfectly have subsequently borne remarkable fruit in the symphonic repertory as well."

El concierto de la noche de verano de la Filarmónica de Viena es el concierto anual clásico al aire libre más grande del mundo que se desarrolla en el mágico parque barroco del palacio de Schönbrunn en Viena. El concierto tendrá lugar el 31 de mayo de 2018 y su tema para este año es 'An Italian Night'. El concierto se transmite por televisión y radio en más de 60 países, y por lo tanto llega a una audiencia de millones. El repertorio de la noche es una atractiva combinación de obras extremadamente populares para orquesta, como William Tell Overture, la Marcha de la ópera Aida y el Intermezzo de Cavalleria Rusticana, así como famosas arias soprano como Vissi d'arte, vissi d'amore de Opera Tosca. ¡Valery Gergiev vuelve a dirigir el Concierto de la noche de verano y se une a la estrella Soprano Anna Netrebko en lo que promete ser uno de los conciertos más populares de este año!

Ludwig van Beethoven headed for Symphony No. 9 literally his entire life. As early as the 1790s, he had an eye on Ode to Joy, perhaps the most well-known poem by Friedrich Schiller, written on the threshold of the French Revolution (1786). In his mature and, in particular, later years, the deaf composer with an acute ‘hearing vision’ increasingly distanced himself from conventional forms and genres and wrote parts beyond the possibilities of instruments of his day. He nurtured the idea of a symphony with a choir for at least several years. The history of the Ninth’s interpretations includes 200 years of staggering revelations and lingering stagnation. Performed by the musicAeterna orchestra, choir, and guest soloists under the baton of Teodor Currentzis, Beethoven’s opus magnum acquires the original poignancy and energy of a recent discovery.

The New Year’s Gala Concert is a tradition for the Berliner Philharmoniker and its music director, Sir Simon Rattle. This 2011 concert, Dances and Dreams, has a theme of dances (two Dvorak Slavonic Dances, Stravinksy’s Firebird Suite, Grieg’s Symphonic Dance, Richard Strauss’s Dance of the Seven Veils, and Brahms’ Hungarian Dance No. 1) and dreams (Ravel’s Alborado del Gracisoso and the famous Grieg Piano Concerto in A minor). This generous mix of romantic and impressionistic music shows off the magnificent Berlin ensemble at its best. It is also great to see star pianist Evgeny Kissin at the keyboards.

This set was recorded in the late 1960s to early 1970s. Herbert von Karajan is widely acknowledged to be one of the finest conductors of the 20th century, and around 1970 he was at his peak.

A comprehensive portrait of one of the 20th century's most brilliant and charismatic conductors working with three great orchestras: The Berlin Philharmonic, the Concertgebouw Orchestra of Amsterdam and the Vienna Philharmonic, performing works by Beethoven, Mozart and Bruckner. Kubelik didn't arrive on the podium trailing clouds of glory like von Karajan or Leonard Bernstein. He seemed to just appear there, shyly and without fanfare. His 'bed hair' curling outward, making his head look like the letter w. His appearance and demeanor suggested that a timid, tentative performance was likely. Then he'd rip into a taut and crisp Eroica or an effervescent, crystalline Prague Symphony.

Karajan conducts rehearsal and performance of Schubert's Symphony No. 4 with the Vienna Symphony in Vienna, Nov. 1965, and Beethoven's Symphony No. 5 with the Berlin Philharmonic, January 1966. Henri-Georges Clouzot directs.

Opera greats Luciano Pavarotti and Joan Sutherland -- one of the most acclaimed tenors and one of the most beloved sopranos of the 20th century -- take the stage at the Met for a gala evening of opera scenes with special guest Leo Nucci. Filmed in 1987, the memorable program includes scenes from the first and third acts of Donizetti's "Lucia di Lammermoor," the third act of Verdi's "La Traviata" and the third act of Verdi's "Rigoletto."

The Waldbühne in Berlin, one of the most appealing outdoor amphitheatres on the European continent, is the home of the Berliner Philharmoniker’s summer concerts. With over 20.000 in attendance, they are some of the most popular classical music concerts in the world. In 2015 the Berliner Philharmoniker surrounded themselves with plenty of celebrities, including not only conductor Sir Simon Rattle, but also many figures from film history: Indiana Jones, Robin Hood, Ben Hur and many more. They were all brought to life musically when the orchestra performed some of Hollywood’s most famous film music. With film music from Star Wars, Indiana Jones, E.T. composed by John Williams. Live from the Waldbühne Berlin, 2015.

Herbert von Karajan conducts La Scala Orchestra and Chorus with soloists Leontyne Price, Fiorenza Cossotto, Luciano Pavarotti, and Nicolai Ghiaurov.

For Mahler, symphonies always were a means of interpreting the most convoluted philosophical problems that couldn’t be resolved verbally. The ambitious structure of the five-part Fifth Symphony spans from the Funeral March to the roaring finale. It is a forthright attempt to resolve the tragic conflict with the surrounding world. The brilliant fourth part of the symphony, Adagietto, resembles a beautifully mysterious flower that every conductor reimagines in their own style. As one of the twentieth century’s most influential maestros, Mahler redefined the conductor’s role. For him, the conductor is just as integral to his own musical works as they are to the composer. When a maestro steps onto the podium and opens the score, he recreates musical universes from scratch. Teodor Currentzis and the musicAeterna orchestra have performed Mahler’s symphonies around the world for many years. The Fifth Symphony has earned its place as one of the highlights of the cycle.

Utopia, the new orchestra of conductor Teodor Currentzis, can be experienced for the first time in Vienna on its inaugural tour with the 1945 version of Igor Stravinsky’s ‘The Firebird’ and Maurice Ravel’s Suite No. 2 of ‘Daphnis et Chloé’, ‘La Valse’ and ‘Boléro’.

Chopin Year 2010 coincides with the 60th anniversary of Daniel Barenboims stage début, and as a pianist he has decided to devote this year to the great Romantic master of the keyboard. Fryderyc Chopin was born on 1 March 1810 in a small village near Warsaw, and on the eve of the 200th anniversary of this date Barenboim gave this wildly acclaimed Warsaw recital as part of an extensive European tour. Recorded live at the National Philharmonic Hall, Warsaw, the programme presents some of the composers best-known works, including the great B flat minor Sonata with its famous Funeral March, which sounded to many as the composer may well have imagined it. Ive been playing Chopin ever since I was a little boy. On the advice of my father, who was also my teacher, I performed some of his pieces in my very first concert, when I was just seven. At that point I was playing the Etudes and the Nocturnes obviously I didnt try and tackle the larger scale Sonatas or the Fantasy until later.

The legendary Italian pianist Arturo Benedetti Michelangeli (1920 - 1995), playing at the height of his powers, performs Chopin's Sonata in B flat minor and other music by one of the instrument's most brilliant and idiomatic writers, in the famously rare 1962 RAI television recording, newly restored and remastered for this release. Michelangeli's fine control and perfect clarity - always present in his playing - have positioned him among the most outstanding recording artists of any generation. ""His fingers can no more hit a wrong note or smudge a passage than a bullet can be veered off course once it has been fired...""

Released as a memorial for the great Russian cellist Mstislav Rostropovich, who passed away on 27 April 2007, this DVD contains one bonafide cello concerto, the Schumann Cello Concerto in A minor, and two tone poems with prominent cello parts, Ernest Bloch's Schelomo and Richard Strauss' Don Quixote. Rostropovich mastered the Schumann in several famous recordings. Here, conducted by Leonard Bernstein, he provides a splendid performance. Featuring his trademark powerful technique, smooth legato and crisp vibrato, the Romantic roots of the concerto are never hidden for long, despite the relatively cool playing of the Orchestre National de France.