Lifeline: Clyfford Still (2019)

En la isla griega de Rodas se producen los encuentros entre un grupo de británicos enamorados del paraje. Entre ellos figuran una fotógrafa, su exmarido, su hija y un crítico de arte amigo de la familia.

FOREIGNERS OUT! SCHLINGENSIEFS CONTAINER is a thrilling, insightful, funny chronicle and reflection of one of he biggest public pranks and acts of art terrorism ever committed. Austria 2000: Right after the FPÖ under Jörg Haider had become part of the government, the first time an extreme right wing party became state officials after WW2, infamous German shock director Christoph Schlingensief showed a very unique form of protest. Realising public xenophobia and the new hate politics in the most drastic ways possible, he installed a public concentration camp right in the middle of Vienna's touristic heart, right beside the picturesque opera where hundreds of tourists and locals pass by daily. And it was no concentration camp you had ever feared to return from the old times, but one that cynically reflected our new multimedia culture. Satirising reality TV shows, "Big Brother" especially, a dozen asylum seekers were surveilled by a multitude of cameras, could be fed and watched by.

A documentary on New York City’s biggest public art project ever, an installation called “The Gates” by Christo and Jeanne Claude.

A visceral documentary focusing on the Slovenian collective art movement known as NSK ('Neue Slowenische Kunst') and its varied branches: 'Laibach', 'Irwin', and 'Red Pilot'.

American Artifact chronicles the rise of American rock poster art since it's birth in the'60s. Award-winning director, Merle Becker crosses the country interviewing the rock poster artists from the different eras to discover that America is currently in the midst of a 21st century "rock poster art movement", where thousands of artists around the country are doing silk screened rock poster art inspired by their local scene, the music of our time, and the spirit of our era.

In the 1980's, something changed the world forever. Computer technology, mostly due to the appearance of affordable Commodore 64's, entered households worldwide, providing the opportunity for everyone to create digital art. Moleman 2 is about the demoscene subculture, told by mostly Hungarian sceneres, but it features also some other nationalities.

A biography of Vincent van Gogh using only images and the letters he wrote to his brother Theo.

The German artist Joseph Beuys is reflecting on his theory of art, being filmed as a kinetic sculpture. In 1981, the film has won the German film critic's award for “Best short film in Germany”.

A documentary about the life and art of wood-block artist Katsushika Hokusai.

John McNaughton's spotlight on George Condo and his art. The film, which follows the progress of Condo's large-scale oil painting Big Red over the course of one year, features an appearance by Allen Ginsberg, as well as footage of Condo collaborating with William S. Burroughs on paintings the two made together at Burroughs' Kansas home in the mid-1990s.

El mejor falsificador de obras de arte del mundo hace un trato con un sindicato criminal para salir antes de la cárcel y así pasar tiempo con su hijo moribundo. Para ello debe falsificar un cuadro de Monet, robar el original y reemplazarlo con el falso, que debe ser idéntico para no generar sospechas. Junto a su padre e hijo maquinan el plan de sus vidas. (FILMAFFINITY)

Two kids with martial arts training and their black belt father rescue a professor from gangsters who want a stone tablet that she has discovered may lead to untold riches.

The main character of Swedish director Sara Broos’s documentary is her godfather and close family friend Lars Lerin, one of Scandinavia’s most highly regarded modern painters. After a complicated period during which the extravagant artist pushed back waves of anxiety by overindulging in alcohol and pills (ultimately entering an abuse program), he focused on finding the love of his life. Via the internet he becomes intrigued by a young Brazilian dancer named Manoel, who flies to Sweden to see him. But due to the language barrier, age difference, and the Swedish artist’s frequent doubts, their relationship doesn’t appear very hopeful. This sensitive record of an untraditional love story takes the viewer through all the ups and downs of a relationship between two people from entirely different backgrounds for whom the tired old cliché of love moving mountains acquires absolute currency.

Jay De Feo started painting THE WHITE ROSE in 1957. When the unfinished painting was removed eight years later it weighed over 2300 pounds.

Songs for Drella is a concept album by Lou Reed and John Cale, both formerly of The Velvet Underground, and is dedicated to the memory of Andy Warhol, their mentor, who had died unexpectedly in 1987. Drella was a nickname for Warhol coined by Warhol Superstar Ondine, a contraction of Dracula and Cinderella, used by Warhol's crowd. The song cycle focuses on Warhol's interpersonal relations and experiences, with songs falling roughly into three categories: Warhol's first-person perspective (which makes up the vast majority of the album), third-person narratives chronicling events and affairs, and first-person commentaries on Warhol by Reed and Cale themselves. The songs on the album are, to some extent, in chronological order.

Polly consigue trabajo como sectretaria en la galería de arte de Gabrielle. Gabrielle tiene una relación de pareja con la pintora Mary. Polly cuelga un cuadro de Mary, pensando que lo hizo Gabrielle.

A high-speed view of Paris via train-track; Zooming down the Seine by boat. Chomette's first film, Games of Reflections and Speed, traverses tunnels and elevated railways to produce a disarming rhythm.

A film exploration of the work and aesthetic concepts of Yayoi Kusama, painter, sculptor, and environmentalist, conceived in terms of an intense emotional experience with metaphysical overtones, an extension of my ultimate interest in a total fusion of the arts in a spirit of mutual collaboration. —Jud Yalkut

Gerhard Richter has spent over half a century experimenting with a tremendous range of techniques and ideas, addressing historical crises and mass media representation alongside explorations of chance procedures. This first glimpse inside his studio in decades is exactly that: a thrilling document of the 79-year-old's creative process, juxtaposed with rare archival footage and intimate conversations with his critics and collaborators.

In 1969, Taylor Mead complained to his friend artist Wynn Chamberlain that Andy Warhol had never paid him for any of the work he had done for him and Wynn said he would make a film especially for Taylor. Inspired by the banality of 1960's television, Chamberlain wrote and directed Brand X, an 87 minute series of faux television shows spoofing the politics and mass media of the day, complete with commercials for Sex, Sweat, Computer Dating and Peanut Butter. BRAND X follows Taylor Mead through a day in a wacky television studio as he portrays an exercise guru, a talk show host, a veteran returning from the American Civil War, a hospital patient in a soap opera, the President of the United States and a televangelist giving the Nightly Sermon. BRAND X satirizes President Nixon, the Vietnam War, sex, drugs, computers, money and race relations.