The Yellow Ticket (1918)
Género : Drama
Tiempo de ejecución : 50M
Director : William Parke
Sinopsis
Anna Mirrel, a young Jewish girl in Czarist Russia, is forced to degrade herself in order to visit her father, whom she believes to be ill. She obtains a yellow passport, signifying that she is a prostitute.
The abandoned Balfour House, which former owner was found dead five years earlier, comes back to life with the arrival of two suspicious sinister-looking tenants. (This movie was lost in 1965 during a fire.)
Lost film from 1891, directed by William K.L. Dickson and William Heise. The film stars Fred C. Devonald and James C. Duncan.
Lost film from 1891, directed by William K.L. Dickson and William Heise.
Unfound film from 1891, directed by William K.L. Dickson and William Heise. The film stars James C. Duncan.
Lost film from 1888, directed by William Friese-Greene.
En esta versión de la leyenda, el golem, una estatua de arcilla que cobró vida por el rabino Loew en la Praga del siglo XVI para salvar a los judíos de la brutal persecución de los gobernantes de la ciudad, se encuentra entre los escombros de una antigua sinagoga en el siglo XX. siglo. Traído a la vida por un anticuario, el golem se utiliza como sirviente de baja categoría. Finalmente, se enamora de la esposa del traficante y se desboca cuando su amor por ella no resulta correspondido.
Lost film directed by William K.L. Dickson. Presented by Edison Manufacturing Company.
Lost film from 1891, directed by William K.L. Dickson and William Heise. The film stars James C. Duncan.
Marilyn Monroe's final project, "Something's Got to Give", has become one of the most talked about unfinished films in history. The story of the film and Marilyn's last days were seemingly lost… until now. Through interviews, never-before-seen footage and an edited reconstruction of "Something's Got to Give", Marilyn Monroe: The Final Days provides a definitive and fascinating look at the last act in the life of the world's most famous and tragic superstar.
A reconstruction, made from still photographs, of the lost 1927 Tod Browning film London After Midnight (1927) starring Lon Chaney.
After accidentally killing an opponent in the ring, a professional wrestler takes a job at a group home for youth offenders. But when a psychopath wearing a wrestling mask begins butchering the teenage residents, their rehabilitation will become a no-holds-barred battle for survival. Originally filmed in 1994 but completed in 2019.
Rival telephone crews are in a race to be the first to connect telephone service between Rawlings and Cheynne, Wyoming. Lineman Tom Remington's girlfriend is the daughter of one crew foreman, who wants to win the race in order to re-establish himself in the business. However, the foreman of the other crew has his own scheme to win the race, and will stop at nothing--including kidnapping--to accomplish it.
A small-town businessman bumbles into blackmail and a real-estate swindle.
Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a prostitute. All Indian prints of this Bengali version were destroyed in a fire that ravaged New Theatre’s studios. Today, only one copy of the film survives which belongs to the Bangladesh Film Archives. Of that copy almost forty percent is destroyed.
The life of Sam Houston, soldier, statesman, patriot and one of the founders of the Republic of Texas, is depicted.
Chaney plays two roles: mad scientist Arthur Lamb and Lamb's "experiment", known only as the Ape Man. This hideous creature was the result of Lamb's attempts to transplant animal glands into human beings.
A comedy made by Keystone Studios starring Charlie Chaplin and Mabel Normand, both of whom co-directed the movie. This is Chaplin's only lost film as no copy is known to exist.
