The Yellow Ticket (1918)
Gênero : Drama
Runtime : 50M
Director : William Parke
Sinopse
Anna Mirrel, a young Jewish girl in Czarist Russia, is forced to degrade herself in order to visit her father, whom she believes to be ill. She obtains a yellow passport, signifying that she is a prostitute.
O corpo de um homem rico é encontrado no interior de sua casa e o laudo pericial aponta suícidio, porém cinco anos depois a residência do homem passa a receber estranhas presenças sobrenaturais que, ao que tudo indica, são vampiros.
Lost film from 1891, directed by William K.L. Dickson and William Heise. The film stars Fred C. Devonald and James C. Duncan.
Lost film from 1891, directed by William K.L. Dickson and William Heise.
Unfound film from 1891, directed by William K.L. Dickson and William Heise. The film stars James C. Duncan.
Lost film from 1888, directed by William Friese-Greene.
This mostly lost film (please check your attic) is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.
Lost film directed by William K.L. Dickson. Presented by Edison Manufacturing Company.
Lost film from 1891, directed by William K.L. Dickson and William Heise. The film stars James C. Duncan.
Marilyn Monroe's final project, "Something's Got to Give", has become one of the most talked about unfinished films in history. The story of the film and Marilyn's last days were seemingly lost… until now. Through interviews, never-before-seen footage and an edited reconstruction of "Something's Got to Give", Marilyn Monroe: The Final Days provides a definitive and fascinating look at the last act in the life of the world's most famous and tragic superstar.
A reconstruction, made from still photographs, of the lost 1927 Tod Browning film London After Midnight (1927) starring Lon Chaney.
After accidentally killing an opponent in the ring, a professional wrestler takes a job at a group home for youth offenders. But when a psychopath wearing a wrestling mask begins butchering the teenage residents, their rehabilitation will become a no-holds-barred battle for survival. Originally filmed in 1994 but completed in 2019.
Rival telephone crews are in a race to be the first to connect telephone service between Rawlings and Cheynne, Wyoming. Lineman Tom Remington's girlfriend is the daughter of one crew foreman, who wants to win the race in order to re-establish himself in the business. However, the foreman of the other crew has his own scheme to win the race, and will stop at nothing--including kidnapping--to accomplish it.
A small-town businessman bumbles into blackmail and a real-estate swindle.
Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a prostitute. All Indian prints of this Bengali version were destroyed in a fire that ravaged New Theatre’s studios. Today, only one copy of the film survives which belongs to the Bangladesh Film Archives. Of that copy almost forty percent is destroyed.
The life of Sam Houston, soldier, statesman, patriot and one of the founders of the Republic of Texas, is depicted.
Chaney plays two roles: mad scientist Arthur Lamb and Lamb's "experiment", known only as the Ape Man. This hideous creature was the result of Lamb's attempts to transplant animal glands into human beings.
A comedy made by Keystone Studios starring Charlie Chaplin and Mabel Normand, both of whom co-directed the movie. This is Chaplin's only lost film as no copy is known to exist.