Sketches (2021)

Two down on their luck cousins are forced to come up with a plan to make some cold hard cash when they lose the rent money after a night of partying with two strippers.

A young Los Angeles cinephile falls in love with a woman but has that love tested by the all-seeing eye of the Internet.

En 1977, Raquel Gerber inició una investigación para una película sobre la emancipación de la población negra de Brasil. Tres años más tarde conoció a Beatriz Nascimento quien, en busca de su propia identidad, estaba haciendo una investigación histórica sobre la relación entre las culturas negras de África y Brasil. Ellos decidieron cooperar. El resultado es una película sobre las organizaciones negras y conferencias en los años 1970 y 80, por un lado, y sobre un estudio algo emocional y poético por Beatriz Nascimento de la continuidad cultural del brasileño negro por el otro. Sin embargo, la película es mucho más que esto: es también un intento de arrojar nueva luz sobre la historia de los negros, y así contribuir a la emancipación negra.

Prior his first exhibition, Leo tries to find the best to way to express both his art and himself.

"Fuera del Acuario" es el nombre de la nueva exposición de Jonas, el protagonista del cortometraje. En sus pinturas, Jonas retrata sus experiencias como inmigrante negro y miembro de la comunidad LGBT, expresando sus miedos, soledad y sueños para el futuro.

Some white man talk about the city of Belém, Brazil.

Festive Land examines one of the largest and most extraordinary popular celebrations in the world, the week-long Carnival that brings more than two million people to the streets of Salvador, the capital of Bahia, in northeastern Brazil. Carnival is the most expressive showcase of the unique cultural richness of Bahia, where African culture has survived, prospered, and evolved, mixing with other Brazilian influences to create forms found nowhere else in the world. The film captures this unique cultural energy through extraordinary footage of musical performances, dances, religious manifestations, and street celebrations. At the same time, Carnival reflects the racial and social tensions of Brazil's heterogeneous society. At first glance there appear to be two million people chaotically mixed on the streets, but a more detailed look reveals how patterns of segregation driven by racial, social and economic differences continue in Carnival.

'Black girls don't play with black dolls', says the lyrics of Preta Rara's rap, one of the characters in It Looks Like Me. The documentary explores the lack of black dolls in the Brazilian market and shows the work of the artisans who try to change this scenario facing the gigantic toy industry with their handmade dolls.

mariana, a young black woman is recovering from a heavy depression. she just wants to be happy, but hasn’t found her way yet.

After the death of his loved woman, Carlos (Hélio Castro) walks around the city and faces their memories. Through many incidents, the images of the local culture, the natural views and the architectural monuments of Belém. This is the first ficcional movie of Pará state, in brazilian Amazon.

after years abroad due to his brother's murder, a renowned journalist returns to his family's home to take care of his mother, who suffers from an unknown illness. late at night, he is visited by two strangers. as new events unfold leading him to suspect that something ominous and deeply disturbing has struck his mother, a new tragedy rises.

Alice is in a dimension known as Maravilhas - which is already in a post-apocalyptic period and the protagonist is looking for her beloved Glenda. During her search she allies herself with an old love of the two - Hatter - to face the Cult of Hearts.

Yeda, the green-faced woman, sells homemade bread to support the house where she lives with her sick husband. Through the context of green-faced people, we know the reality of those who live on the fringes of a purple-faced society.

The film tells the story of a generous, engaged and provided woman who, with the help of other teachers, focuses on culture, art and the appreciation of black beauty, accompanying young Afro-descendant teenagers from Trancoso in the reconquest and value of their cultural identity.

The Other Side of the Atlantic is a documentary that builts a bridge in the ocean that separates Brazil and Africa. The film tackles the cultural exchanges, the imaginary created through the mirroring, the prejudice and dreams built in both sides of the atlantic through the life stories of the students of african countries in transit through Brazil.

A debate about the presence of black culture in Brazilian contemporaneity, as well as the various paradoxes found in the environment of a society marked by a racist and slavery tradition.

Self-directed visual for Luedji Luna's new studio album. It verses about love and affection of black women.

A documentary made on the set of "The Learning Tree." Narrated by Gordon Parks Jr., and featuring interviews with Gordon Parks Sr. and members of the cast and crew.

Sara Crewe (Liesel Matthews) comparte una vida de ensueño en la exótica India con su cariñoso padre (Liam Cunningham), pero la guerra los separa. Él es reclamado por el ejército y Sara es enviada a un internado en Nueva York, el mismo al que su difunta madre había asistido, dirigido por la estricta Srta. Minchin (Eleanor Bron), quien ve a Sara como una niña caprichosa y consentida. Todo cambia cuando a su padre lo dan por muerto y Sara tendrá que hacer labores y limpieza para poder seguir en el internado.