This controversial film from director Glauber Rocha records the funeral of his friend, major Brazilian painter Emiliano Di Cavalcanti.
Self-directed visual for Luedji Luna's new studio album. It verses about love and affection of black women.
Festive Land examines one of the largest and most extraordinary popular celebrations in the world, the week-long Carnival that brings more than two million people to the streets of Salvador, the capital of Bahia, in northeastern Brazil. Carnival is the most expressive showcase of the unique cultural richness of Bahia, where African culture has survived, prospered, and evolved, mixing with other Brazilian influences to create forms found nowhere else in the world. The film captures this unique cultural energy through extraordinary footage of musical performances, dances, religious manifestations, and street celebrations. At the same time, Carnival reflects the racial and social tensions of Brazil's heterogeneous society. At first glance there appear to be two million people chaotically mixed on the streets, but a more detailed look reveals how patterns of segregation driven by racial, social and economic differences continue in Carnival.
'Black girls don't play with black dolls', says the lyrics of Preta Rara's rap, one of the characters in It Looks Like Me. The documentary explores the lack of black dolls in the Brazilian market and shows the work of the artisans who try to change this scenario facing the gigantic toy industry with their handmade dolls.
The film tells the story of a generous, engaged and provided woman who, with the help of other teachers, focuses on culture, art and the appreciation of black beauty, accompanying young Afro-descendant teenagers from Trancoso in the reconquest and value of their cultural identity.
Prior his first exhibition, Leo tries to find the best to way to express both his art and himself.
The Other Side of the Atlantic is a documentary that builts a bridge in the ocean that separates Brazil and Africa. The film tackles the cultural exchanges, the imaginary created through the mirroring, the prejudice and dreams built in both sides of the atlantic through the life stories of the students of african countries in transit through Brazil.
after years abroad due to his brother's murder, a renowned journalist returns to his family's home to take care of his mother, who suffers from an unknown illness. late at night, he is visited by two strangers. as new events unfold leading him to suspect that something ominous and deeply disturbing has struck his mother, a new tragedy rises.
mariana, a young black woman is recovering from a heavy depression. she just wants to be happy, but hasn’t found her way yet.
A debate about the presence of black culture in Brazilian contemporaneity, as well as the various paradoxes found in the environment of a society marked by a racist and slavery tradition.
"Fuera del Acuario" es el nombre de la nueva exposición de Jonas, el protagonista del cortometraje. En sus pinturas, Jonas retrata sus experiencias como inmigrante negro y miembro de la comunidad LGBT, expresando sus miedos, soledad y sueños para el futuro.
Following a crucial theme in Brazilian culture, “Iemanjá – Ocean’s Goddess” will tell the story of Iemanjá, an Orixá or goddess adored by the Brazilian people and also known as the Queen of the Sea. With Ogum, the King of War, as her mentor, Iemanjá, who has psychic abilities, battles with Iansã, an Orixá worshiped as the Storm Goddess.
For a book project, photographer Timothy Greenfield-Sanders took photographs of 30 stars of adult movies, each pair of photographs in the same pose, clothed and nude. This film records the photo shoots and includes interviews with the performers and commentary from eight writers (and John Waters). The actors and writers discuss economics, nudity and exhibitionism, careers, and private lives.
El formato Jackass, donde Johnny Knoxville y sus amigos se someten al peligro de forma voluntaria, se adapta al cine 3D. En su primera semana en USA ha obtenido un enorme éxito de taquilla: nada menos que 50 millones de dólares, la película con mejor entrada del otoño 2010.
Documental centrado en la figura del artista marcial Bruce Lee, que incluye entre otras cosas algunas escenas inéditas de sus películas, descartes de "Juego Con la Muerte" y el montaje de 34 minutos de las escenas rodadas tal y como Bruce las había pensado.
