Masking Threshold (2022)

Un documental acerca del bulling en las escuelas de Estados Unidos.

A deconstruction of Dog Star Man that takes the four rolls and shows them first combined, then each combination of three rolls, then each combination of two rolls, then each individual roll. The plot is of a man who goes up a mountain with a dog to chop down a tree but has some unspecified transcendental experience while he is there.

Danny y Phil acaban de empezar las vacaciones y están bastante aburridos. Para salir de esta situación se disfrazan de caracaimán, una criatura mitad hombre, mitad lagarto, que vive en los pantanos, según cuenta la leyenda.

Andy Warhol’s screen adaptation of Burgess's "A Clockwork Orange”.

Un tiburón tigre (o tiburón blanco, según la escena de la película), criado por la Marina como una máquina de matar, está haciendo estragos en el pueblo turístico de Hampton Bay. Mientras tanto, la mafia local que se dedica a las inversiones en bienes raíces, envía a sus matones para que la situación no pueda ser controlada por las autoridades, y los residentes se vean forzados a abandonar sus casas. Dag, el dueño del acuario Sea World, junto con sus delfines, vienen al rescate para salvar a Hampton Bay. (FILMAFFINITY)

Pollet and Schlöndorff imagine the Mediterranean as a supernal arena.

A young filmmaker decides to make a movie about his day-to-day activities in an attempt to understand himself and get his life back in order. A precursor to reality television and vlogs.

Thoughtful documentary exploring the shocking court decision to grant custody to a child’s father, a convicted murderer, rather than her lesbian mother.

With extraordinary access, BLAST exposes a world of risky, hardcore, scientific adventure. The story follows an international team of astrophysicists trying to launch a multi-million dollar telescope on a NASA high-altitude balloon. Their journey to discover thousands of early galaxies takes them from the Arctic to the Antarctic. Revealing frustrations, inevitable failures and ultimate triumph, BLAST puts a human face on the quest to answer our most basic question - How did we get here? (IMDb)

A young woman works as a waitress in a diner. Her relationship with her boyfriend is unfulfilling and to further complicate things she is obsessed with a large hemangioma, or benign vascular tumor, on her hip (one that we actually never see). One day after she encounters a mysterious man wearing a hood and playing a clarinet she discover a small shack built out of cardboard. She crawls into it and suddenly we are transported to this young woman's interior world, a place where she meets her own doppelgänger in the form of a large doll who bears the same birthmark on her hip.

A woman rocks a cradle; a man comes to land from the sea, but leaves to view it from a distance.

A free flow from photography to geometric abstraction hand-painted by Breer. - Harvard Film Archive

A (barely) two minute short is that it was made specially for a Paramount newsreel segment on Bute and Nemeth making films in their teensy New York apartment. Paramount apparently never got round to including the filmmakers in any newsreel, but their own film survived in the Bute-Nemeth Archive. (weirdwildrealm.com) To the rhythm of music that sounds a bit like a Busby Berkeley tune, lines and circles appear against a black background. Then triangles, in groups. Black and white squares move in tandem. Sparkling forms turn in kaleidoscopic patterns. Then cubes appear, white against the background, bouncing; a yin and yang rotate a few times before the film ends with an quick burst of scattering light.

Mulvey's readings of the myth of Oedipus and the sphinx are layered atop 360º panning shots of various locales; the protagonist appears in elliptically-edited sequences.

Año 1855. En el Oeste americano, el teniente de Caballería Cam Elliott recibe la misión de capturar a Gato Negro, el jefe de los indios seminola, que lleva a su pueblo a la destrucción a través de luchas interminables. Gato Negro secuestra a Susan, la hija del coronel Hannah, con la intención de venderla a un grupo de blancos renegados a cambio de armas. El teniente Elliott, enamorado de la joven, perseguirá a los indios para rescatarla. (FILMAFFINITY)

Hutton's most impressive work ... the filmmaker's style takes on an assertive edge that marks his maturity. The landscape has a majesty that serves to reflect the meditative interiority of the artist independent of any human presence. ... New York is framed in the dark nights of a lonely winter. The pulse of street life finds no role in NEW YORK PORTRAIT; the dense metropolitan population and imposing urban locale disappear before Hutton's concern for the primal force of a universal presence. With an eye for the ordinary, Hutton can point his camera toward the clouds finding flocks of birds, or turn back to the simple objects around his apartment struggling to elicit a personal intuition from their presence. ... Hutton finds a harmonious, if at times melancholy, rapport with the natural elements that retain their grace in spite of the city's artificial environment. The city becomes a ghost town that the filmmaker transforms into a vehicle reflecting his personal mood.

A young man desperately seeks out the fleeting image of a female companion, and though he never quite catches her, he discovers much more through the surreal explorations of his own sexuality.

Experimental film consisting of a single static shot of the Empire State Building from early evening until nearly 3 am the next day.

Alex Wright es un joven que se encuentra investigando los extraños acontecimientos que vimos en la primera parte y por tanto, la desaparición del protagonista de aquella Sean Rogerson. Un día recibe un misterioso vídeo de un bloguero que firman con el pseudónimo de "DeathAwaits666". En ella puede ver como Sean Rogerson sigue vivo pero continúa atrapado en el hospital psiquiátrico Collingwood. Alex y sus amigos deciden quedar con el bloguero para tratar de obtener nueva información y de este modo descubrir qué ha sucedido realmente. Sin embargo, pronto se verán enfrentándose cara a cara con un mal que no puede definirse con palabras. Ahora, deberán ser más listos e inteligentes que lo que fueron Rogerson y sus amigos, y deberán hacer lo posible por salir del hospital antes de que sea demasiado tarde..

This portrait of the filmmaker's apartment, painted in the color of the title, was made a few months before his departure from New York. It is dedicated to the filmmaker Stan Brakhage and was shot without a scenario and edited entirely in the camera.