Порог маскировки (2022)
Жанр : ужасы, драма, триллер
Время выполнения : 1Ч 30М
Директор : Johannes Grenzfurthner
Краткое содержание
IT специалист-скептик, который уже отчаялся найти помощь, решает провести серию экспериментов в своей импровизированной домашней лаборатории. Всё это, чтобы вылечить мешающее жизни нарушение слуха. Но к чему приведут его исследования?
Жесткий взгляд на то, как школьная травля повлияла на жизнь пятерых ребят и их семей. Фильм пересекает географические, расовые и этнические границы.
A deconstruction of Dog Star Man that takes the four rolls and shows them first combined, then each combination of three rolls, then each combination of two rolls, then each individual roll. The plot is of a man who goes up a mountain with a dog to chop down a tree but has some unspecified transcendental experience while he is there.
Small-town Mississippians overreact to the appearance of a mythical swamp monster, partially the work of teen hoaxers.
Andy Warhol’s screen adaptation of Burgess's "A Clockwork Orange”.
A tiger shark bred by the Navy as a killing machine is wreaking havoc in the sleepy tourist town of Hampton Bay.
Pollet and Schlöndorff imagine the Mediterranean as a supernal arena.
A young filmmaker decides to make a movie about his day-to-day activities in an attempt to understand himself and get his life back in order. A precursor to reality television and vlogs.
Thoughtful documentary exploring the shocking court decision to grant custody to a child’s father, a convicted murderer, rather than her lesbian mother.
With extraordinary access, BLAST exposes a world of risky, hardcore, scientific adventure. The story follows an international team of astrophysicists trying to launch a multi-million dollar telescope on a NASA high-altitude balloon. Their journey to discover thousands of early galaxies takes them from the Arctic to the Antarctic. Revealing frustrations, inevitable failures and ultimate triumph, BLAST puts a human face on the quest to answer our most basic question - How did we get here? (IMDb)
A young woman works as a waitress in a diner. Her relationship with her boyfriend is unfulfilling and to further complicate things she is obsessed with a large hemangioma, or benign vascular tumor, on her hip (one that we actually never see). One day after she encounters a mysterious man wearing a hood and playing a clarinet she discover a small shack built out of cardboard. She crawls into it and suddenly we are transported to this young woman's interior world, a place where she meets her own doppelgänger in the form of a large doll who bears the same birthmark on her hip.
A woman rocks a cradle; a man comes to land from the sea, but leaves to view it from a distance.
A free flow from photography to geometric abstraction hand-painted by Breer. - Harvard Film Archive
A (barely) two minute short is that it was made specially for a Paramount newsreel segment on Bute and Nemeth making films in their teensy New York apartment. Paramount apparently never got round to including the filmmakers in any newsreel, but their own film survived in the Bute-Nemeth Archive. (weirdwildrealm.com) To the rhythm of music that sounds a bit like a Busby Berkeley tune, lines and circles appear against a black background. Then triangles, in groups. Black and white squares move in tandem. Sparkling forms turn in kaleidoscopic patterns. Then cubes appear, white against the background, bouncing; a yin and yang rotate a few times before the film ends with an quick burst of scattering light.
После рождения ребенка жизнь Луизы меняется, и женщина пытается адаптироваться к этим изменениям.
An angry Seminole chief wages war after his tribe is relocated from Florida to the American West.
Hutton's most impressive work ... the filmmaker's style takes on an assertive edge that marks his maturity. The landscape has a majesty that serves to reflect the meditative interiority of the artist independent of any human presence. ... New York is framed in the dark nights of a lonely winter. The pulse of street life finds no role in NEW YORK PORTRAIT; the dense metropolitan population and imposing urban locale disappear before Hutton's concern for the primal force of a universal presence. With an eye for the ordinary, Hutton can point his camera toward the clouds finding flocks of birds, or turn back to the simple objects around his apartment struggling to elicit a personal intuition from their presence. ... Hutton finds a harmonious, if at times melancholy, rapport with the natural elements that retain their grace in spite of the city's artificial environment. The city becomes a ghost town that the filmmaker transforms into a vehicle reflecting his personal mood.
A young man desperately seeks out the fleeting image of a female companion, and though he never quite catches her, he discovers much more through the surreal explorations of his own sexuality.
Experimental film consisting of a single static shot of the Empire State Building from early evening until nearly 3 am the next day.
В руки к режиссёру-юнцу Алексу попадает фильм ужасов «Искатели могил». Кино не производит на него впечатления, но отношение Алекса меняется, когда ему анонимно присылают странный видеоролик, смахивающий на вырезанную сценку из «Искателей». Заинтересовавшись посланием, Алекс пытается найти создателей хитового ужастика. Тщетность этих попыток наталкивает парня на мысль, что снятое в «Искателях» произошло на самом деле, и авторы фильма мертвы. Продолжая расследование и получая новые доказательства своей теории, Алекс решается на последний шаг: он предлагает своим друзьям забраться в ту самую заброшенную психушку, где снимались «Искатели могил».
This portrait of the filmmaker's apartment, painted in the color of the title, was made a few months before his departure from New York. It is dedicated to the filmmaker Stan Brakhage and was shot without a scenario and edited entirely in the camera.