Sakhi (2008)
Género : Romance, Drama
Tiempo de ejecución : 2H 30M
Director : Sanjay Soorkar
Escritor : Yogesh Khadikar
Sinopsis
The friendship between a widower and a married woman is misunderstood.
Marco, un entrenador profesional de baloncesto, se encuentra un día, en medio de una crisis personal, entrenando a un equipo compuesto por personas con discapacidad intelectual. Lo que comienza como un problema se acaba convirtiendo en una lección de vida.
Una amistad poco convencional se desarrolla entre un batería bipolar de un grupo de rock y un adolescente con síndrome de Asperger que está recluido en una institución.
El narrador y mago conceptual Derek DelGaudio intenta comprender la naturaleza ilusoria de la identidad y responder a la pregunta engañosamente simple "¿Quién soy yo?"
Una pequeña familia "un padre y un hijo" vive en el último piso de una casa antigua. El padre se retiró del ejército, cuando era un estudiante en la escuela de vuelo experimentó el primer y el único amor de su vida. Esta chica se convirtió en su esposa y dio a luz a su hijo. Ambos tenían entonces veinte años. La esposa murió cuando era joven. Este amor siguió siendo su secreta felicidad única. El hijo creció, y probablemente será un militar como su padre. Los rasgos del hijo recuerdan constantemente al padre de su esposa. No separa a su hijo de su amor persistente: ésta es su unidad con su mujer amada. El padre no puede imaginar su vida sin su hijo. El hijo ama a su padre con devoción y profundidad, un sentimiento filial intensificado por una responsabilidad moral instintiva que está siendo probada por la vida. Su amor es casi de virtud mitológica y de escala. No puede suceder en la vida real. Esta es una colisión de cuento de hadas.
Tres formas distintas de ver y expresar cómo una situación que parece normal termina desembocando inexorablemente en un estallido de violencia. Un padre que teme perder una hija. Un marido que se siente engañado. Un viajero que decide que su viaje y el de sus compañeros no tiene por qué continuar. (FILMAFFINITY)
This enticing period melodrama depicts a long-suffering woman's relationship with her brilliant but self-destructive writer husband in postwar Tokyo. Based on a semi-autobiographical 1947 novel by Osamu Dazai, the story centers less on the womanizing, heavy-drinking, suicidal hero than on the wife who loves him. Written by Palm Springs International Film Festival
A sweeping small town romance exploring the grit of craft, the heart of family, and the pains of love, told over the span of several years.
A la mansión del excéntrico capitán Shotover (Ramaz Chjikvadze) llega una comitiva de extravagantes personajes, entre los que están Ellie Dunn (Victoria Amitova) y su prometido, el Jefe Mangan (Ilya Rivin). A la amenaza de una guerra inminente se unen los escarceos amorosos, los pantagruélicos banquetes, muertes súbitas, autopsias y resurrecciones. Finalmente, los personajes se encontrarán en una precaria balsa en medio del océano, lo que representa la incertidumbre del futuro en un medio tan peligroso como inestable. Libérrima adaptación de la obra de teatro de George Bernard Shaw "La casa de las penas" (Heartbreak house). El autor intervendrá en la historia para tratar de poner orden en la representación de su propia obra. (FILMAFFINITY)
Robert Lund (Roy Bjornstad) is a weary man, and his days as a starring saxophone player seem to be near their end. The Nazis have occupied Norway for some time, and he has been passing the time by telling his son Bobby (Erik Andersson) some tales of his previous exploits.
Recently divorced, aspiring filmmaker Helen (Jennifer Rubin) enters into a love triangle fueled by sexual hunger and manipulation. But as she attempts to define herself and fulfill her wants and needs, she must choose between her independence and her men. As Helen's exploits with controlling lover Paul (Michael Cerveris), casual beau Randy (Grant Show) and friend Donald (Lance Edwards) become fodder for her script, her choice becomes clear.
At a big party, Roger Fallon, now a woman-hater, right to the core - this all due to a failed marriage and disastrous love affairs - talks to Herbert Drake. Herbert who is happily married, bets Fallon that the next woman who walks into the room, whoever she is, won't let Fallon kiss her for 48 hours. Fallon takes the bet. Suddenly, a very beautiful and sexy woman walks in. It's Herbert's wife, Jeanne Drake...
Two lives look for meaning into a time that was lived, dreamed, and above all, felt.
Two couple leave Kathmandu to go the village where a lot of conflict happen.
Yamashita Takako works in the food section of a department store. She pays frequent visits to a reputable local Chinese restaurant about opening an in-store branch. The owner of the restaurant, Wang Qingkuo from Shanghai, who does all the cooking by himself, gives Takako the brush-off. One day, however, Wang collapses due to overwork, and is left with partial paralysis. Hearing the rumor of the restaurant’s closure, Takako resigns from the department store and becomes an apprentice to Wang.
Since her parents passed away, Princess Mona lives by herself in a castle with two hideous, ghastly characters, Goomi and His Lordship. One day her sobs draw the attention of a unicorn, called U, who wants to comfort and protect Mona for as long as she needs. U becomes Mona's companion, her confidant and her inseparable friend. While Mona grows into a beautiful princess, a group of charming, peaceful and fanciful Yeah-Yeah’s settles in the neighboring forest. They have no particular special powers, yet they soon bring about major changes in everyone's lives, especially in Kulka, the dreamy musician.
Standing still in front of the open window, a woman stares at the dark clouds that obscure the sky. Immobile, she fights against the remembrances of the past. In the clouds, a passionate embrace appears.
A film about non-territorial office space, multi-mobile knowledge workers, Blackberries and Miles&More. A road movie discovering the working world of tomorrow. This documentary will take you on a journey through the post-industrial knowledge and services workshops, our supposed future working place. In this new world work will be handled more liberally. Time clocks cease to exist. Attention is not compulsory any more. The resource “human“ comes into focus. The film closely follows the high-tech work force – people who are highly mobile and passionate to make their work their purpose in life. Further episodes resume this topic and lead into the world of modern office architecture and into the world of Human Resource Management.
En un mundo marcado por el estrés del trabajo, las prisas y el aislamiento forzado o voluntario al que nos vemos sometidos, a menudo es fácil olvidar que somos seres sociales y que, en el fondo, siempre necesitamos que alguien nos escuche.
