Subodh Bhave

Vaalvi is a dark comedy that explores the profound human nature involving selfishness, apathy and self-preservation.

The young Shivaji Shahaji Bhosale is building the foundation of Hindavi Swarajya. This is the beginning of a memorable journey for the man who will go on to be known as Chhatrapati Shivaji Maharaj. But to turn this dream of Swarajya into reality, he must unite the Watandars.

With humor riding the forefront, Basta tracks the ride that the families of a bride and a groom have to go on to find the deal breaker. One of the most important aspects of the wedding

Every person has to take 'one decision', which would help the person give his life a direction in a way and manner he wishes. This story is about three people, who too had to take one such decision in their respective lives. What follows next is how their lives change after that one decision.

The true story of the first Marathi superstar Kashinath Ghanekar, chronicling his struggles and hardships in marriage and life to pursue his passion for acting and attain the unmatched heights of stardom in Marathi theatre and cinema.

Cuando su esposa comienza a comportarse de formas extrañas, un hombre trata de descubrir si sufre de un desorden de personalidad o si es algo más siniestro.

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A Romantic Love Story of a Married Couple. The Lead Actor "Subodh Bhave" is an Architect and the Lead Actress "Sonalee Kulkarni" is an Assistant Photographer. Two people are meant to be together, they will always find their way back to one another. A story of how two people realize their love, worth for each other and get back to one another with a "Happy Ending".

Anirudh Godbole and Naina are a contemporary upwardly mobile middle-class Maharashtrian couple. They stay with their 2 daughters in a comfortable flat in suburban Mumbai. Anirudh has a well-paid job in a corporate firm and Naina is a rising singer. They invite few of their close friends over dinner to celebrate the release of Naina's music album. The evening begins on a very pleasant and relaxed note. Soon they witness the crime being committed in the neighbouring building and the evening turns into a moral hell for all.

An emotional drama that explores the marital crisis of a couple through turbulent times.

It is story based on current mindsets and set of thoughts of youth towards relationship and togetherness, moreover a new age complexities in relationship and the realization and solutions the youth comes out with. They are very much stick to their individuality and approach towards life and courtship, which they want their partners to accept anyway. In fact, singles begin to test for acceptance from their new partner fairly soon after meeting. As the couple moves toward establishing a relationship, they apply many conditions on each other to accept i.e., "accept me as I am and let me live with my lifestyle and perspectives even if we are together". However, acceptance alone does not make for a solid, life-long happy relationship, as it is only half the story of what makes a relationship work. When it comes to another aspect adaptation of "change" in their regular lives, acceptance vanishes.

Fugay is a story of two best friends which will be releasing on 10 February 2017 starring Swwapnil Joshi and Subodh Bhave. Shooting Locations at Satara and Goa.

After years spent living off the modest wealth of his in-laws, a man hatches a desperate plan that draws his respectable middle-class family into a vortex of crime.

Impostor grandparents prove to be far more fun than real ones.

Katyar Kaljat Ghusli is a 2015 Marathi film based on a play by the same name. Directed by Subodh Bhave, the film stars Sachin Pilgaonkar, Shankar Mahadevan, and Subodh Bhave in lead roles. The film marks the acting debut for Mahadevan and directorial debut for Bhave. The original play premiered in 1967 in Mumbai, where Hindustani classical vocalist Vasantrao Deshpande played one of the protagonists. In 2010, the play was relaunched with protagonists essayed by Rahul Deshpande, grandson of Vasantrao Deshpande and singer Mahesh Kale. The film's music is composed by Shankar–Ehsaan–Loy, and retained some of the songs from the original play composed by Jitendra Abhisheki.

Katyar Kaljat Ghusli is a 2015 Marathi film based on a play by the same name. Directed by Subodh Bhave, the film stars Sachin Pilgaonkar, Shankar Mahadevan, and Subodh Bhave in lead roles. The film marks the acting debut for Mahadevan and directorial debut for Bhave. The original play premiered in 1967 in Mumbai, where Hindustani classical vocalist Vasantrao Deshpande played one of the protagonists. In 2010, the play was relaunched with protagonists essayed by Rahul Deshpande, grandson of Vasantrao Deshpande and singer Mahesh Kale. The film's music is composed by Shankar–Ehsaan–Loy, and retained some of the songs from the original play composed by Jitendra Abhisheki.

The film encompasses some of a lifetime span of the legend - "Father of Indian Unrest"

Maalinga becomes a victim of MLA Jaganath Kaalam's exploitation but seeks justice. After the MLA's contact with influential personalities makes her life even more difficult, she decides to fight back.

The current competitive lifecycle invited many stressful moments. The younger generation is looking towards spiritual way to find peace and calmness. Corporates are mining for profits by commercializing faith of such people. Swami Public Ltd. speaks about this issue.

The film is about a postman, whose wife has a habit of reading the letters of people. A postman's job is to deliver letters, and initially he never gets involved with the content of the letters. But when his wife comes across a letter and shares the content with her husband, since then the postman also unknowingly gets attached to the recipients and their emotions. The content of the letters make him restless, and somewhere he starts feeling guilty, thinking whether he should help these people. And what comes ahead is a masterpiece journey of his life.

Anumati is the story of an old mans attempts to save his dying wife. For all practical reasons the doctors have given, but Ratnakar is desperate to hold on to the world his wife Madhu has woven. He is not ready to sign the DNR form that permits the doctors to remove external life support to the patient. In the face of absolute money shortage, Ratnakar tries everything - borrowing from relatives, appealing to charity trusts and coaxing insurance companies. He tries to raise money trying to sell the very house that he had built with his wife. His trauma of facing life without his life partner is unbearableHe is still hopeful that their proposed trip to America will actually become a reality when his wife recovers. Anumati is the consent that Ratnakar refuses to give to let his wife die. He finds himself in a corner, helplessly trapped between emotions and practicality, being forced against his wishes, to give up on his longlasting partnership a dilemma that only fate can solve

The movie is based on the concept of roaming cinema which was one of the oldest traditions in the bygone era of Indian cinema where the movies were showcased in tents for the local folks also knows as Touring talkies. For the past few decades these films have made a common recurring occurrences in most of the Carnival Fun fair taking place across villages where the Marathi Cinema is adored in a completely distinctive fashion.

BP is about four teenage friends (Avya, Bhagya, Chiu and Dolly), who over hear that, a friend, a resident of their colony, Jyoti tai, has left their colony, as she has brought disgrace to her family. Having received unsatisfactory explanations from their parents for Jyoti tai's exit. It becomes imperative to find out what exactly was her disgraceful act. Kids decide to take up this challenge. In this journey to discover, they end-up bonding little too much with their over mature school-mate 'Vishu', the guiding star for the foursome. He enlightens them by throwing his divine light upon blue films. He feels, one has to read, watch, and if need be, perform to understand the true meaning of life (read SEX).

Bharatiya is a story set in a village called "ADNIDE" on the borders of Maharashtra and Karnataka. As part of the fiction, the narrative details the alienation of the village folk from the mainstream because of the lack of amenities. The villagers are brought over for votes by politicians from both sides of the border but when it comes to fulfilling promises or furthering development of the village, the politicians turn a blind eye.

Paulwaat is film about a middle-class youth who attempts to follow his dreams in the gut-wrenching bowels of Mumbai’s music industry. While the film has, at its heart, an honest story, it is let down by poor technique and direction. Apart from failing to capture, in any measure whatsoever, the essence of the struggle that one has to truly endure in Mumbai, it also fails to explore some potentially interesting characters and relationships. Poor attention to detail adds to the woes of this film. Though by no means an unwatchable film, one sorely misses a strong directorial voice in this honest story.

Balgandharva, the eminent towering singer from the bygone golden era of Marathi "sangeet natak" (musical dramas) definitely deserved some modern celluloid space. This film does well to document his life, the younger generation who is unaware of his charisma will get to know him. The film chronicles his life , his acting career well. It gives a good overview of how the drama companies were run and how he influenced the running. His values and character stand out amidst all the tragedies in his life.

A suspicious husband goes to great lengths to spy on his wife.

Lokesh, an innocent kid who loves playing his guitar, is turned into a psychotic killer thanks to a traumatic childhood experience, courtesy his ruthless father. Lokesh's passion for playing the guitar turns into an obsession for making disturbing tunes for spreading a message to the world, a message by God, and Lokesh believes himself to be God's Messenger. Whoever is unfortunate enough not to understand his music and his message doesn't deserve the right to live. Reva, a lonely young girl, torn apart by her parent's separation, feels the pain and the passion behind Lokesh's music, but oblivious to his psychotic killing spree, she puts herself, her friend and her kid sister, in danger of Lokesh's wrath!

Avinash and Ravee come face to face and recognize each other despite several years of separation. Ravee has become a drug-addict due to circumstances. On that rainy day, they recall their days when they were kids and what led to their separation.

Sanai Choughade is a Marathi movie released in 2008. Produced by Deepti Shreyad Talpade & directed by Rajeev Patil. It is a family entertainer full of twists & turns which forces everyone to inspect the conventional arranged marriage system

The friendship between a widower and a married woman is misunderstood.

Ratnagiri-based young Gargi, who lives a fairly wealthy lifestyle with her widowed mother, Devki, re-locates to Pune to enroll in a hostel. It is here she will have to deal with a hostile ...

Nilambari's parents disapprove of her relationship with Vihang and get her married to Nikhil. However, when they meet years later, Nilambari and Vihang spend time together as she is terminally ill.

The innocent daughter of a simple man starts behaving in an erratically odd manner after his wife dies. The daughter claims that she can still see her mother and that she still lives with them in the same house. Horror is added to the already mysterious situation when she says that she also sees a man named Raghav.

A biographical,historical film based on the life events of legendary freedom Leader Lokmanya Baal Gangadhar Tilak.

Based on C.T. Khanolkar’s novel “Agochar”. C.T. Khanolkar, a notable luminary in the field of literature is the author of the great work “Agochar”. Agnidvya is born from his renowned creation. Relations, moral and destiny are the 3 pillars of his unique story, which is set on the backdrop of the science but enigmatic Konkan region. In the struggle between the autocratic despot Anandrao Desai and the principled and scrupulous Nandini, it is not only Nandini, but the cursed old mansion which has to undergo the test of the cleansing fire, or Agnidivya. Nandini’s first sight itself kindled a fire within Anandrao. Enchanted by her beauty, he brought her into the house as the wife of his brother Achyut, who being insipid and lacking backbone was the antithesis of his brother. Anandrao who hitherto was used to having total control and command over all women not only in the household but the entire town, met his match in his lone antagonist Nandini.