National Theatre Live: The Book of Dust — La Belle Sauvage (2022)
Género : Drama, Fantasía
Tiempo de ejecución : 3H 0M
Director : Tim Van Someren, Matthew Amos
Sinopsis
Two young people and their dæmons, with everything at stake, find themselves at the centre of a terrifying manhunt. In their care is a tiny child called Lyra Belacqua, and in that child lies the fate of the future. And as the waters rise around them, powerful adversaries conspire for mastery of Dust: salvation to some, the source of infinite corruption to others.
Un grupo de chicas, unidas por el mismo deseo de triunfar en el teatro, conviven en una residencia regentada por antiguas actrices, las cuales muestran su entusiasmo y envidia al mismo tiempo ante el futuro que espera a sus pupilas. Algunas logran alcanzar el éxito, pero otras no tendrán más remedio que olvidar sus sueños y volver al pueblo del que partieron un día.
Basada en una obra teatral del propio Stoppard. Narra la historia del príncipe Hamlet a través de dos personajes secundarios que aparecen en el drama de William Shakespeare.
A war between two families, who live in the same building.
Myrtle Gordon, actriz de Broadway, ensaya su último obra sobre una mujer incapaz de admitir que envejece. Cuando es testigo de la trágica muerte de una de sus fieles seguidoras, comienza a enfrentarse al torbellino en la que su propia vida personal y profesional se ha adentrado. "Opening Night", con escenas rodadas con la presencia de público que reaccionan con libertad a las actuaciones que ven sobre el escenario, expone el drama de una actriz que, con gran desgaste personal consigue hacer suyos los papeles que interpreta.
Una chica que se lanza a vivir; su mejor amigo; y un tipo problemático. Tres adolescentes en pleno proceso de autoconocimiento, tres incógnitas para una ecuación imposible.
In London at the turn of the century, underworld kingpin Mack the Knife marries Polly Peachum without the knowledge of her father, the equally enterprising 'king of the beggars'.
Londres, Inglaterra, 5 de noviembre de 1892, Noche de Guy Fawkes. El famoso dramaturgo Oscar Wilde y su amante, lord Alfred Douglas, acuden discretamente a un burdel de lujo donde el propietario, Alfred Taylor, ha preparado una sorpresa para el renombrado autor: una representación privada y muy especial de su obra «Salomé», prohibida por las autoridades, en la que participarán el propio Taylor y los peculiares habitantes del exclusivo establecimiento.
Una eterna aspirante a primera actriz, encargada del guardarropa, un joven deslumbrado por las "stars" de Broadway que busca trabajo de lo que sea... Ella le apadrinará para entrar en el teatro de la farándula y esto acarreará mil situaciones complicadas y divertidas. (Eddie Constanti)
The story of an egotistical crime writer who gets involved with the case of a notorious art thief (who is believed to be dead) while at the same time romancing a lovely young actress who's in a play that also happens to be the cover for massive jewel job. Art connoisseur and criminologist George Melville is hired to track down art thieves, assisted by perky Claire Peyton and goaded by Phil Bane, the roaring newspaper editor who has employed him. The mastermind poses as a theatrical impresario and stages a war drama, replete with loud explosions, to divert attention from his band of thieves, who are cracking safes in a bank adjacent to the theater.
A private stationed in Hawaii gets involved with the general's engaged daughter. In order to avoid a scandal, the pair break up, but meet again years later when he's at West Point producing the annual play that turns out to star her.
Película de tres episodios independientes. En "Chapuzas Reunidos", una pareja de amantes decide llamar a una empresa de chapuzas para solucionar una avería. "El Chato de la Mandanga" es un vividor que ronda la hija de un ventero sevillano. "Amor a los animales" narra un día cualquiera en la consulta de un veterinario.
National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.
When an old adversary threatens Rome, the city calls once more on her hero and defender: Coriolanus. But he has enemies at home too. Famine threatens the city, the citizens’ hunger swells to an appetite for change, and on returning from the field Coriolanus must confront the march of realpolitik and the voice of an angry people.
New recording of the most succesful play of Prague's National Theater starring Miroslav Donutil. Goldoni's comedy "Servant of Two Masters" is typical example of classical "commedie dell'arte". Beatrice arrives in Venice dressed as her brother who was killed by her lover Florindo. Florindo also escapes from Tourine. Beatrice hires Truffaldino, a servant who also lets himself be hired by another master to get twice as much money and food. The second master is indeed Florindo, who coincidentally accomodates in the same hostel as Beatrice...
The film is a stage play hybrid showcasing dark and absurd sketches based on contemporary Hungarian news of the 2000's with campy, senseless musical interludes in-between. Highly experimental in nature that - like Marmite - will split its' crowd into ones that'll love it and others that'll loathe it. There's no middle grounds here. The topics included are: The Hungarian Olympians' doping scandal, political terrorism, the national elections... and more.
Six men, one woman (and her brother) come together with one goal - to make the play. It would be probably another common story that this theater group is composed of anti-heroes who float lost in time and space, in a town where it seems that the sun sets in the east. Led by Sasha, a director who has recently returned to his hometown, this group of socially neadaptiranih amateurs starting the fight to their demons and the prejudices that surround them in the society. For dramaturgical template selection western and riding on stereotypes of the genre of the struggle between good and evil, the conflict between civilization and wilderness, the protagonists develop their life stories inevitably influencing and changing each other. Although, as time passes, the show looks increasingly like a mission impossible, almost all of its stakeholders is increasingly seen as a metaphor for their fate and get caught for it as the opportunity of a lifetime .
