National Theatre Live: The Book of Dust — La Belle Sauvage (2022)
장르 : 드라마, 판타지
상영시간 : 3시간 0분
연출 : Tim Van Someren, Matthew Amos
시놉시스
Two young people and their dæmons, with everything at stake, find themselves at the centre of a terrifying manhunt. In their care is a tiny child called Lyra Belacqua, and in that child lies the fate of the future. And as the waters rise around them, powerful adversaries conspire for mastery of Dust: salvation to some, the source of infinite corruption to others.
The ups and downs in the lives and careers of a group of ambitious young actresses and show girls from disparate backgrounds brought together in a theatrical hostel. Centres particularly on the conflict and growing friendship between Terry Randall, a rich girl confident in her talent and ability to make it to the top on the stage, and Jean Maitland, a world weary and cynical trouper who has taken the hard knocks of the ruthless and over-populated world of the Broadway apprentice.
Julian Marsh is an out of work ladies' man who lands a job directing a bizarre adaptation of Hamlet. After casting his best friend and his ex-girlfriend in the show, Julian finds himself in the middle of a two thousand year old conspiracy that explains the connection between Shakespeare, the Holy Grail and some seriously sexy vampires. It turns out that the play was actually written by a master vampire name Theo Horace and it's up to Julian to recover the Grail in order to reverse the vampire's curse...If only being undead wasn't so much God-damned fun!
A war between two families, who live in the same building.
한 젊은 여성 팬이 그녀의 우상 머틀 고든를 만나려 하다 사고로 죽게 된다. 그녀의 죽음을 목격한 머틀은 책임감을 느끼게 되고 배우로서 경력에 있어 감정적인 위기를 겪게 된다.
An aspiring actress, her misfit best friend, and a loner become engaged in an intimate and complicated relationship.
독일이 자랑하는 20세기 서양연극사의 거장 <베르톨트 브레히트>의 대표작!
도덕적으로 사는 것이 아니라 도덕을 수단으로 팔며 살아가는
자본주의시대의 뒷면을 신랄한 풍자와 비판적 웃음으로 풀어낸 브레히트 연극의 결정판 1900년 무렵 런던을 무대로 도적단 수령 메키는 거지짓을 기업화한 사업가 피첨의 딸 폴리와 결혼하지만 매춘부 제니를 배신함으로써 투옥된다. 총감의 딸 루시의 도움으로 탈옥한 메키는 다시 잡혀 교수대에 오르는데..
London, England, November 5th, 1892, Guy Fawkes Night. The famous playwright Oscar Wilde and his lover Lord Alfred Douglas discreetly go to a luxury brothel where the owner, Alfred Taylor, has prepared a surprise for the renowned author: a private and very special performance of his play Salome, banned by the authorities, in which Taylor himself and the peculiar inhabitants of the exclusive establishment will participate.
Silent comedy about the travails of a third-rate traveling theatre company.
The story of an egotistical crime writer who gets involved with the case of a notorious art thief (who is believed to be dead) while at the same time romancing a lovely young actress who's in a play that also happens to be the cover for massive jewel job. Art connoisseur and criminologist George Melville is hired to track down art thieves, assisted by perky Claire Peyton and goaded by Phil Bane, the roaring newspaper editor who has employed him. The mastermind poses as a theatrical impresario and stages a war drama, replete with loud explosions, to divert attention from his band of thieves, who are cracking safes in a bank adjacent to the theater.
A private stationed in Hawaii gets involved with the general's engaged daughter. In order to avoid a scandal, the pair break up, but meet again years later when he's at West Point producing the annual play that turns out to star her.
National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.
수많은 전란 속에서 로마를 구한 ‘가이우스 마르티우스’ 장군. 코리올리 시의 침략 전쟁에서 승리를 거두며 ‘코리올라누스’라는 이름을 얻은 그는 로마 최고위 직책인 집정관에 추대된다. 그러나 평민을 대표하는 호민관들은 민중을 혐오하고 오만한 그가 집정관이 되는 것에 반대한다. 결국, 반역자로 낙인 찍혀 국가로부터 추방당한 코리올라누스는 복수를 위해 로마를 공격할 계획을 세운다
New recording of the most succesful play of Prague's National Theater starring Miroslav Donutil. Goldoni's comedy "Servant of Two Masters" is typical example of classical "commedie dell'arte". Beatrice arrives in Venice dressed as her brother who was killed by her lover Florindo. Florindo also escapes from Tourine. Beatrice hires Truffaldino, a servant who also lets himself be hired by another master to get twice as much money and food. The second master is indeed Florindo, who coincidentally accomodates in the same hostel as Beatrice...
The film is a stage play hybrid showcasing dark and absurd sketches based on contemporary Hungarian news of the 2000's with campy, senseless musical interludes in-between. Highly experimental in nature that - like Marmite - will split its' crowd into ones that'll love it and others that'll loathe it. There's no middle grounds here. The topics included are: The Hungarian Olympians' doping scandal, political terrorism, the national elections... and more.
Six men, one woman (and her brother) come together with one goal - to make the play. It would be probably another common story that this theater group is composed of anti-heroes who float lost in time and space, in a town where it seems that the sun sets in the east. Led by Sasha, a director who has recently returned to his hometown, this group of socially neadaptiranih amateurs starting the fight to their demons and the prejudices that surround them in the society. For dramaturgical template selection western and riding on stereotypes of the genre of the struggle between good and evil, the conflict between civilization and wilderness, the protagonists develop their life stories inevitably influencing and changing each other. Although, as time passes, the show looks increasingly like a mission impossible, almost all of its stakeholders is increasingly seen as a metaphor for their fate and get caught for it as the opportunity of a lifetime .