Reservoir (Seven Fragments) (2022)
Género : Documental
Tiempo de ejecución : 10M
Director : John Winn
Sinopsis
Set at an artificial reservoir in North Carolina, RESERVOIR (SEVEN FRAGMENTS) is a meditation on the unnatural histories of the American environment. The film approaches both the cinematic image and the landscape it captures as damaged, estranged things—things adrift in a world of irreparable discord.
Pen and Jake have to rescue Princess Bubblegum from the antagonistic Ice King.
En sus 200.000 años de existencia, el hombre ha roto el equilibrio de casi 4.000 millones de años de evolución de la Tierra. El precio a pagar es considerable, pero es demasiado tarde para ser pesimistas. A la humanidad le quedan diez años escasos para invertir la tendencia, concienciarse de la explotación desmesurada de las riquezas de la Tierra y cambiar el modo de consumo. Yann Arthus-Bertrand, con sus imágenes inéditas de más de 50 países vistos desde el cielo, compartiendo con nosotros su capacidad de asombro y también sus preocupaciones, coloca, con esta película, una piedra en el edificio que tenemos que reconstruir, todos juntos.
Un hombre se despide de su hija y parte hacia otro lugar. Con el tiempo va creciendo, forma una familia y llega a la vejez, pero en su interior siempre hay un profundo anhelo por su padre.
22 Light-years draws on a range of visual sources, including photographic negatives, diagrams, found patterned papers, and archival footage. These sources merge, sometimes uncomfortably, with video that was screen-recorded while operating desktop home design software. By creating digital floor plans, landscaping, and roofless homes in real time, and manipulating those videos to move them further away from the software’s intent, Geiser fabricates a digitally lush, elliptical, uncanny world, where home planning never results in a tangible home. The familiar material elements (negatives, diagrams, flower seed packets) wear the skin of the immaterial realm, suggesting time as simultaneous, mutable, and unknown. (janiegeiser.com)
A modern adaptation of Guy de Maupassant's short story about a man and a woman sharing an unexpected encounter on a train as it travels through a beautiful and surreal landscape.
A musical horror story about two young women who are stalked through a shopping mall by a cannibal. He follows them home, and here the victims become the aggressors.
Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns within wings, similar to the veins in a leaf. Sometimes the images look like paper cutouts, like Matisse. Green objects occasionally appear. Most wings are translucent. The technique makes them appear to be stuck directly to the film.
Un hombre se casa con una mujer, y ésta le es infiel. El hombre, por venganza, la asesina, siendo condenado a muerte... Aclamada película checa por su innovador sistema narrativo: todo el film está rodado al revés, comenzando por final y terminando con el principio, e incluso los diálogos están pronunciados a la inversa.
El día de su boda, Millie, una novia quisquillosa, deja plantado al novio en el altar con la ayuda de su hermana, Emma, y se embarca en una aventura que le cambiará la vida.
After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.
An experimental short film by Walerian Borowczyk and Jan Lenica.
Single frame exposures of words.
A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time. Part of the Dog Star Man series of experimental films.
This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.
Take a cross-country flight over Ireland's natural wonders and ancient ruins. In this spectacular overview of the historically significant Emerald Isle, we soar over Neolithic tombs of the Celtic era, medieval castles of the Vikings, and modern cities humming with life. From the tower that inspired a novelist to the ancestral home of a famous stout, we explore the sites, the people, and the milestones of this unique gem of Western Europe.
“I've never seen light that looks or feels so dark; forward moving possibility united with so much cosmic terror.”—Marilyn Brakhage
Consistent stylistic-thematic structures link and merge throughout the bewildering event chain. The distinction between organic forms and human artifacts is blurred by the visual style which is enigmatic without being ambiguous.
A young woman is fed up with the usual consumer's television and begins to make her own television, or more correctly, closevision. She is now a reporter who wanders around Berlin with her camera and 'telecasting apparatus' on her back. Her livingroom has been transformed into a studio and here the different programs are assembled and aired: statements, interviews, realistic and phantastic programs.
Short experimental film by Paul Clipson
Set at an artificial reservoir in North Carolina, RESERVOIR (SEVEN FRAGMENTS) is a meditation on the unnatural histories of the American environment. The film approaches both the cinematic image and the landscape it captures as damaged, estranged things—things adrift in a world of irreparable discord.