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Reservoir (Seven Fragments) (2022)

Жанр : документальный

Время выполнения : 10М

Директор : John Winn

Краткое содержание

Set at an artificial reservoir in North Carolina, RESERVOIR (SEVEN FRAGMENTS) is a meditation on the unnatural histories of the American environment. The film approaches both the cinematic image and the landscape it captures as damaged, estranged things—things adrift in a world of irreparable discord.

Актеры

Экипажи

John Winn
John Winn
Director
John Winn
John Winn
Sound
Aaron Dowdy
Aaron Dowdy
Sound

Подобные

Adventure Time
Pen and Jake have to rescue Princess Bubblegum from the antagonistic Ice King.
Дом. История путешествия
Фильм демонстрирует нам красоту планеты и последствия разрушений, нанесенных деятельностью человека. Незаживающие шрамы, нанесенные Земле промышленными производствами, последствия войн, экологических катастроф, раскрывают зрителю реальную ситуацию на планете.
Отец и дочь
Отец попрощался со своей маленькой дочерью и пропал навсегда. Девочка растет, сменяют друг друга времена года. Даже становясь взрослой, героиня тоскует по исчезнувшему отцу. Она обзаводится собственной семьей, стареет, но глубокая печаль никуда не уходит, навсегда оставаясь в сердце осиротевшего ребенка. Мультфильм «Отец и дочь» получил «Оскар», как лучший анимационный короткометражный фильм, а также награду Британской киноакадемии.
22 Light-Years
22 Light-years draws on a range of visual sources, including photographic negatives, diagrams, found patterned papers, and archival footage. These sources merge, sometimes uncomfortably, with video that was screen-recorded while operating desktop home design software. By creating digital floor plans, landscaping, and roofless homes in real time, and manipulating those videos to move them further away from the software’s intent, Geiser fabricates a digitally lush, elliptical, uncanny world, where home planning never results in a tangible home. The familiar material elements (negatives, diagrams, flower seed packets) wear the skin of the immaterial realm, suggesting time as simultaneous, mutable, and unknown. (janiegeiser.com)
The Idyll
A modern adaptation of Guy de Maupassant's short story about a man and a woman sharing an unexpected encounter on a train as it travels through a beautiful and surreal landscape.
Possibly in Michigan
A musical horror story about two young women who are stalked through a shopping mall by a cannibal. He follows them home, and here the victims become the aggressors.
Mothlight
Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns within wings, similar to the veins in a leaf. Sometimes the images look like paper cutouts, like Matisse. Green objects occasionally appear. Most wings are translucent. The technique makes them appear to be stuck directly to the film.
Happy End
A dark comedy about a murder and its consequences presented in a backwards manner, where death is actually a rebirth. The film starts with an "execution" of the main protagonist and goes back to explore his previous actions and motivations.
Different Flowers
Uptight Millie Haven has always followed the rules, but when she has doubts before her big Kansas City wedding, her attitude-prone little sister Emma, the least likely of heroes, comes to the rescue. They embark on a spontaneous roadtrip to their grandmother’s farm where, with the help of Grandma Mildred, they rediscover their bond.
Друг мира
После катастрофической глобальной войны молодой режиссер просыпается в кровавой бойне и ищет убежища в единственном выжившем: эксцентричной, идеологически оппозиционной фигуре вооруженных сил Соединенных Штатов. Вместе они преодолевают токсичный ландшафт в поисках безопасности... и ответов.
House
An experimental short film by Walerian Borowczyk and Jan Lenica.
Word Movie
Single frame exposures of words.
Prelude: Dog Star Man
A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time. Part of the Dog Star Man series of experimental films.
Spheres
This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.
Aerial Ireland
Take a cross-country flight over Ireland's natural wonders and ancient ruins. In this spectacular overview of the historically significant Emerald Isle, we soar over Neolithic tombs of the Celtic era, medieval castles of the Vikings, and modern cities humming with life. From the tower that inspired a novelist to the ancestral home of a famous stout, we explore the sites, the people, and the milestones of this unique gem of Western Europe.
Prometheus
“I've never seen light that looks or feels so dark; forward moving possibility united with so much cosmic terror.”—Marilyn Brakhage
Euphoria
Consistent stylistic-thematic structures link and merge throughout the bewildering event chain. The distinction between organic forms and human artifacts is blurred by the visual style which is enigmatic without being ambiguous.
Canale grande
A young woman is fed up with the usual consumer's television and begins to make her own television, or more correctly, closevision. She is now a reporter who wanders around Berlin with her camera and 'telecasting apparatus' on her back. Her livingroom has been transformed into a studio and here the different programs are assembled and aired: statements, interviews, realistic and phantastic programs.
Landscape Dissolves
Short experimental film by Paul Clipson
Reservoir (Seven Fragments)
Set at an artificial reservoir in North Carolina, RESERVOIR (SEVEN FRAGMENTS) is a meditation on the unnatural histories of the American environment. The film approaches both the cinematic image and the landscape it captures as damaged, estranged things—things adrift in a world of irreparable discord.