My Other Name Is Luiza (2023)

Alice Palmer, de 16 años, se ahoga en una presa local. Cuando su cuerpo se recupera y su familia afligida la entierra. La familia experimenta una serie de acontecimientos extraños e inexplicables centrados en y alrededor de su hogar. Inconformados, los Palmers buscan la ayuda del psíquico y parapsicólogo, Ray Kemeny. Ray descubre que Alice dirigió una vida doble y secreta. En el lago Mungo, el secreto pasado de Alice emerge.

Robert J. Flaherty's South Seas follow-up to Nanook of the North is a Gauguin idyll moved by "pride of beauty... pride of strength."

Two documentary filmmakers become the plaything of writer Peter Stamm and subject of the novel whose creation they actually wanted to document.

La historia sigue a los músicos indie Negar y Ashkan, quienes tratan de grabar un disco, realizar un concierto y conseguir pasaportes que les permitirían abandonar Irán. (FILMAFFINITY)

The idyllic life of a young Cajun boy and his pet raccoon is disrupted when the tranquility of the bayou is broken by an oil well drilling near his home.

L, a university student in India, writes letters to her estranged lover, while he is away. Through these letters, we get a glimpse into the drastic changes taking place around her. Merging reality with fiction, dreams, memories, fantasies and anxieties, an amorphous narrative unfolds.

El vampiro del Capital persigue a una joven pareja y su bebè en una congestionada megalópolis. Las mutuas sospechas de infidelidad, la rutina enajenante y la insolvencia se resuelven en un montaje dinámico de contrastes y contradicciones, expresadas en distintos soportes cinematográficos al estilo cine-ojo.

A real woman, doing things, being in places. A girl like us, holding a camera, filming her immediate surroundings to show us how it is not easy being a woman, to reveal the elemental plight of being.

"All Five Millions of Us" is a hybrid of documentary and fiction feature film about father absence, based on data released by the National Council of Justice: there are 5.5 million children without paternal recognition in Brazil.

Is there an audience for Latin American movies? These are some of the questions posed by an Ecuadorian filmmaker whose latest movie was a commercial flop. He embarks on a query to find answers to his questions and relief for his despair. His research leads him to a giant contraband market in the port city of Guayaquil, where pirated movies from all over the world are sold for one dollar each. Here, he discovers a number of Ecuadorian low budget movies produced by amateurs, with titles he had never heard of before: from action packed productions to evangelical melodramas.

Óscar Peyrou es un veterano crítico de cine español que escribe sus críticas siguiendo un método muy peculiar: en su opinión, no es realmente necesario ver las películas, ya que es posible juzgarlas simplemente observando su póster promocional.

A gorgeous woman allegedly ruins a neurotic man's youth, leading him to reminisce about his life of chaos and desolation.

A bitter film director is forced to explain why her latest film, 'She's So Cold', reflects worrying ideas about relationships and men. Reluctant to cooperate, she hijacks the interview and propagates her own twisted perspective on life.

A young Calabrian woman just back from Gorizia tells a friend about her trip: what prompted her to go to Friuli-Venezia Giulia was her discovery of the poems and novels by one Carlo Michelstaedter, an author and philosopher who had died young, in 1910. What was the reason for his tragic death? And that odd yet familiar figure glimpsed on the beach, at the end of the trip, as the woman told it: who did it belong to?

'Atlal (Remnants)' is a fictional documentary that follows Bassam, a Palestinian man in his fifties, on a journey between the past and present. An abandoned school, the remains of a beach club, and a dusty cinema hold Bassam's cherished memories from his life in Qatar. Through personal archives and interviews with Bassam and his wife, Laila, we get a deeper look into their stories—slowly revealing the dismaying thoughts behind Bassam's nostalgia.

In 2020, unable to travel, Ico Costa left a small camera with Ailucha and Domy, two young Mozambicans from the city of Inhambane, and asked them to film their daily lives. The result: working, playing, walking, hanging around, smoking, listening to music, singing, dancing, feeling desire – being teenagers.

A sublime documentary on childhood and bereavement that’s one of several shorts the filmmaker completed while working in Algeria for Georges Derocles’s company Les Studios Africa, for whom he would shortly make his breakthrough feature The Olive Trees of Justice.

Conversations between a mother and her son on their way back home from work in the course of a couple of days.

Issa, a footballer from Guinea-Bissau who plays in Portugal, is contacted by two filmmakers who want to know more about his life and make a documentary. Exposing the voices behind the camera, Nha Sunhu is a reflection on the gaze, bias, and representation of the other.

Spain, early 20th century. Since she was a child, Leocadia Cantalapiedra has been dazzled by a new art: cinema; but she lives in a society where directing films is something only men can do.