My Other Name Is Luiza (2023)

10대 소녀 앨리스가 익사체로 발견되고, 경찰은 사고사로 결론을 내린다. 그러나 동생이 찍은 사진에 앨리스의 영혼이 잡히고, 집안 구석구석마다 그녀의 존재가 느껴진다.

에스키모의 삶을 촬영한 다큐멘터리 (1922)의 성공에 힘입어 플래허티는 파라마운트로부터 폴리네시아에 관한 다큐멘터리를 제작할 것을 제안받게 된다. 아내와 함께 사모아 섬에 도착한 플래허티는 백인들이 이 섬에 도착하기 이전의 원주민들의 삶의 방식을 자신의 카메라에 담고자 하였다. 는 낚시, 요리, 축제 등 현대문명에 노출되지 않은 폴리네시아 원주민들의 일상이 담긴 영화로, 플래허티는 인위적인 연출을 통해 작품에 극적 긴장감을 불어넣기보다는 객관적이고 관조적인 시선으로 원주민들의 소박하지만 아름다운 삶을 응시하고 있다. (부산시네마센터 2011 - [개관영화제]백화열전)

Two documentary filmmakers become the plaything of writer Peter Stamm and subject of the novel whose creation they actually wanted to document.

실화를 바탕으로 만든 기록영화 스타일 영화다. 이란에서 언더그라운드 인디음악, 특히 서양음악을 한다는 건 매우 위험한 행위다. 그러나 젊은이들은 몰래 숨어서 락, 힙합, 블루스 등을 연습하고, 외국의 음악축제에 가서 연주하고 싶어한다. 런던의 음악축제에 가기 위해 이런저런 밴드의 멤버들을 모으고, 결국 가짜 여권을 만드는 사람을 찾게 되는데...

The idyllic life of a young Cajun boy and his pet raccoon is disrupted when the tranquility of the bayou is broken by an oil well drilling near his home.

인도의 어느 대학 영화과 학생 L이 멀리 떨어져 있는 연인에게 쓴 편지가 내레이션으로 낭독되는 가운데 영화는 인도 대학생들의 삶을 담은 파운드 푸티지들을 재구성하여 전개하면서 개인적인 이야기와 가장 첨예한 정치적인 이슈들을 탁월하게 엮어낸다. 2021년 칸영화제 감독주간 상영, 황금눈상 수상.

Capital is dead labor that, like a vampire, lives only by sucking up living labor; and the longer it lives, the more work it sucks.

A real woman, doing things, being in places. A girl like us, holding a camera, filming her immediate surroundings to show us how it is not easy being a woman, to reveal the elemental plight of being.

"All Five Millions of Us" is a hybrid of documentary and fiction feature film about father absence, based on data released by the National Council of Justice: there are 5.5 million children without paternal recognition in Brazil.

Is there an audience for Latin American movies? These are some of the questions posed by an Ecuadorian filmmaker whose latest movie was a commercial flop. He embarks on a query to find answers to his questions and relief for his despair. His research leads him to a giant contraband market in the port city of Guayaquil, where pirated movies from all over the world are sold for one dollar each. Here, he discovers a number of Ecuadorian low budget movies produced by amateurs, with titles he had never heard of before: from action packed productions to evangelical melodramas.

Óscar Peyrou is a veteran Spanish film critic who writes his reviews according to a very peculiar method: in his opinion, it is not really necessary to watch the films since it is possible to judge them simply by looking at their promotional poster.

A gorgeous woman allegedly ruins a neurotic man's youth, leading him to reminisce about his life of chaos and desolation.

A bitter film director is forced to explain why her latest film, 'She's So Cold', reflects worrying ideas about relationships and men. Reluctant to cooperate, she hijacks the interview and propagates her own twisted perspective on life.

A young Calabrian woman just back from Gorizia tells a friend about her trip: what prompted her to go to Friuli-Venezia Giulia was her discovery of the poems and novels by one Carlo Michelstaedter, an author and philosopher who had died young, in 1910. What was the reason for his tragic death? And that odd yet familiar figure glimpsed on the beach, at the end of the trip, as the woman told it: who did it belong to?

'Atlal (Remnants)' is a fictional documentary that follows Bassam, a Palestinian man in his fifties, on a journey between the past and present. An abandoned school, the remains of a beach club, and a dusty cinema hold Bassam's cherished memories from his life in Qatar. Through personal archives and interviews with Bassam and his wife, Laila, we get a deeper look into their stories—slowly revealing the dismaying thoughts behind Bassam's nostalgia.

In 2020, unable to travel, Ico Costa left a small camera with Ailucha and Domy, two young Mozambicans from the city of Inhambane, and asked them to film their daily lives. The result: working, playing, walking, hanging around, smoking, listening to music, singing, dancing, feeling desire – being teenagers.

A sublime documentary on childhood and bereavement that’s one of several shorts the filmmaker completed while working in Algeria for Georges Derocles’s company Les Studios Africa, for whom he would shortly make his breakthrough feature The Olive Trees of Justice.

Conversations between a mother and her son on their way back home from work in the course of a couple of days.

Issa, a footballer from Guinea-Bissau who plays in Portugal, is contacted by two filmmakers who want to know more about his life and make a documentary. Exposing the voices behind the camera, Nha Sunhu is a reflection on the gaze, bias, and representation of the other.

Spain, early 20th century. Since she was a child, Leocadia Cantalapiedra has been dazzled by a new art: cinema; but she lives in a society where directing films is something only men can do.