Jerzy Stefan Stawiński

Three high school graduates prepare to start the next chapter of their lives, but the outbreak of World War II may derail their dreams forever.

A terminal diagnosis forces a career-obsessed advertising executive to rethink his priorities, relationships and outlook on life.

This film is a sequel to Munk's Zezowate Szczescie and it's much the same, only more so. The film begins in a cinema, where the last scenes of Zezowate Szczescie are being shown. Born unlucky, a victim of the errors and distortions of Stalinism, he is released in 1956. He meets a politically feverish woman, her influential parents, and finally becomes the father of her child. But bad luck, or perhaps an unlucky era, will not let him forget.

The four sequences in the film cover four days in a life of young Warsaw lad in September 1938, 1939, 1943 and 1944. In the first sequence Jurek decides not to study in the Sorbonne but enlists in a Polish military school instead. In the second sequence the war starts and Warsaw is occupied. In the third sequence he works in the underground resistance. The final sequence takes place during the Warsaw uprising.

The four sequences in the film cover four days in a life of young Warsaw lad in September 1938, 1939, 1943 and 1944. In the first sequence Jurek decides not to study in the Sorbonne but enlists in a Polish military school instead. In the second sequence the war starts and Warsaw is occupied. In the third sequence he works in the underground resistance. The final sequence takes place during the Warsaw uprising.

Drama directed by Ewa Petelska and Czeslaw Petelski.

Matylda reflects on her life on her 30th birthday.

A man's surreal search for a woman named Eva on Christmas Eve.

A man's surreal search for a woman named Eva on Christmas Eve.

Lenka y su hermano ciego viven en la campiña yugoslava. Creen que su padre, judío, ha muerto en la guerra. Cada vez temen más la violencia antisemita. Un partisano les protege. El padre vuelve un día, y sacrifica su vida para salvar la del joven partisano, escondido en el desván y herido. Las SS detienen a los hijos...

A shy student falls in love and is involved in a kidnapping plot.

A shy student falls in love and is involved in a kidnapping plot.

Three short segments about love.

Three short segments about love.

A segment of “Love at Twenty” tells the story of a man who rescued a child from a polar bear attack.

Cinco episodios sobre el amor, dirigidos por conocidos directores. François Truffaut, en "Antoine et Colette", trata de un inocente amor entre un joven y una mujer madura. Renzo Rossellini sigue las andanzas de dos mujeres que comparten un amante. Shintaro Ishihara ofrece un violento retrato de un joven perturbado que se convierte en asesino de mujeres. El episodio de Marcel Ophüls (hijo del gran Max Ophüls) se centra en un periodista que, tras un breve encuentro, deja a una mujer embarazada y tendrá que afrontar su responsabilidade como padre. El episodio dirigido por el polaco Andrzej Wajda habla de un joven soldado cuyas hazañas provocan la admiración de una mujer.

Based on real events story of stealing methyl alcohol causing mass poisoning in town.

En la Polonia medieval, los Caballeros Teutónicos cometen todo tipo de tropelías e infamias amparándose en la Santa Cruz, hasta que el Rey apoyado por su pueblo, les declara la guerra.

Jan Piszczyk está en dependencias policiales. Le han pedido que cuente la historia de su vida, una vida marcada por la mala suerte. Así narra los sucesos que le han marcado durante casi tres décadas, en la Polonia fascista, en la II guerra mundial y ocupación alemana, y en el comunismo.

Jan Piszczyk está en dependencias policiales. Le han pedido que cuente la historia de su vida, una vida marcada por la mala suerte. Así narra los sucesos que le han marcado durante casi tres décadas, en la Polonia fascista, en la II guerra mundial y ocupación alemana, y en el comunismo.

Thriller bélico basado en el famoso asesinato del criminal de guerra nazi Franz Kutschera, comandante de la policía y las SS en el Distrito de Varsovia, ejecutado por el AK polaco el primero de febrero de 1944. Kutschera era apodado "el torturador de Varsovia" por haber ordenado una serie de ejecuciones masivas y su muerte suscitó represalias inmediatas por parte de los ocupantes alemanes, que fusilaron a 100 rehenes inocentes. Sin embargo, el asesinato fortaleció los espíritus de los paisanos polacos y reavivó sus esperanzas de victoria. La película obtuvo reconocimiento local e internacional en países que también habían luchado contra el fascismo.

A Pole incorporated into the Wehrmacht deserted, hiding in a coal mine ...

Originally, Munk intended Eroica to be a triptych with Con bravura being the first part, but he ultimately gave up on this film, deeming it weaker artistically than the two counterparts. Con bravura is about conspiracy conflating the paths of a rather unconventional nun and an intrigued young man – each of them bears secrets and the encounter could incite a flaming romance, though one suffocated by war.Munk set the film in the mountain capital of Zakopane and its vicinity, allowing breathtaking views from a cable car and using his experiences of the Nazi occupation in the area to add gritty reality. The director plays a cameo as a priest with several of his industry friends also making appearances.

Tells two tales set during WWII: A seemingly feckless and selfish finally takes up arms in the national struggle against the Nazis. Set in a POW camp, Polish inmates cling to their hopes for an eventual escape, encouraged by the legendary escape of one of their own.

Tells two tales set during WWII: A seemingly feckless and selfish finally takes up arms in the national struggle against the Nazis. Set in a POW camp, Polish inmates cling to their hopes for an eventual escape, encouraged by the legendary escape of one of their own.

Polonia, septiembre de 1944. Los valientes soldados de un pequeño ejército de la Resistencia se ven forzados a ocultarse en los laberínticos canales de Varsovia tratando de escapar de la ofensiva nazi.

In 1950, at night, a passenger train kills a man on the tracks. He is Orzechowski, an engineer since 1914. An inquiry immediately follows. Testimony takes the form of flashbacks. Tuszka, the station master, believes Orzechowski was a saboteur; at least one on the inquiry panel agrees. Zapora, the young engineer on the train that hit Orzechowski, gives more complicated testimony about the dead man - stiff-necked, proud, imperious, critical of Zapora and other younger workers. The signalman at the crossing where Orzechowski died also testifies. Can the panel arrive at the truth in a world where workers unite, inferior coal is a badge of honor, and the old order is suspect?

In 1950, at night, a passenger train kills a man on the tracks. He is Orzechowski, an engineer since 1914. An inquiry immediately follows. Testimony takes the form of flashbacks. Tuszka, the station master, believes Orzechowski was a saboteur; at least one on the inquiry panel agrees. Zapora, the young engineer on the train that hit Orzechowski, gives more complicated testimony about the dead man - stiff-necked, proud, imperious, critical of Zapora and other younger workers. The signalman at the crossing where Orzechowski died also testifies. Can the panel arrive at the truth in a world where workers unite, inferior coal is a badge of honor, and the old order is suspect?