Jerzy Stefan Stawiński

Three high school graduates prepare to start the next chapter of their lives, but the outbreak of World War II may derail their dreams forever.

A terminal diagnosis forces a career-obsessed advertising executive to rethink his priorities, relationships and outlook on life.

This film is a sequel to Munk's Zezowate Szczescie and it's much the same, only more so. The film begins in a cinema, where the last scenes of Zezowate Szczescie are being shown. Born unlucky, a victim of the errors and distortions of Stalinism, he is released in 1956. He meets a politically feverish woman, her influential parents, and finally becomes the father of her child. But bad luck, or perhaps an unlucky era, will not let him forget.

The four sequences in the film cover four days in a life of young Warsaw lad in September 1938, 1939, 1943 and 1944. In the first sequence Jurek decides not to study in the Sorbonne but enlists in a Polish military school instead. In the second sequence the war starts and Warsaw is occupied. In the third sequence he works in the underground resistance. The final sequence takes place during the Warsaw uprising.

The four sequences in the film cover four days in a life of young Warsaw lad in September 1938, 1939, 1943 and 1944. In the first sequence Jurek decides not to study in the Sorbonne but enlists in a Polish military school instead. In the second sequence the war starts and Warsaw is occupied. In the third sequence he works in the underground resistance. The final sequence takes place during the Warsaw uprising.

Drama directed by Ewa Petelska and Czeslaw Petelski.

Matylda reflects on her life on her 30th birthday.

A man's surreal search for a woman named Eva on Christmas Eve.

A man's surreal search for a woman named Eva on Christmas Eve.

"Andremo in città" (We'll Go to the City) is a 1966 Italian drama film directed by Nelo Risi. It is based on the novel of the same name by Edith Bruck, Risi's wife. Bruck, a Hungarian concentration camp-survivor, settled in Italy after the Second World War and wrote about her experiences in autobiographical and fictional formats.[1] The film stars Geraldine Chaplin and Nino Castelnuovo.

A shy student falls in love and is involved in a kidnapping plot.

A shy student falls in love and is involved in a kidnapping plot.

Three short segments about love.

Three short segments about love.

A segment of “Love at Twenty” tells the story of a man who rescued a child from a polar bear attack.

Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.

Based on real events story of stealing methyl alcohol causing mass poisoning in town.

A tale of a young impoverished nobleman, who with his uncle returns from a war against the order of the Teutonic Knights in Lithuania. He falls in love with a beautiful woman and pledges an oath to bring her "three trophies" from the Teutonic Knights.

To convince the prison warden against releasing him, a middle-aged Polish man recounts his life, one he considers to have been characterized by exceptionally bad luck.

To convince the prison warden against releasing him, a middle-aged Polish man recounts his life, one he considers to have been characterized by exceptionally bad luck.

Set in the occupied Warsaw, the film tells the story of the mission carried out by the student uderground resistance group to execute the hated SS General Franz Kutchera.

A Pole incorporated into the Wehrmacht deserted, hiding in a coal mine ...

Originally, Munk intended Eroica to be a triptych with Con bravura being the first part, but he ultimately gave up on this film, deeming it weaker artistically than the two counterparts. Con bravura is about conspiracy conflating the paths of a rather unconventional nun and an intrigued young man – each of them bears secrets and the encounter could incite a flaming romance, though one suffocated by war.Munk set the film in the mountain capital of Zakopane and its vicinity, allowing breathtaking views from a cable car and using his experiences of the Nazi occupation in the area to add gritty reality. The director plays a cameo as a priest with several of his industry friends also making appearances.

Tells two tales set during WWII: A seemingly feckless and selfish finally takes up arms in the national struggle against the Nazis. Set in a POW camp, Polish inmates cling to their hopes for an eventual escape, encouraged by the legendary escape of one of their own.

Tells two tales set during WWII: A seemingly feckless and selfish finally takes up arms in the national struggle against the Nazis. Set in a POW camp, Polish inmates cling to their hopes for an eventual escape, encouraged by the legendary escape of one of their own.

1944년, 독일군은 바르샤바를 포위하고 폴란드인들은 처절한 저항을 이어간다. 폴란드군의 자드라 중위는 부하들과 함께 수로를 이용해 후퇴하라는 명령을 받지만 전우들과 함께 마지막까지 싸울 생각이었던 그는 심각한 고민에 빠진다. 1950년대, 감독 안제이 바이다의 주된 관심사는 독일에 의해 파괴된 조국의 고통스러운 현실을 치열한 역사의식으로 재구성하는 것이었다. <카날>은 전쟁의 포화로 초토화된 지상의 상황과, 국가적 이념과 인간적 가치 사이에서 갈등하는 지하의 고립된 인물들을 교차 편집하며 역사와 인간성이라는 두가지 화두를 심도 있게 탐구한 걸작이다. 1957년 칸영화제 심사위원 특별상을 수상하면서 바이다를 전세계에 알린 작품이기도 하다.

승객들을 태운 기차가 한밤중에 빠르게 달리고 있다. 그런데 선로 위에 한 남자가 서 있는 걸 발견하고 급하게 멈추려 하지만 결국 남자는 열차에 치어 사망하고 만다. 이 사고를 조사하던 관료들은 죽은 남자가 열차 운행을 고의로 방해하려 했다고 의심한다. 과연 이 사건 뒤에 숨은 진실은 무엇일까? 남자는 정말 사보타주를 계획했던 것일까?

승객들을 태운 기차가 한밤중에 빠르게 달리고 있다. 그런데 선로 위에 한 남자가 서 있는 걸 발견하고 급하게 멈추려 하지만 결국 남자는 열차에 치어 사망하고 만다. 이 사고를 조사하던 관료들은 죽은 남자가 열차 운행을 고의로 방해하려 했다고 의심한다. 과연 이 사건 뒤에 숨은 진실은 무엇일까? 남자는 정말 사보타주를 계획했던 것일까?