Screenplay
Where I've never been to live, Francesca's emotional conflicts, 50, is the only daughter of a famous Turin architect, to whom she visits only on rare occasions. For many years, Francesca lives in Paris with her teenage daughter and her husband Benoît, a financier on her sixty, apparently reserved but paternal and protective about her. Due to a domestic accident that forces the elderly father to bed, the woman flees to Turin to take her parents in the design of a villa on a lake for a young couple. At work he meets architect Massimo, his peer-minded career and engaged in an open relationship with independent Sandra. After a tough first approach, Massimo and Francesca create a strong professional tune that leads to a deep and passionate feeling. For the first time in life, both will have to really confront themselves and their most authentic destinies ...
Screenplay
Dino and Anna are a couple in their forties. Their relationship is hardly conventional: in fact, it is unconsummated. Dino gets out of it, gratifying himself with prostitutes and swingers. He reaches his nadir when he looks up Anna’s old boyfriends to ask about their sexual relations with her, and even begs them to take her back, as a way to end their relationship. Anna can’t find a way out herself; she can’t bring herself to end this one-of-a-kind, tormented love affair. In the end, Dino’s angst is what makes her feel loved, feel unique. No solution seems to be waiting in the wings.
Screenplay
Forty year-old Bruno Ledeux, seen sitting across from the doctor, gives the impression of a man who is no longer young but not yet old.Condemned to remain nothing more than a son, he begins his downward slide, as if a fog had shut him in a cage from which there is no escape. Bruno can never have children .He says nothing about this diagnosis to Anne, his beloved wife. Nor does he tell her about a large debt he has taken out. It is as if Bruno were a man without any qualities or talents. A mediocre man who has lost all pride. Though now everything appears hazy in his memory. Like a river that flows peacefully, showing no signs of the hidden currents at work below. But at times those currents can return to the surface. Without warning.
Co-Writer
Chiara es una joven apasionada, utópica y revolucionaria que esconde su verdadera identidad como miembro de las Brigadas Rojas italianas a finales de los setenta. A simple vista se trata de una chica normal que se muda con su novio a un nuevo piso, pero su amigo Enzo empieza a sospechar que no todo es lo que parece.
Assistant Director
Chiara es una joven apasionada, utópica y revolucionaria que esconde su verdadera identidad como miembro de las Brigadas Rojas italianas a finales de los setenta. A simple vista se trata de una chica normal que se muda con su novio a un nuevo piso, pero su amigo Enzo empieza a sospechar que no todo es lo que parece.
Writer
A child in anaphylactic shock after an insect sting is brought by her father to a doctor, a foreigner who doesn't speak the language well and is looked at by the town with diffidence.
First Assistant Director
Ernesto es un famoso pintor e ilustrador de cuentos para niños. Separado de su mujer, mantiene con su hijo una estrecha relación. Un día se entera de que a su madre la quieren beatificar. La noticia lo deja pasmado, no sólo por el hecho de que su familia se lo haya ocultado, sino también porque se trata de algo incompatible con sus ideas de artista libre y ateo. Sus familiares lo presionan para que participe en el proceso de beatificación e, inevitablemente surgen conflictos. Sin embargo, inesperadamente, el recuerdo de su madre y de su sonrisa harán que Ernesto reviva su pasado y cambie radicalmente su forma de vida.
Writer
A young maestro conducts rehearsals with a male chorus. He is frustrated and feels that a female voice is missing.
Writer
A short film.
Writer
Based on Anton Chekhov's play.
Writer
