Screenplay
Where I've never been to live, Francesca's emotional conflicts, 50, is the only daughter of a famous Turin architect, to whom she visits only on rare occasions. For many years, Francesca lives in Paris with her teenage daughter and her husband Benoît, a financier on her sixty, apparently reserved but paternal and protective about her. Due to a domestic accident that forces the elderly father to bed, the woman flees to Turin to take her parents in the design of a villa on a lake for a young couple. At work he meets architect Massimo, his peer-minded career and engaged in an open relationship with independent Sandra. After a tough first approach, Massimo and Francesca create a strong professional tune that leads to a deep and passionate feeling. For the first time in life, both will have to really confront themselves and their most authentic destinies ...
Screenplay
Dino and Anna are a couple in their forties. Their relationship is hardly conventional: in fact, it is unconsummated. Dino gets out of it, gratifying himself with prostitutes and swingers. He reaches his nadir when he looks up Anna’s old boyfriends to ask about their sexual relations with her, and even begs them to take her back, as a way to end their relationship. Anna can’t find a way out herself; she can’t bring herself to end this one-of-a-kind, tormented love affair. In the end, Dino’s angst is what makes her feel loved, feel unique. No solution seems to be waiting in the wings.
Screenplay
Forty year-old Bruno Ledeux, seen sitting across from the doctor, gives the impression of a man who is no longer young but not yet old.Condemned to remain nothing more than a son, he begins his downward slide, as if a fog had shut him in a cage from which there is no escape. Bruno can never have children .He says nothing about this diagnosis to Anne, his beloved wife. Nor does he tell her about a large debt he has taken out. It is as if Bruno were a man without any qualities or talents. A mediocre man who has lost all pride. Though now everything appears hazy in his memory. Like a river that flows peacefully, showing no signs of the hidden currents at work below. But at times those currents can return to the surface. Without warning.
Co-Writer
The 1978 kidnapping and murder of Aldo Moro, president of the most important political party in Italy at the time, Democrazia Cristiana, as seen from the perspective of one of his assailants -- a conflicted young woman in the ranks of the Red Brigade.
Assistant Director
The 1978 kidnapping and murder of Aldo Moro, president of the most important political party in Italy at the time, Democrazia Cristiana, as seen from the perspective of one of his assailants -- a conflicted young woman in the ranks of the Red Brigade.
Writer
A child in anaphylactic shock after an insect sting is brought by her father to a doctor, a foreigner who doesn't speak the language well and is looked at by the town with diffidence.
First Assistant Director
Ernesto é um pintor reconhecido, ilustrador de histórias infantis, separado de sua esposa Irene, pai do pequeno Leonardo que ele está profundamente ligado. Ele aprende a partir da misteriosa Don Pugni, Secretário do igualmente enigmático Cardinal Piumini que a Igreja quer para santificar sua mãe. Ernesto fica chocado com esta notícia, não só porque ele percebe que tem sido mantido no escuro sobre sua família, mas também porque este evento está em completa oposição a sua vida artística, de Freeman e ateu. Dentro de algumas horas, as pressões e os passos que ele participa do processo de beatificação se intensifica. Conflitos explodir. A memória de sua mãe e seu sorriso induz uma confusão que vai empurrá-lo a reconsiderar seu passado e viver o presente de forma diferente.
Writer
A young maestro conducts rehearsals with a male chorus. He is frustrated and feels that a female voice is missing.
Writer
A short film.
Writer
Based on Anton Chekhov's play.
Writer
