M. K. Raina

A rural politician marries a widow with kids and gains a respectable position and trusts his stepson more than his own in political matters; thus upsetting his son beyond limits.

La historia de una casa que fue una escuela, un burdel y, ahora, un hogar, y de sus residentes, desesperados por escapar y encontrar un amor que los haga sentir vivos.

Aisha, who loves playing matchmaker much to her friend Arjun's disapproval, finds a new target in the simple Shefali. But in the process, she ends up ruining her own relationship with close friends.

Surinder (Shahrukh Khan) es un hombre del montón, soso y predecible. Taani (Anushka Sharma) es una joven que rebosa vitalidad y está a punto de casarse cuando su novio muere en un accidente de tráfico. Tras semejante desgracia, acepta casarse con Surinder. En un principio la relación entre ambos es puramente de conveniencia pero Surinder acabará enamorándose de Taani la cual no muestra demasiado interés por él. Cuando Taani se apunta a clases de danza en una Compañía que visita Bombay, Surinder ve la oportunidad de acercarse a ella y se hace pasar por un cachas llamado Raj.

Ishaan Awashi es un niño de 8 años cuyo mundo está plagado de maravillas que nadie más parece apreciar: colores, peces, perros y cometas, que simplemente no son importantes en la vida de los adultos, que parecen más interesados en cosas como los deberes, las notas o la limpieza. E Ishaan parece no poder hacer nada bien en clase. Cuando los problemas que ocasiona superan a sus padres, es internado en un colegio para que le disciplinen. Las cosas no mejoran en el nuevo colegio, donde Ishaan tiene además que aceptar estar lejos de sus padres. Hasta que un día, el nuevo profesor de arte, Ram Shankar Nikumbh, entra en escena y se interesa por el pequeño Ishaan.

Un hombre adulto sin rumbo, desempleado e irresponsable se une al ejército y madura hasta convertirse en un héroe del campo de batalla.

Sardar is a 1993 Indian biopic on Sardar Vallabhbhai Patel, one of India's greatest freedom fighters, directed by Ketan Mehta and written by noted playwright Vijay Tendulkar.

This is a simple, straightforward tale about the rise and fall of human civilization that focuses solely on four characters: a farmer (Naseeruddin Shah), a weaver (Om Puri), a trader (M.K. Raina), and a woman (Shabana Azmi). At the beginning of the story, the workers in a decaying village are offered food and water if they work for the local lords. The farmer and the weaver refuse. The farmer grows food for them both, and the weaver creates textiles that uses to barter with an itinerant trader. One day a frightened, lonely woman arrives on the scene and she is taken in by the two men. She cooks and cleans, and before long becomes a source of contention. Meanwhile, the trader is observing these events from the sidelines.

Twelve male members of a jury gather together in an enclosed room to deliberate their decision on a charge of murder against a young man who has been accused of killing his elderly father. All of the jury, save for one, are convinced of this young man's guilt, and they would like to convince their colleague also to come to the same unanimous decision. But will they be able to convince him to change his verdict? Its a hindi remake of the movie 12 angry men.

This is a story about having an extramarital affair within the family itself.

When a politician is killed, a journalist discovers that a member of parliament had the man assassinated. As his editor digs deeper, the complicity of higher-placed politicians comes to the surface, which leads to riots in one town and an attempt to suppress his story.

Starring Om Puri, Smita Patil, and Nana Patekar

Rahul, the son-in-law of an old industrialist and one of the heirs to his fortune, clashes with Dinesh, the industrialist’s nephew who is openly unscrupulous. Rahul, on his part, conceals his personal ambition under a cloak of liberalism and encourages indigenous production.

Taking an experimental approach to the relationship between the written text and moving image, Mani Kaul has a series of texts read aloud in voice-overs (poetry, essays, and stories), while the characters within the texts walk through real or imaginary landscapes.

Sanjay wanted to study art, but his domineering father, an engine-driver in retirement after a crippling injury, insisted that a railway job, with its security, was the best thing for him. So Sanjay ended up as a train conductor, unhappy with the career forced upon him, and the mechanical, meaningless life that he lives. In the course of his duty on the train, he runs into a working girl, Shalini and feels attracted to her. His father hears about his interest in Shalini, strongly disapproves of it and intervenes in Sanjay's life once again. Unable to stand up to his father, Sanjay soon finds himself married to a village girl. Life becomes even more unbearable for Sanjay. He takes to wandering and seeks comfort in drink and brothels. One final chance comes his way to break loose from his shackles and plan a new life with Shalini.