M. K. Raina

A rural politician marries a widow with kids and gains a respectable position and trusts his stepson more than his own in political matters; thus upsetting his son beyond limits.

The story of one house in three different eras. Where 50 years ago it was divided between a school and an apartment, in which a young boy struggles with the pressures of pre-pubescent school life, coupled with being compelled to share a tiny room with his paralysed, disconsolate grandfather. Who in turn has devious plans for the child's 12th birthday which happens to fall on a leap year. The same building 20 years later becomes home to a brothel, where a young unexploited concubine is dealing with her self-proclaimed "first" client who has a strange inability to fulfil his physical desire unless obligated to the duress of a transaction to do so. Now, 30 years later these same walls surround a sublime home which belongs to a soul-stirring 75 year old couple who love, laugh and dance together. They whisper the secrets of time forgone and seemed to have overcome the undying need for love and escape which seems to have plagued the inhabitants of this house in the past.

Aisha, who loves playing matchmaker much to her friend Arjun's disapproval, finds a new target in the simple Shefali. But in the process, she ends up ruining her own relationship with close friends.

30년 넘게 가족 이외에 아는 여자도 없었던 수리(샤룩 칸) 다람쥐 쳇바퀴 돌 듯 집과 회사를 오가며 반복되는 일상을 지내던 어느 날, 존경하는 교수님댁에서 타니(아누쉬카 샤르마)를 만난다. 햇살이 부서지는 듯한 눈부신 미소와 아름답게 춤을 추는 빛나는 자태에 생애 처음으로 수리는 여자를 발견했고, 그 순간 사랑에 빠졌다. 세상에 단 한 사람, 그녀를 위한 수리의 사랑법이 펼쳐진다! 사랑하는 사람을 잃은 깊은 슬픔에 빠져있는 타니. 그녀를 미소 짓게 하고, 행복하게 하고 싶은 수리는 극단의 선택을 한다. 자신의 모든 것을 걸고 매일 밤낮없이 아슬아슬한 변신을 시도, 극과 극의 모습을 보여주는 것. 낮에는 얌전하고 소극적인 ‘수리’의 모습으로 그녀의 옆에서 혼자만의 보이지 않는 사랑을 하고, 밤에는 섹시하고 열정적인 ‘라지’가 되어 그녀와 댄스를 즐기며 적극적으로 사랑을 표현한다. 타니는 유쾌한 ‘라지’와 댄스 호흡을 맞추면서 점차 삶의 활력을 찾아가는데… 사랑하는 타니를 위한 수리만의 사랑법, 과연 성공할 수 있을까?

하늘의 별보다 더 빛나는 세상의 아이들은 모두 특별한 존재이다! 인도의 작은 마을, 아직은 세상의 모든 것이 신기한 8살 꼬마 아이 이샨이 있다. 물 속의 물고기는 이샨의 눈 속에서 친구가 되고, 숫자들은 눈 앞에서 날아 다닌다. 하지만 이샨의 상상력은 주위 사람들에게는 이상하게만 보인다. 친구들에게는 엉뚱한 소리만 하는 이상한 왕따가 되어가고, 선생님한테는 글 하나 제대로 읽지 못하는 문제아로 보이기 시작한다. 부모는 이샨에게 문제가 있다고만 생각해 엄격한 기숙학교로 이샨을 보내 버린다. 이샨은 자신의 뭘 잘못했는지도 모른채 낯선 환경에 홀로 남겨진다. 8살 나이에는 감당하기 힘든 외로움과 자괴감에 마음을 닫고 힘들어하는 이샨의 앞에 인생의 멘토, 미술 선생님 니쿰브가 나타난다. 학교의 선생들도, 심지어 부모조차 알지 못했던 이샨에게는 난독증이 있었고 니쿰브 선생님은 장애를 가능성으로 바꾸어 이샨의 속에서 별처럼 빛나는 능력을 발견한다. 조금씩 마음을 열어가는 이샨. 그리고 이샨을 넘버원이 아닌 세상에서 가장 특별한 온리원으로 만들고 싶은 니쿰브 선생님의 반짝이는 동행이 시작된다.

An aimless, jobless, irresponsible grown man joins the army and matures into a battlefield hero.

Sardar is a 1993 Indian biopic on Sardar Vallabhbhai Patel, one of India's greatest freedom fighters, directed by Ketan Mehta and written by noted playwright Vijay Tendulkar.

This is a simple, straightforward tale about the rise and fall of human civilization that focuses solely on four characters: a farmer (Naseeruddin Shah), a weaver (Om Puri), a trader (M.K. Raina), and a woman (Shabana Azmi). At the beginning of the story, the workers in a decaying village are offered food and water if they work for the local lords. The farmer and the weaver refuse. The farmer grows food for them both, and the weaver creates textiles that uses to barter with an itinerant trader. One day a frightened, lonely woman arrives on the scene and she is taken in by the two men. She cooks and cleans, and before long becomes a source of contention. Meanwhile, the trader is observing these events from the sidelines.

Twelve male members of a jury gather together in an enclosed room to deliberate their decision on a charge of murder against a young man who has been accused of killing his elderly father. All of the jury, save for one, are convinced of this young man's guilt, and they would like to convince their colleague also to come to the same unanimous decision. But will they be able to convince him to change his verdict? Its a hindi remake of the movie 12 angry men.

This is a story about having an extramarital affair within the family itself.

When a politician is killed, a journalist discovers that a member of parliament had the man assassinated. As his editor digs deeper, the complicity of higher-placed politicians comes to the surface, which leads to riots in one town and an attempt to suppress his story.

Starring Om Puri, Smita Patil, and Nana Patekar

Rahul, the son-in-law of an old industrialist and one of the heirs to his fortune, clashes with Dinesh, the industrialist’s nephew who is openly unscrupulous. Rahul, on his part, conceals his personal ambition under a cloak of liberalism and encourages indigenous production.

Taking an experimental approach to the relationship between the written text and moving image, Mani Kaul has a series of texts read aloud in voice-overs (poetry, essays, and stories), while the characters within the texts walk through real or imaginary landscapes.

Sanjay wanted to study art, but his domineering father, an engine-driver in retirement after a crippling injury, insisted that a railway job, with its security, was the best thing for him. So Sanjay ended up as a train conductor, unhappy with the career forced upon him, and the mechanical, meaningless life that he lives. In the course of his duty on the train, he runs into a working girl, Shalini and feels attracted to her. His father hears about his interest in Shalini, strongly disapproves of it and intervenes in Sanjay's life once again. Unable to stand up to his father, Sanjay soon finds himself married to a village girl. Life becomes even more unbearable for Sanjay. He takes to wandering and seeks comfort in drink and brothels. One final chance comes his way to break loose from his shackles and plan a new life with Shalini.