Mustafa Presheva

In 1915, two Turks in Australia make a living by selling ice cream. When they hear war has broken out, they decide to go to Çanakkale. Authorities don't let them leave the island, so the two decide to put up a fight in Australia.

The movie is about the legendary Turkish "soul singer" Müslüm Gürses. Born into a poor family, Muslum found his redemption in music from the initial trauma that lingered over his musical and personal life as internalizing the grief. He rose through his ashes of shattered dreams like a phoenix. He walked in darkness, sang songs filled with sorrow which stirred people's souls and created a cult following. They were calling him "Baba" (The Father).

Corea, 1950. En una oscura y fría noche en medio de la guerra coreana, el general Süleyman encuentra a una niña sola y abandonada en pleno campo de batalla. Conmovido por la ternura de la pequeña, el general decidirá salvarla y acogerla en su base militar turca. La adoptará como si fuera su propia hija y la llamará Ayla. Poco a poco se creará una unión difícil de romper entre ambos. Sin embargo, al acabar la guerra, la brigada turca deberá volver a su país, aunque Süleyman no se ve capaz de abandonar a esa niña. Drama bélico basado en hechos reales que dirige Can Ulkay (Sarikamis Cocuklari) y que protagonizan İsmail Hacıoğlu, Çetin Tekindor, Damla Sönmez y Ali Atay.

Dos agentes de Turquía contra el terrorismo son enviados a Nueva York en una misión para encontrar y traer de vuelta el peligroso líder islámico con nombre en código “Dajjal”

Remake of a well-known Turkish musical comedy loved by generations, the film is about the adventures of flirtatious Hurmuz in late 1800's Istanbul. Hurmuz who lives in Taskasap, Istanbul has six husbands in a plot to solve her economic problems. She arranges to meet each of her husbands one day of the week. However, suddenly, she falls in love with the town's doctor whom she meets at her husband's barber shop. The doctor falls in love with her too... But, one night all six husbands come home at the same time, and Hurmuz and Safinaz - Hurmuz's "go-between/accomplice/friend" - find themselves in a series of very awkward yet funny situations.

Killing The Shadows is a bawdy comic fable set in the Ottoman Empire during the mid-14th century based on two legendary figures in Turkish folkore, the jester Hacivat (Beyazit Ozturk) and the nomad Karagoz (Haluk Bilginer), men who apparently lived and died by their sense of humour.

Mientras el líder de una banda recluta a un imitador de Superman con tendencias suicidas, una mujer ligada al grupo planea vengarse de sus miembros y de su nuevo héroe.

Años 60 en Tepecik, un pequeño pueblo de la Anatolia. Recep y Mehmet son dos jóvenes campesinos que trabajan como aprendices en la ciudad de Tavsanli, cercana a su pueblo. Recep ayuda a un vendedor de sandías y Mehmet aprende con un barbero. Ambos están locos por el cine y, por las noches, en el establo abandonado de su casa del pueblo, se afanan en fabricar un proyector de cine. Sueñan con llegar a ser directores de cine y cambiar sus vidas. Un día, Recep conoce a una viuda con dos hijas que vive en la ciudad y que necesita sandías para las vacas. Desde entonces, empezará a visitarla para tomar el té o desayunar y, poco a poco, irá interesándose por su hija mayor, Nihal. A ésta, sin embargo, le desagradan las continuas visitas del campesino y lo trata con la mayor brusquedad posible. Por el contrario, a Guler, su hermana pequeña, sí le interesa Recep, pero sus sentimientos no se ven correspondidos.

Un vendedor de alfombras turco es abducido por unos extraterrestres y transportado al planeta G.O.R.A., donde una especie de meteorito está a punto de destruir el planeta. Allí conocerá a unos extraños personajes, como un robot gay llamado 216 y un admirador de Bob Marley, que se hace llamar Bob Marley Faruk. Juntos intentaran escapar del sitio donde están prisioneros y rescatar a la princesa Ceku de ser casada con el malvado comandante Logar.

Hayri and Orhan are two music producers head over heels in debt. In an attempt to find the next big thing to turn the business around, they contact Ferhat, a gastarbeiter in Germany, and desperately bring him to Istanbul to sign him. As they are struggling to find the necessary funds to promote Ferhat's debut album, a mysterious rich woman named Firuze shows up and starts supporting them. The future now seems bright, but things are not always what they seem...

Elephants and Grass (Turkish: Filler ve Çimen) is a 2001 Turkish drama film, written and directed by Derviş Zaim, about six different stories that merge into a common theme. The film, which went on nationwide general release across Turkey on January 5, 2001, won awards at film festivals in Antalya and Istanbul, including the Golden Orange Behlül Dal Jury Special Award.

Really bad samples of new generation Turkish films. This film reflects the director's non ripen cinema culture. He use too incomprehensible objects and metaphor. Basic, non merry, boring sample of non-traditional Turkish cinema.

Really bad samples of new generation Turkish films. This film reflects the director's non ripen cinema culture. He use too incomprehensible objects and metaphor. Basic, non merry, boring sample of non-traditional Turkish cinema.

Mahsun Supertitiz is an unemployed homeless man who steals cars at night so that he can sleep in a heated place during the winter. Mahsun lives in Rumelihisar, an old section of Istanbul, and makes ends meet by getting the local fishermen to help him. Mahsun loves the cars he robs, cleans and polishes them, and drives them through the streets of Rumelihisar during the daytime.

The Kosovo region of Yugoslavia near the Albanian border is the scene of political unrest and a modern Romeo and Juliet romance in this satirical political drama. A film director (Meto Jovanovski) gathers information for his documentary about the Serbs being forced to depart by Albanian Moslems. As the region heads towards ethnic warfare, the young Albanian woman Nadira (Sonja Jacevska) falls in love with the Serbian Miloljub (Cedo Arobabic). He is captured and castrated, and the private lives of Milobjub and Nadira become part of the director's story in his film. He must answer to the financiers and producers who believe his film was to be a comedy. The events foreshadow a long and bloody conflict between two factions, a battle that has not abated in the ten years since this film's initial release.