Mustafa Presheva

오랜 전쟁으로 호주에 정착한 터키 이주민 ‘메멧’, ‘알리’, ‘살림’은 동네에서 알아주는 얼간이들로 한량처럼 하루를 살아간다. 하지만, 전 세계 공기의 흐름이 순식간에 급변하고 호주에 있는 영국 군인들은 그들의 고향인 오스만 제국을 향해 총구를 겨누기 시작한다. 세 얼간이들은 국가를 위해, 가족을 위해 자신들만의 방식으로 유쾌하고 특별한 반란을 시작하는데…

The movie is about the legendary Turkish "soul singer" Müslüm Gürses. Born into a poor family, Muslum found his redemption in music from the initial trauma that lingered over his musical and personal life as internalizing the grief. He rose through his ashes of shattered dreams like a phoenix. He walked in darkness, sang songs filled with sorrow which stirred people's souls and created a cult following. They were calling him "Baba" (The Father).

1950년 한국전쟁에 파병된 '슐레이만'은 칠흑 같은 어둠 속 홀로 남겨진 5살 소녀를 발견한다. 전쟁과 부모를 잃은 충격 속에 말을 잃은 소녀. '슐레이만'은 소녀에게 터키어로 '달'이라는 뜻의 '아일라'라는 이름을 지어주고 함께 부대로 향한다. 서로에게 무엇과도 바꿀 수 없는 가장 소중한 존재가 된 두 사람. 그러나 행복도 잠시, '슐레이만'은 종전과 함께 고국으로 돌아가라는 명령을 받게 되고, '아일라'를 끝까지 지켜내기 위해 모두의 반대 속에 자신의 선택을 감행하게 되는데···

터키의 대테러요원들이 터키에서 벌어진 테러의 배후로 지목되어 미국 뉴욕에서 체포된 이슬람 종교지도자를 터키로 압송하는 과정을 그린 영화이다. 9.11 테러 이후 증대되고 있는 터키와 미국 내의 이슬람교와 무슬림에 대한 편견과 증오, 극도의 공포감, 이슬람에 대한 혐오감 즉 "이슬람 공포증(Islamophobia, 이슬라모포비아)"를 다루고 있다. 출처: http://www.stevenh.co.kr/1060 [스티븐의 전쟁영화보고評]

Remake of a well-known Turkish musical comedy loved by generations, the film is about the adventures of flirtatious Hurmuz in late 1800's Istanbul. Hurmuz who lives in Taskasap, Istanbul has six husbands in a plot to solve her economic problems. She arranges to meet each of her husbands one day of the week. However, suddenly, she falls in love with the town's doctor whom she meets at her husband's barber shop. The doctor falls in love with her too... But, one night all six husbands come home at the same time, and Hurmuz and Safinaz - Hurmuz's "go-between/accomplice/friend" - find themselves in a series of very awkward yet funny situations.

Killing The Shadows is a bawdy comic fable set in the Ottoman Empire during the mid-14th century based on two legendary figures in Turkish folkore, the jester Hacivat (Beyazit Ozturk) and the nomad Karagoz (Haluk Bilginer), men who apparently lived and died by their sense of humour.

A struggling, suicidal young comedian meets a car thief who is willing to teach him a few things about his profession.

In his award-winning debut feature film, director Ahmet Ulucay portrays the innocence of childhood and the lure of the cinema for two teens in a small Turkish village. Working for a watermelon seller by day, Remet spends his evenings trying to rebuild a film projector with his friend Mehmet. Both have big dreams to be famous film directors one day.

Carpet dealer and UFO photo forger Arif is abducted by aliens and must outwit the evil commander-in-chief of G.O.R.A., the planet where he is being held.

Hayri and Orhan are two music producers head over heels in debt. In an attempt to find the next big thing to turn the business around, they contact Ferhat, a gastarbeiter in Germany, and desperately bring him to Istanbul to sign him. As they are struggling to find the necessary funds to promote Ferhat's debut album, a mysterious rich woman named Firuze shows up and starts supporting them. The future now seems bright, but things are not always what they seem...

Elephants and Grass (Turkish: Filler ve Çimen) is a 2001 Turkish drama film, written and directed by Derviş Zaim, about six different stories that merge into a common theme. The film, which went on nationwide general release across Turkey on January 5, 2001, won awards at film festivals in Antalya and Istanbul, including the Golden Orange Behlül Dal Jury Special Award.

Really bad samples of new generation Turkish films. This film reflects the director's non ripen cinema culture. He use too incomprehensible objects and metaphor. Basic, non merry, boring sample of non-traditional Turkish cinema.

Really bad samples of new generation Turkish films. This film reflects the director's non ripen cinema culture. He use too incomprehensible objects and metaphor. Basic, non merry, boring sample of non-traditional Turkish cinema.

Mahsun Supertitiz is an unemployed homeless man who steals cars at night so that he can sleep in a heated place during the winter. Mahsun lives in Rumelihisar, an old section of Istanbul, and makes ends meet by getting the local fishermen to help him. Mahsun loves the cars he robs, cleans and polishes them, and drives them through the streets of Rumelihisar during the daytime.

The Kosovo region of Yugoslavia near the Albanian border is the scene of political unrest and a modern Romeo and Juliet romance in this satirical political drama. A film director (Meto Jovanovski) gathers information for his documentary about the Serbs being forced to depart by Albanian Moslems. As the region heads towards ethnic warfare, the young Albanian woman Nadira (Sonja Jacevska) falls in love with the Serbian Miloljub (Cedo Arobabic). He is captured and castrated, and the private lives of Milobjub and Nadira become part of the director's story in his film. He must answer to the financiers and producers who believe his film was to be a comedy. The events foreshadow a long and bloody conflict between two factions, a battle that has not abated in the ten years since this film's initial release.