Kazuo Hara

After years of dumping industrial wastes from the factory to the ocean, Chisso Chemical Corporation contaminated the area of a small Japanese fishing village with excessive amounts of methylmercury. This highly toxic chemical bioaccumulated in fishes of the local water, which when consumed by the local populace resulted in mercury poisoning. In 1977, Minamata disease certification criteria was set by a strange method that tried not to recognize the rights of environmental disease patients. However, an Osaka court won the case for some patients because of a newly developed theory by medical doctors’ recent experiments and proofs. For decades, these patients struggled within the Japanese judicial system for their rights to receive compensation as victims of environmental disease. Those different aspects of these patients’ lives have been filmed by director Hara for the last 15 years, inspired by the late director Tsuchimoto’s documentary MINAMATA: THE VICTIMS AND THEIR WORLD (1971).

Kazuo Hara follows Ayumi Yasutomi, a transgender candidate, who is also a Tokyo University professor, as she embarks on a national campaign for a seat in Japan's Upper House.

Kazuo Hara follows Ayumi Yasutomi, a transgender candidate, who is also a Tokyo University professor, as she embarks on a national campaign for a seat in Japan's Upper House.

Kazuo Hara follows Ayumi Yasutomi, a transgender candidate, who is also a Tokyo University professor, as she embarks on a national campaign for a seat in Japan's Upper House.

Kazuo Hara follows Ayumi Yasutomi, a transgender candidate, who is also a Tokyo University professor, as she embarks on a national campaign for a seat in Japan's Upper House.

Godzilla, fuerza destructiva insondable para el hombre, resucita en el Tokio de hoy en día para acosar de nuevo ala civilización. Un país aún atormentado por las secuelas de un desastre natural, experimenta de repente el horror catastrófico de Godzilla. Apremiado por la muerte y la desesperación, Japón deberá encontrar el poder para superar este desafío. Primera película de Godzilla realizada en Japón desde "Godzilla: Final Wars" (2004) de Ryuhei Kitamura, dirigida por Hideaki Anno ("Evangelion") y Shinji Higuchi ("Attack on Titan").

This film is about a lawsuit seeking state compensation for asbestos-related damage in the Sennan area of Osaka. Filmmaker Hara Kazuo records the eight-year struggle of the plaintiffs and their lawyers. A dogged and dramatic depiction of their intense battle.

This film is about a lawsuit seeking state compensation for asbestos-related damage in the Sennan area of Osaka. Filmmaker Hara Kazuo records the eight-year struggle of the plaintiffs and their lawyers. A dogged and dramatic depiction of their intense battle.

Sayaka ONO created a painful and deeply moving portrayal of her own vulnerable soul, based on the tense relationship with her parents. Left alone for a entire year at the age of five, she had to grow up with the constant fear of getting abandoned again. Her difficult childhood and youth resulted in depression, frustration and anger, that she now shares with the world.

When her husband is hospitalized with tuberculosis, Chika has a series of three relationships: with a teacher in her hometown, with a student in Tokyo, and with an aging gangster.

Devotion investigates the extremely complex and heirarchical relationships among a committed group of Japanese filmmakers who dedicated up to 30 years of their lives making films for one man-Ogawa Shinsuke. Members of Ogawa Pro filmed the student movement of the late 60's; the fight by farmers to save their land from government confiscaton for the Narita airport at Sanrizuka; and the village life of a small farming community, Magino Village, in northern Japan. These heartbreaking and sometimes funny stories have never been told on film before. Rare footage, stills, and diaries with interviews with Oshima Nagisa, Hara Kazuo and Robert Kramer make this historical inquiry visually exciting as well as valuable.

A documentary following the lives of people in Mishima, a small island off the coast of Hagi City, Yamaguchi Prefecture.

There still stands a famous apartment building where such prominent manga artists as Tezuka Osamu, Shotaro Ishinomori and Fujio Akatsuka once lived, worked, and shared experiences.

A group of Japanese tourists try to forget their pasts and find themselves in India.

A profile of the controversial novelist Mitsuharu Inoue, filmed during the last years of his life.

A profile of the controversial novelist Mitsuharu Inoue, filmed during the last years of his life.

Toyoichi Otomo suffers from psychological and spiritual troubles after a horrific industrial accident. He lives with his elderly mother and wife near Mt. Aso in rural Kyushu. He seeks solace in a small religious group run by Buddhist nun Chishu-bo who claims to be the 68th descendant of famed 11th century poet Izumi Shikibu. The members of her sect regard her as a living saint. Yet instead of balming his soul, she riles his libido by playing a sexual cat-and-mouse game with the fragile Toyoichi. When she does bed him, it leads to a miracle healing -- followed by a terrible calamity.

La muerte de un maestro de té narra el suicidio de un célebre maestro de té nipón del siglo XVI.

Kenzo Okuzaki, a 62-year-old veteran of the New Guinea campaign in World War II, sets out to conduct interviews with survivors and relatives to find the truth behind atrocities committed while the Japanese garrison was surrounded, in particular the unexplained killing of two Japanese privates in his unit.

Kenzo Okuzaki, a 62-year-old veteran of the New Guinea campaign in World War II, sets out to conduct interviews with survivors and relatives to find the truth behind atrocities committed while the Japanese garrison was surrounded, in particular the unexplained killing of two Japanese privates in his unit.

Two interns and a nurse are interrogated by American MPs for their involvement in an atrocity during the war: the vivisections of a downed American air crew.

Pig Chicken Suicide is a veritable assault on the senses, mixing violent images of animal slaughter, racial strife, and surrealism to tell the story of two Koreans living in Japan whose love is destroyed due to overwhelming racial discrimination. In explicit abattoir photos and much symbolism, Matsui tells about the struggles of ethnic Koreans in Japan. A butcher's love affair and his relationship with the animals he kills frame the story.

A couple originally from Okinawa run an inexpensive restaurant in Kobe, with their grade-school daughter, Fuuchan. The movie depicts the warm interaction between her and adults that grew up with the rough history of Okinawa and discrimination from the mainland. Shots partly on location at beach of Itoman, Yogi Park and Hateruma Island. This is the movie version of the well-known novel by Kenjiro Haitani.

Pinku from 1975.

Pinku from 1975.

Rogue and vagabond Gonbee pretends himself as a boss of Yokohama-city. He has his follower Senkichi perform, and tries to make the skin flick. One magazine applies for coverage to him. But in the coverage, he stole the purse from the editor in chief Murata. Murata desperately raped his woman colleague, and what's more he plans to outrageous action...

In 1972, Miyuki tells her ex-lover Kazuo that she's going to Okinawa with their son. Kazuo decides to film her. He narrates his visits to her there: first while her flatmate is Sugako, a woman Miyuki is attracted to; then, while she works at a bar and is with Paul, an African-American soldier. Once, Kazuo brings his girlfriend, Sachiko. We see Miyuki with her son, with other bar girls, and with Sachiko. Miyuki, pregnant, returns to Tokyo and delivers a mixed-race child on her own with Kazuo and Sachiko filming. She joins a women's commune, talks about possibilities, enjoys motherhood, and is uninterested in a traditional family. Does the filmmaker have a point of view?

In 1972, Miyuki tells her ex-lover Kazuo that she's going to Okinawa with their son. Kazuo decides to film her. He narrates his visits to her there: first while her flatmate is Sugako, a woman Miyuki is attracted to; then, while she works at a bar and is with Paul, an African-American soldier. Once, Kazuo brings his girlfriend, Sachiko. We see Miyuki with her son, with other bar girls, and with Sachiko. Miyuki, pregnant, returns to Tokyo and delivers a mixed-race child on her own with Kazuo and Sachiko filming. She joins a women's commune, talks about possibilities, enjoys motherhood, and is uninterested in a traditional family. Does the filmmaker have a point of view?

In 1972, Miyuki tells her ex-lover Kazuo that she's going to Okinawa with their son. Kazuo decides to film her. He narrates his visits to her there: first while her flatmate is Sugako, a woman Miyuki is attracted to; then, while she works at a bar and is with Paul, an African-American soldier. Once, Kazuo brings his girlfriend, Sachiko. We see Miyuki with her son, with other bar girls, and with Sachiko. Miyuki, pregnant, returns to Tokyo and delivers a mixed-race child on her own with Kazuo and Sachiko filming. She joins a women's commune, talks about possibilities, enjoys motherhood, and is uninterested in a traditional family. Does the filmmaker have a point of view?

Kazuo Hara follows the lives and activities of Yokota Hiroshi and Yokozuka Koichi, members of an activist group made up of people with cerebral palsy.

Kazuo Hara follows the lives and activities of Yokota Hiroshi and Yokozuka Koichi, members of an activist group made up of people with cerebral palsy.