João Rui Guerra da Mata
Nacimiento : , Lourenço Marques, Portuguese Mozambique
Historia
João Rui Guerra da Mata was born in Lourenço Marques, Mozambique. He teached Art Direction at the Lisbon Film School from 2004 to 2011. In 1997 he co-starred in the short PARABÉNS!, directed by João Pedro Rodrigues, that won the Special Jury Mention at the 54th Mostra di Venezia. As an Art Director, he worked in several features and shorts, notably the ones directed by João Pedro Rodrigues, whose films he also co-scripted. This collaboration lately evolved to co-direction, namely in the shorts CHINA, CHINA (2007) – 39th Directors’ Fortnight, Cannes; Best Short Film and Audience Award, Belfort Film Festival and ALVORADA VERMELHA (2011) – Best Portuguese Short Film, IndieLisboa Film Festival; international premiere at Locarno Film Festival. O QUE ARDE CURA (2012) is his debut solo film.
Writer
En su lecho de muerte, su alteza real Alfredo, rey sin corona, regresa a lejanos recuerdos de juventud y a la época en la que soñaba con ser bombero. El encuentro con el instructor Afonso, del cuerpo de bomberos, abre un nuevo capítulo en la vida de los dos jóvenes inmersos en el amor y el deseo, y suscita su voluntad de cambiar el status quo.
Production Design
En su lecho de muerte, su alteza real Alfredo, rey sin corona, regresa a lejanos recuerdos de juventud y a la época en la que soñaba con ser bombero. El encuentro con el instructor Afonso, del cuerpo de bomberos, abre un nuevo capítulo en la vida de los dos jóvenes inmersos en el amor y el deseo, y suscita su voluntad de cambiar el status quo.
Director
From our window one can see a set of the film The Green Years, directed by Paulo Rocha in 1963. This was our starting point: guided by Rocha's gaze, we look back at the places of that film. The successive geological, urbanistic and social strata of Lisbon, besieged by the pandemic that interrupted the shooting, are drawn out in front of our camera, like a contemporary jazz impro from a score written in 1963.
Director
A game of references and a tribute to director Jacques Demy. It’s also an opportunity for the two directors to recall Demy’s A Room in Town (the film’s namesake) and The Umbrellas of Cherbourg and the importance these movies had for them.
Cinematography
João Pedro Rodrigues answers the question from the title with an autobiographical short-film.
João Pedro Rodrigues answers the question from the title with an autobiographical short-film.
Art Direction
Fernando decide enfrentarse a la naturaleza contaminada de Tras-os-Montes en busca de cigüeñas negras, una especie en vías de extinción. Mientras observa a estos animales salvajes a bordo de su canoa, vuelca debido a los rápidos. Salvado milagrosamente por dos turistas chinas que se perdieron recorriendo el camino hacia Santiago de Compostela, escapa al bosque a la espera de encontrar la senda de regreso. El bosque, salvaje y misterioso, no tarda en mostrar su lado oscuro, sembrando a su paso obstáculos y encuentros cuanto menos inquietantes. El suyo será un viaje iniciático hacia la búsqueda de sí mismo, de una iluminación mística pasoliniana, de lo pagano a lo divino.
Screenplay
Fernando decide enfrentarse a la naturaleza contaminada de Tras-os-Montes en busca de cigüeñas negras, una especie en vías de extinción. Mientras observa a estos animales salvajes a bordo de su canoa, vuelca debido a los rápidos. Salvado milagrosamente por dos turistas chinas que se perdieron recorriendo el camino hacia Santiago de Compostela, escapa al bosque a la espera de encontrar la senda de regreso. El bosque, salvaje y misterioso, no tarda en mostrar su lado oscuro, sembrando a su paso obstáculos y encuentros cuanto menos inquietantes. El suyo será un viaje iniciático hacia la búsqueda de sí mismo, de una iluminación mística pasoliniana, de lo pagano a lo divino.
Mysterious portrait of Fernando, aka Deborah Krystal, the glittering and poetic performer of the Lisbon club Finalmente, where he has been performing every night over thirty years in golden dresses. Under the layers of his colorful fabrics, the many skins of Fernando are revealed, letting Lisbon’s legends come to life. Alternately woman mermaid, female birds, woman lion, we are taken into the desires and dreams of metamorphosis and myths.
Welcome to Lisbon: there are mermaids by the Tagus and birds flying over the old city; there are mad scientists and singing fish; lost tourist guides and lost tourists; fado and sad guitars. What a weird city you may think - but no. Lisbon is about being different, sarcastic, welcoming to foreigners even in an economic crisis. Different directors became fascinated by our strangeness. We became fascinated by these directors. The city is never the same in these four episodes, here in Lisbon.
Editor
The word panchão was first heard in Macao. From the Chinese pan-tcheong or pau-tcheong, dictionaries define it as a Macanese regionalism also known as China cracker. Who inhabits the ancient IEC Long firecracker factory?
Director of Photography
The word panchão was first heard in Macao. From the Chinese pan-tcheong or pau-tcheong, dictionaries define it as a Macanese regionalism also known as China cracker. Who inhabits the ancient IEC Long firecracker factory?
Screenplay
The word panchão was first heard in Macao. From the Chinese pan-tcheong or pau-tcheong, dictionaries define it as a Macanese regionalism also known as China cracker. Who inhabits the ancient IEC Long firecracker factory?
Director
The word panchão was first heard in Macao. From the Chinese pan-tcheong or pau-tcheong, dictionaries define it as a Macanese regionalism also known as China cracker. Who inhabits the ancient IEC Long firecracker factory?
Art Direction
Varziela, Vila do Conde, the biggest Chinatown in Portugal. A man wearing a hat and a missing woman. A high-heeled shoe, a blond wig and a Chinese dress. The confrontation between the East Wind and the Red Dragon; the cardinal points switched as in an ultimate Mahjong game.
Varziela, Vila do Conde, the biggest Chinatown in Portugal. A man wearing a hat and a missing woman. A high-heeled shoe, a blond wig and a Chinese dress. The confrontation between the East Wind and the Red Dragon; the cardinal points switched as in an ultimate Mahjong game.
Screenplay
Varziela, Vila do Conde, the biggest Chinatown in Portugal. A man wearing a hat and a missing woman. A high-heeled shoe, a blond wig and a Chinese dress. The confrontation between the East Wind and the Red Dragon; the cardinal points switched as in an ultimate Mahjong game.
Director
Varziela, Vila do Conde, the biggest Chinatown in Portugal. A man wearing a hat and a missing woman. A high-heeled shoe, a blond wig and a Chinese dress. The confrontation between the East Wind and the Red Dragon; the cardinal points switched as in an ultimate Mahjong game.
Assistant Director
How would it look like, the body of Dom Afonso Henriques, first king of Portugal, tutelary figure, subject to successive mythifications throughout Portuguese history?
Director of Photography
Part memoir, part city symphony, part noir-ish B-movie adventure, the new feature from critically acclaimed film-making duo João Pedro Rodrigues and João Rui Guerra da Mata (To Die Like a Man) is a sensual, shape-shifting ode to one of the world's most mythic, alluring and exoticized cities.
Editor
Part memoir, part city symphony, part noir-ish B-movie adventure, the new feature from critically acclaimed film-making duo João Pedro Rodrigues and João Rui Guerra da Mata (To Die Like a Man) is a sensual, shape-shifting ode to one of the world's most mythic, alluring and exoticized cities.
Part memoir, part city symphony, part noir-ish B-movie adventure, the new feature from critically acclaimed film-making duo João Pedro Rodrigues and João Rui Guerra da Mata (To Die Like a Man) is a sensual, shape-shifting ode to one of the world's most mythic, alluring and exoticized cities.
Screenplay
Part memoir, part city symphony, part noir-ish B-movie adventure, the new feature from critically acclaimed film-making duo João Pedro Rodrigues and João Rui Guerra da Mata (To Die Like a Man) is a sensual, shape-shifting ode to one of the world's most mythic, alluring and exoticized cities.
Director
Part memoir, part city symphony, part noir-ish B-movie adventure, the new feature from critically acclaimed film-making duo João Pedro Rodrigues and João Rui Guerra da Mata (To Die Like a Man) is a sensual, shape-shifting ode to one of the world's most mythic, alluring and exoticized cities.
Art Direction
Tradition says that on 13 June, Saint Anthony’s Day (the national holiday of Lisbon’s patron), lovers must offer small vases of basil with paper carnations and flags with popular poems as a token of their love.
Writer
On the phone in his dark bedroom, a man relives the end of a turbulent affair, while across town, the city burns.
Director
On the phone in his dark bedroom, a man relives the end of a turbulent affair, while across town, the city burns.
Art Direction
Side Effects is the story of a woman who's not afraid to believe that happiness is not only possible but the only truth to be achieved. A woman who won't give up believing in people. A woman who will fight against all adversities in order to let others not to give up a life worth living. Nowadays, the desire for happiness is a real heroic act.
Himself
A documentary about the world of portuguese cinema, with interviews with some critics and directors.
Director of Photography
The Red Market in Macao. The red tonalities of blood, flesh, buckets and even of the fish’s eyes, carry the audience into a strange and scary universe but also beautiful and intriguing. Rodrigues and Guerra da Mata’s camera emerges like a driving force giving us the exact balance between what exists and what we see.
Editor
The Red Market in Macao. The red tonalities of blood, flesh, buckets and even of the fish’s eyes, carry the audience into a strange and scary universe but also beautiful and intriguing. Rodrigues and Guerra da Mata’s camera emerges like a driving force giving us the exact balance between what exists and what we see.
Writer
The Red Market in Macao. The red tonalities of blood, flesh, buckets and even of the fish’s eyes, carry the audience into a strange and scary universe but also beautiful and intriguing. Rodrigues and Guerra da Mata’s camera emerges like a driving force giving us the exact balance between what exists and what we see.
Director
The Red Market in Macao. The red tonalities of blood, flesh, buckets and even of the fish’s eyes, carry the audience into a strange and scary universe but also beautiful and intriguing. Rodrigues and Guerra da Mata’s camera emerges like a driving force giving us the exact balance between what exists and what we see.
Art Direction
A transgender woman attempts to rehabilitate her younger, drug-addicted boyfriend while also dealing with her ne’er-do-well son, a solider who’s gone AWOL.
Art Direction
China walks towards the Lisbon district of Martim Moniz. In its wake, the children shout: China! China! China will leave at dawn, will fly away. Just wants to be happy. But drinking her own poison without leaving a drop. Sometimes the air is laden with iniquity and purgatory is a kindergarten...
Director
China walks towards the Lisbon district of Martim Moniz. In its wake, the children shout: China! China! China will leave at dawn, will fly away. Just wants to be happy. But drinking her own poison without leaving a drop. Sometimes the air is laden with iniquity and purgatory is a kindergarten...
Writer
China walks towards the Lisbon district of Martim Moniz. In its wake, the children shout: China! China! China will leave at dawn, will fly away. Just wants to be happy. But drinking her own poison without leaving a drop. Sometimes the air is laden with iniquity and purgatory is a kindergarten...
Costume Design
En la entrada de una discoteca en Lisboa, dos chicos, Pedro y Rui, se besan apasionadamente. Pedro coge el coche de vuelta a casa y Rui entra en la discoteca donde trabaja. Minutos más tarde, Pedro tiene un accidente mortal. En otra parte de la ciudad, Odete sueña con tener un hijo, pero su novio no quiere compromisos y la abandona...
Set Decoration
En la entrada de una discoteca en Lisboa, dos chicos, Pedro y Rui, se besan apasionadamente. Pedro coge el coche de vuelta a casa y Rui entra en la discoteca donde trabaja. Minutos más tarde, Pedro tiene un accidente mortal. En otra parte de la ciudad, Odete sueña con tener un hijo, pero su novio no quiere compromisos y la abandona...
Art Direction
A place where putting red lipstick gives life and a broadcast camera takes it, reclaiming lost girls in endoscopic romances into darkness, where they evaporate, inside empty haute couture dresses.
Costume Design
Sérgio, un atractivo y solitario joven recolector de basura, sin mayor compañía que la de su perro Lorde, recorre las calles de Lisboa con la intención de tener encuentros sexuales con hombres anónimos. Una noche se obsesiona con perseguir al que cree es el fantasma de sus sueños, y se mete en un juego que al final él no controla...
Production Design
Sérgio, un atractivo y solitario joven recolector de basura, sin mayor compañía que la de su perro Lorde, recorre las calles de Lisboa con la intención de tener encuentros sexuales con hombres anónimos. Una noche se obsesiona con perseguir al que cree es el fantasma de sus sueños, y se mete en un juego que al final él no controla...
Production Assistant
Chico wakes up on his 30th birthday to the sound of his girlfriend singing “Happy Birthday” to him on his answering machine. When João wakes up in bed next to him, he realizes that this is not his typical birthday.
Francisco
Chico wakes up on his 30th birthday to the sound of his girlfriend singing “Happy Birthday” to him on his answering machine. When João wakes up in bed next to him, he realizes that this is not his typical birthday.
Costume Design
The film is set in Lisbon, and tells the story of a day in the life of Rita and Paulo, a Portuguese young couple of the 90's. The fast changing city around them makes them wish to break with all traditions and live the day the get married (only civil marriage) like it is an ordinary day.
