João Rui Guerra da Mata

João Rui Guerra da Mata

出生 : , Lourenço Marques, Portuguese Mozambique

略歴

João Rui Guerra da Mata was born in Lourenço Marques, Mozambique. He teached Art Direction at the Lisbon Film School from 2004 to 2011. In 1997 he co-starred in the short PARABÉNS!, directed by João Pedro Rodrigues, that won the Special Jury Mention at the 54th Mostra di Venezia. As an Art Director, he worked in several features and shorts, notably the ones directed by João Pedro Rodrigues, whose films he also co-scripted. This collaboration lately evolved to co-direction, namely in the shorts CHINA, CHINA (2007) – 39th Directors’ Fortnight, Cannes; Best Short Film and Audience Award, Belfort Film Festival and ALVORADA VERMELHA (2011) – Best Portuguese Short Film, IndieLisboa Film Festival; international premiere at Locarno Film Festival. O QUE ARDE CURA (2012) is his debut solo film.

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João Rui Guerra da Mata

参加作品

Will-o’-the-Wisp
Writer
On his deathbed, his royal highness Alfredo, King without a crown, is taken back to distant youth memories and the time he dreamt of becoming a fireman. The encounter with instructor Afonso from the fire brigade, opens a new chapter in the life of the two young men devoted to love and desire, and the will to change the status quo.
Will-o’-the-Wisp
Production Design
On his deathbed, his royal highness Alfredo, King without a crown, is taken back to distant youth memories and the time he dreamt of becoming a fireman. The encounter with instructor Afonso from the fire brigade, opens a new chapter in the life of the two young men devoted to love and desire, and the will to change the status quo.
Where Is This Street? or With No Before or After
Director
From our window one can see a set of the film The Green Years, directed by Paulo Rocha in 1963. This was our starting point: guided by Rocha's gaze, we look back at the places of that film. The successive geological, urbanistic and social strata of Lisbon, besieged by the pandemic that interrupted the shooting, are drawn out in front of our camera, like a contemporary jazz impro from a score written in 1963.
A Room in Town
Director
A game of references and a tribute to director Jacques Demy. It’s also an opportunity for the two directors to recall Demy’s A Room in Town (the film’s namesake) and The Umbrellas of Cherbourg and the importance these movies had for them.
Where Do You Stand Now, João Pedro Rodrigues?
Cinematography
João Pedro Rodrigues answers the question from the title with an autobiographical short-film.
Where Do You Stand Now, João Pedro Rodrigues?
João Pedro Rodrigues answers the question from the title with an autobiographical short-film.
鳥類学者
Art Direction
Stranded along a sublime river fjord in northern Portugal, an ornithologist is subjected to a series of brutal and erotic Stations-of-the-Cross-style tests.
鳥類学者
Screenplay
Stranded along a sublime river fjord in northern Portugal, an ornithologist is subjected to a series of brutal and erotic Stations-of-the-Cross-style tests.
L'oiseau de la nuit
Mysterious portrait of Fernando, aka Deborah Krystal, the glittering and poetic performer of the Lisbon club Finalmente, where he has been performing every night over thirty years in golden dresses. Under the layers of his colorful fabrics, the many skins of Fernando are revealed, letting Lisbon’s legends come to life. Alternately woman mermaid, female birds, woman lion, we are taken into the desires and dreams of metamorphosis and myths.
Here in Lisbon
Welcome to Lisbon: there are mermaids by the Tagus and birds flying over the old city; there are mad scientists and singing fish; lost tourist guides and lost tourists; fado and sad guitars. What a weird city you may think - but no. Lisbon is about being different, sarcastic, welcoming to foreigners even in an economic crisis. Different directors became fascinated by our strangeness. We became fascinated by these directors. The city is never the same in these four episodes, here in Lisbon.
IEC Long
Editor
The word panchão was first heard in Macao. From the Chinese pan-tcheong or pau-tcheong, dictionaries define it as a Macanese regionalism also known as China cracker. Who inhabits the ancient IEC Long firecracker factory?
IEC Long
Director of Photography
The word panchão was first heard in Macao. From the Chinese pan-tcheong or pau-tcheong, dictionaries define it as a Macanese regionalism also known as China cracker. Who inhabits the ancient IEC Long firecracker factory?
IEC Long
Screenplay
The word panchão was first heard in Macao. From the Chinese pan-tcheong or pau-tcheong, dictionaries define it as a Macanese regionalism also known as China cracker. Who inhabits the ancient IEC Long firecracker factory?
IEC Long
Director
The word panchão was first heard in Macao. From the Chinese pan-tcheong or pau-tcheong, dictionaries define it as a Macanese regionalism also known as China cracker. Who inhabits the ancient IEC Long firecracker factory?
Mahjong
Art Direction
Varziela, Vila do Conde, the biggest Chinatown in Portugal. A man wearing a hat and a missing woman. A high-heeled shoe, a blond wig and a Chinese dress. The confrontation between the East Wind and the Red Dragon; the cardinal points switched as in an ultimate Mahjong game.
Mahjong
Varziela, Vila do Conde, the biggest Chinatown in Portugal. A man wearing a hat and a missing woman. A high-heeled shoe, a blond wig and a Chinese dress. The confrontation between the East Wind and the Red Dragon; the cardinal points switched as in an ultimate Mahjong game.
Mahjong
Screenplay
Varziela, Vila do Conde, the biggest Chinatown in Portugal. A man wearing a hat and a missing woman. A high-heeled shoe, a blond wig and a Chinese dress. The confrontation between the East Wind and the Red Dragon; the cardinal points switched as in an ultimate Mahjong game.
Mahjong
Director
Varziela, Vila do Conde, the biggest Chinatown in Portugal. A man wearing a hat and a missing woman. A high-heeled shoe, a blond wig and a Chinese dress. The confrontation between the East Wind and the Red Dragon; the cardinal points switched as in an ultimate Mahjong game.
The King's Body
Assistant Director
How would it look like, the body of Dom Afonso Henriques, first king of Portugal, tutelary figure, subject to successive mythifications throughout Portuguese history?
The Last Time I Saw Macao
Director of Photography
Part memoir, part city symphony, part noir-ish B-movie adventure, the new feature from critically acclaimed film-making duo João Pedro Rodrigues and João Rui Guerra da Mata (To Die Like a Man) is a sensual, shape-shifting ode to one of the world's most mythic, alluring and exoticized cities.
The Last Time I Saw Macao
Editor
Part memoir, part city symphony, part noir-ish B-movie adventure, the new feature from critically acclaimed film-making duo João Pedro Rodrigues and João Rui Guerra da Mata (To Die Like a Man) is a sensual, shape-shifting ode to one of the world's most mythic, alluring and exoticized cities.
The Last Time I Saw Macao
Part memoir, part city symphony, part noir-ish B-movie adventure, the new feature from critically acclaimed film-making duo João Pedro Rodrigues and João Rui Guerra da Mata (To Die Like a Man) is a sensual, shape-shifting ode to one of the world's most mythic, alluring and exoticized cities.
The Last Time I Saw Macao
Screenplay
Part memoir, part city symphony, part noir-ish B-movie adventure, the new feature from critically acclaimed film-making duo João Pedro Rodrigues and João Rui Guerra da Mata (To Die Like a Man) is a sensual, shape-shifting ode to one of the world's most mythic, alluring and exoticized cities.
The Last Time I Saw Macao
Director
Part memoir, part city symphony, part noir-ish B-movie adventure, the new feature from critically acclaimed film-making duo João Pedro Rodrigues and João Rui Guerra da Mata (To Die Like a Man) is a sensual, shape-shifting ode to one of the world's most mythic, alluring and exoticized cities.
Morning of Saint Anthony's Day
Art Direction
Tradition says that on 13 June, Saint Anthony’s Day (the national holiday of Lisbon’s patron), lovers must offer small vases of basil with paper carnations and flags with popular poems as a token of their love.
As the Flames Rose
Writer
On the phone in his dark bedroom, a man relives the end of a turbulent affair, while across town, the city burns.
As the Flames Rose
Director
On the phone in his dark bedroom, a man relives the end of a turbulent affair, while across town, the city burns.
Side Effects
Art Direction
Side Effects is the story of a woman who's not afraid to believe that happiness is not only possible but the only truth to be achieved. A woman who won't give up believing in people. A woman who will fight against all adversities in order to let others not to give up a life worth living. Nowadays, the desire for happiness is a real heroic act.
A Portuguese Film
Himself
A documentary about the world of portuguese cinema, with interviews with some critics and directors.
Red Dawn
Director of Photography
The Red Market in Macao. The red tonalities of blood, flesh, buckets and even of the fish’s eyes, carry the audience into a strange and scary universe but also beautiful and intriguing. Rodrigues and Guerra da Mata’s camera emerges like a driving force giving us the exact balance between what exists and what we see.
Red Dawn
Editor
The Red Market in Macao. The red tonalities of blood, flesh, buckets and even of the fish’s eyes, carry the audience into a strange and scary universe but also beautiful and intriguing. Rodrigues and Guerra da Mata’s camera emerges like a driving force giving us the exact balance between what exists and what we see.
Red Dawn
Writer
The Red Market in Macao. The red tonalities of blood, flesh, buckets and even of the fish’s eyes, carry the audience into a strange and scary universe but also beautiful and intriguing. Rodrigues and Guerra da Mata’s camera emerges like a driving force giving us the exact balance between what exists and what we see.
Red Dawn
Director
The Red Market in Macao. The red tonalities of blood, flesh, buckets and even of the fish’s eyes, carry the audience into a strange and scary universe but also beautiful and intriguing. Rodrigues and Guerra da Mata’s camera emerges like a driving force giving us the exact balance between what exists and what we see.
To Die Like a Man
Art Direction
A transgender woman attempts to rehabilitate her younger, drug-addicted boyfriend while also dealing with her ne’er-do-well son, a solider who’s gone AWOL.
China, China
Art Direction
China walks towards the Lisbon district of Martim Moniz. In its wake, the children shout: China! China! China will leave at dawn, will fly away. Just wants to be happy. But drinking her own poison without leaving a drop. Sometimes the air is laden with iniquity and purgatory is a kindergarten...
China, China
Director
China walks towards the Lisbon district of Martim Moniz. In its wake, the children shout: China! China! China will leave at dawn, will fly away. Just wants to be happy. But drinking her own poison without leaving a drop. Sometimes the air is laden with iniquity and purgatory is a kindergarten...
China, China
Writer
China walks towards the Lisbon district of Martim Moniz. In its wake, the children shout: China! China! China will leave at dawn, will fly away. Just wants to be happy. But drinking her own poison without leaving a drop. Sometimes the air is laden with iniquity and purgatory is a kindergarten...
オデット
Costume Design
After breaking up with her boyfriend, a woman named Odete descends into madness and claims to be pregnant with the child of her neighbour Pedro, who died in a car crash and is mourned by his boyfriend Rui.
オデット
Set Decoration
After breaking up with her boyfriend, a woman named Odete descends into madness and claims to be pregnant with the child of her neighbour Pedro, who died in a car crash and is mourned by his boyfriend Rui.
The Girl in the Mirror
Art Direction
A place where putting red lipstick gives life and a broadcast camera takes it, reclaiming lost girls in endoscopic romances into darkness, where they evaporate, inside empty haute couture dresses.
O Fantasma
Costume Design
Sergio is a brooding, alienated man who works as a trash collector in Lisbon by day and roams the city streets by night seeking rough, anonymous sex with men. One night he meets a man who seems to be the embodiment of his tormented fantasies, and he becomes obsessed with the stranger until loneliness and unfulfilled desire propel him finally into a dark and dangerous animalistic state.
O Fantasma
Production Design
Sergio is a brooding, alienated man who works as a trash collector in Lisbon by day and roams the city streets by night seeking rough, anonymous sex with men. One night he meets a man who seems to be the embodiment of his tormented fantasies, and he becomes obsessed with the stranger until loneliness and unfulfilled desire propel him finally into a dark and dangerous animalistic state.
Happy Birthday!
Production Assistant
Chico wakes up on his 30th birthday to the sound of his girlfriend singing “Happy Birthday” to him on his answering machine. When João wakes up in bed next to him, he realizes that this is not his typical birthday.
Happy Birthday!
Francisco
Chico wakes up on his 30th birthday to the sound of his girlfriend singing “Happy Birthday” to him on his answering machine. When João wakes up in bed next to him, he realizes that this is not his typical birthday.
Haircut
Costume Design
The film is set in Lisbon, and tells the story of a day in the life of Rita and Paulo, a Portuguese young couple of the 90's. The fast changing city around them makes them wish to break with all traditions and live the day the get married (only civil marriage) like it is an ordinary day.