Frances Guihan

Gen. Ulysses S. Grant has a job for Wild Bill Hickok (George Houston) and his sidekick (Al St. John).

Bundy has found gold on the Kent ranch but directs everyone to Ghost Town as he tries to take over the ranch. But Bill and Kent's niece Lorna have taken possession. When it appears Bundy is attracted to Lorna, his jealous girl friend has men destroy the ranch and the explosion helps uncover the gold vein.

A rancher attempts to find the villain behind a land-stealing operation.

A stagecoach line hires an agent to stop a string of robberies of gold shipments.

A cowboy aids an orphaned girl whose cattle are being rustled by an outlaw gang.

An army colonel tries to bring peace to a lawless community.

Director Leslie Selander exhibits the sure-handed expertise that would endear him to latter-day western cultists in his 1937 formula western Sandflow. Buck Jones plays the son of a crooked land dealer. Seeking redemption, Jones rides through the west to compensate every rancher who was cheated by his dad.

Buck runs into trouble when he buys a deserted cattle ranch that he turns into a dude ranch.

A man impersonates his double to clear himself of a murder conviction.

Tired of being a cowboy movie star, Yorke quits the movies and buys a ranch so he can be a real cowboy. But just as in his films trouble arrives. This time it's bank robber Sampson and his two cronies.

Buck Jones was producing as well as starring in his own western series by the time Ride 'Em Cowboy hit the screen. A heady combination of old and new, this one casts Jones as champeen auto racer Jess Burns, who reverts to his horse when called upon to rout the villains.

Penniless drifter Steve Davis finds young Jimmy Thomas just after his father is killed. The two become friends and Steve looks for work. This brings him to town where teacher June Caldwell has lent money from the school fund to the dishonest Jess Watson, She now desperately needs it back and Steve soon finds himself in the middle of the conflict.

A miner who was swindled out of his mine by a banker turns to robbing stagecoaches. Several years after he is tracked down and killed, his son comes to town to tangle with the banker.

When Buck is young his cattle stealing father is killed. Now grown Buck returns home still carrying the burden of his father's reputation. When he is framed for rustling, he finds an object that identifies Milt Fergus, the brother of his girl friend, as the rustler. Getting bailed out of jail he and his Uncle Ford have a plan to trap Milt.

Carlos López es un apuesto deportista argentino, al que temen y detestan casi todos los hombres casados de Buenos Aires.

Following a successful experimental operation to reverse age, a wealthy businessman stages his own death and assumes the identity of his nephew. His spurious pursuit of a very young woman eventually catches up with him, as does his age.

Howard Crandall Jr., who comes from a wealthy family, has suffered a disfiguring facial injury during World War I, and at war's end stays in Paris rather than return home to his family and sweetheart Muriel looking the way he does. While in Paris he forms a secret society of men who are in a similar position. When he finally does decide to return home, his family and Muriel are at first shocked by his appearance, but they recover and try to make him feel comfortable and accepted. However, it's not before Howard begins to feel their actions are motivated more by pity than love, and when Arthur Wells, who was once Muriel's suitor, shows up one day and is greeted warmly and intimately by Muriel, Howard starts to think that his suspicions are justified.

A young woman finds a trunk full of stolen diamonds, takes them and heads westward, pursued by the thief.

In this picture, Sessue Hayakawa is in a dual role, playing twin brothers. One of them, Yamashiro is serious and hardworking, while the other, Sadao, is a playboy. There is a girl, Toko-Ku, who loves them both, but really prefers the bad boy. Sadao encounters Paul Berkowitz in a gambling den and borrows far more money from him than he can ever pay back.

Sessue Hayakawa was making the transition from Asian villain to sympathetic hero in this picture. The plot is a combination of racial stereotypes that were common in the U.S. during the silent era and real-life situations experienced by Asians living Stateside. Hayakawa plays Suki Iota, a student who, while born and bred in America, wants a wife with traditional Japanese values. She appears in the form of Rei (Tsuru Aoki, Hayakawa's real-life wife), a singer who becomes known as the Japanese Nightingale.

Toyama wants to go to college in America but his alcoholic father won't supply the funds. He gets the money to go, however, from Sada, whom he has married in secret. But Sada has a secret of her own -- she told Toyama that she got the money from a relative, but the truth is that she has signed up to do a four-year stint as a Geisha girl.

Toyama wants to go to college in America but his alcoholic father won't supply the funds. He gets the money to go, however, from Sada, whom he has married in secret. But Sada has a secret of her own -- she told Toyama that she got the money from a relative, but the truth is that she has signed up to do a four-year stint as a Geisha girl.

Secret Service officer Richard Paget receives a letter from his twin brother John imploring him to take over his identity after he commits suicide, so that Richard can subvert the plans made by the airplane company which John had financed, to make defective planes for the United States to use in the war.

Yukio is illegal in the United States and is used by a gang of spies for their plans. Yukio must steal secret documents from an admiral. When he's submitting the documents to the gang, he realizes what he has done and claims the documents back. A struggle follows.

Yukio is illegal in the United States and is used by a gang of spies for their plans. Yukio must steal secret documents from an admiral. When he's submitting the documents to the gang, he realizes what he has done and claims the documents back. A struggle follows.