Nadia El Fani
Nacimiento : 1960-01-01, Paris - France
Herself
The film documents the lives and experiences of ex-Muslims: people who have left Islam to become atheists, and who often face discrimination, harassment, ostracism and violence for leaving Islam, both in the UK and abroad.
Cinematography
"They fight: Our breasts, our weapons" - Born in Ukraine in 2008 in the wake of the "Orange Revolution", the feminist movement Femen fights for democracy, freedom of the press, women's rights, and against corruption, prostitution, sexism, racism, poverty and religions. Her activists quickly caught the attention of the media by shocking actions carried bare toes, the body covered with slogans. In 2012, at the creation of Femen France, Caroline Fourest followed their actions. They notably affirmed their support for "Marriage for All" by protesting on November 18, 2012, during the demonstration organized by the Civitas Institute against the bill, provoking sharp clashes.
An episode from "Infrarouge XXL".
Director
"They fight: Our breasts, our weapons" - Born in Ukraine in 2008 in the wake of the "Orange Revolution", the feminist movement Femen fights for democracy, freedom of the press, women's rights, and against corruption, prostitution, sexism, racism, poverty and religions. Her activists quickly caught the attention of the media by shocking actions carried bare toes, the body covered with slogans. In 2012, at the creation of Femen France, Caroline Fourest followed their actions. They notably affirmed their support for "Marriage for All" by protesting on November 18, 2012, during the demonstration organized by the Civitas Institute against the bill, provoking sharp clashes.
An episode from "Infrarouge XXL".
Director of Photography
Elle-même
Director
Writer
Director
Filmmaker Nadia el Fani explores secularism in the predominantly Muslim country of Tunisia before and after the fall of Ben Ali.
Director
In the contemporary Tunisian thriller Bedwin Hacker, a female media pirate - holed up in a remote outpost in the mountains of Tunisia - figures out a way to take over the television and radio airwaves in France and North Africa to broadcast political messages. The irritated French Intelligence service closes in on her, which leads to a tit-for-tat game of intrigue between the hacker and her pursuers. Helmed by a female director, this film is of some historical significance, given its unusually frank, straightforward, and accurate portrayal of the day-to-day experiences of north African women.
Producer
In the contemporary Tunisian thriller Bedwin Hacker, a female media pirate - holed up in a remote outpost in the mountains of Tunisia - figures out a way to take over the television and radio airwaves in France and North Africa to broadcast political messages. The irritated French Intelligence service closes in on her, which leads to a tit-for-tat game of intrigue between the hacker and her pursuers. Helmed by a female director, this film is of some historical significance, given its unusually frank, straightforward, and accurate portrayal of the day-to-day experiences of north African women.
Director
A tender but brash short film about the feeling of living in two worlds at once. Meriem, the child of Tunisian-French parentage, shuttles back and forth between Paris and Tunis, and between two men. It takes a long time for her to decide where she belongs.
Director