Nadia El Fani

出生 : 1960-01-01, Paris - France

参加作品

Islam's Non-Believers
Herself
The film documents the lives and experiences of ex-Muslims: people who have left Islam to become atheists, and who often face discrimination, harassment, ostracism and violence for leaving Islam, both in the UK and abroad.
Elles livrent bataille: Nos seins, nos armes
Cinematography
"They fight: Our breasts, our weapons" - Born in Ukraine in 2008 in the wake of the "Orange Revolution", the feminist movement Femen fights for democracy, freedom of the press, women's rights, and against corruption, prostitution, sexism, racism, poverty and religions. Her activists quickly caught the attention of the media by shocking actions carried bare toes, the body covered with slogans. In 2012, at the creation of Femen France, Caroline Fourest followed their actions. They notably affirmed their support for "Marriage for All" by protesting on November 18, 2012, during the demonstration organized by the Civitas Institute against the bill, provoking sharp clashes. An episode from "Infrarouge XXL".
Elles livrent bataille: Nos seins, nos armes
Director
"They fight: Our breasts, our weapons" - Born in Ukraine in 2008 in the wake of the "Orange Revolution", the feminist movement Femen fights for democracy, freedom of the press, women's rights, and against corruption, prostitution, sexism, racism, poverty and religions. Her activists quickly caught the attention of the media by shocking actions carried bare toes, the body covered with slogans. In 2012, at the creation of Femen France, Caroline Fourest followed their actions. They notably affirmed their support for "Marriage for All" by protesting on November 18, 2012, during the demonstration organized by the Civitas Institute against the bill, provoking sharp clashes. An episode from "Infrarouge XXL".
Même pas mal
Director of Photography
Même pas mal
Elle-même
Même pas mal
Director
Même pas mal
Writer
Neither Allah, Nor Master!
Director
Filmmaker Nadia el Fani explores secularism in the predominantly Muslim country of Tunisia before and after the fall of Ben Ali.
Bedwin Hacker
Director
In the contemporary Tunisian thriller Bedwin Hacker, a female media pirate - holed up in a remote outpost in the mountains of Tunisia - figures out a way to take over the television and radio airwaves in France and North Africa to broadcast political messages. The irritated French Intelligence service closes in on her, which leads to a tit-for-tat game of intrigue between the hacker and her pursuers. Helmed by a female director, this film is of some historical significance, given its unusually frank, straightforward, and accurate portrayal of the day-to-day experiences of north African women.
Bedwin Hacker
Producer
In the contemporary Tunisian thriller Bedwin Hacker, a female media pirate - holed up in a remote outpost in the mountains of Tunisia - figures out a way to take over the television and radio airwaves in France and North Africa to broadcast political messages. The irritated French Intelligence service closes in on her, which leads to a tit-for-tat game of intrigue between the hacker and her pursuers. Helmed by a female director, this film is of some historical significance, given its unusually frank, straightforward, and accurate portrayal of the day-to-day experiences of north African women.
Fifty-Fifty My Love
Director
A tender but brash short film about the feeling of living in two worlds at once. Meriem, the child of Tunisian-French parentage, shuttles back and forth between Paris and Tunis, and between two men. It takes a long time for her to decide where she belongs.
Capitale Parenthèse
Director