Grischa Huber

Grischa Huber

Nacimiento : 1944-09-18, Wollin, Poland

Perfil

Grischa Huber

Películas

Mama Told Me Not to Look Into the Sun
Gudrun
Kamilla lives with her mother Gudrun in a remote winery. In addition to the agricultural work of the vineyard, Kamilla takes care of her mother, who is dependent on her help with every movement. When the mysterious Rocco appears, Kamilla hides him from the police and they begin a passionate affair.
The Garden
Frau Fischer
En una casa de campo de la Alemania Occidental durante el verano de 1976, tres generaciones de la misma familia se reúnen en la mansión de la matriarca para conmemorar su reciente muerte. Pero, como si se tratara de un símbolo premonitorio de la catástrofe, la noche previa al entierro, el árbol más longevo del jardín es derribado por un rayo. Ese pequeño incidente, fruto del azar de la naturaleza, desata una cadena de confesiones y reproches que cambiará las vidas de los miembros de esa familia burguesa.
Knocked Up
Rita Lackner
Kerstin is a successful department head of a tax consulting firm in Berlin. She is respected and feared by her employees. Only one thing is too short in her life: for years she had no sex and no husband by her side. At the company, she wants to show that she can also party properly. The next morning, she wakes up in a hotel bed with two employees next to her: the hated opponent Simon and the "footman" Gregor. With the aid of her assistant Achim, she has lost all the memories of the previous evening. Her employees are forcing her to silence. Four months later, she realizes that she is pregnant and one of her nightmares is the father.
Hilde
A biography of Hildegard Knef, one of Germany's biggest post-war stars.
Hurenkinder
Yvonne
Mord in aller Unschuld
Frau Adler
Wenn Liebe doch so einfach wär’
Lili Berger
Schwesterherz
Mutter
3º colder
Elisabeth Engel
Un día, diferente a cualquier otro, tiene lugar una tormenta eléctrica en mitad del invierno. Steini se instala con su novia Jenny; Olli sale con Babette por primera vez; y Marie, casada felizmente con Frank, se acuerda de Jan, que hace 5 años desapareció de su vida inesperadamente. Al día siguiente, por la noche, Marie escribe una carta a su viejo amor Jan. Pero tal y como le ha pasado en todos estos años, no encuentra las palabras adecuadas, por lo que tira la carta a la basura. Cuando Frank encuentra la carta en la basura, la confesión de Marie de que aún está enamorada de Jan le conmueve profundamente. Frank decide enviar la carta a Jan sin que ella lo sepa. Cuando, de repente, Jan vuelve a aparecer, Frank y Marie no son los únicos que se enfrentan a un período desafiante en sus relaciones. Todos en su círculo de amigos de alguna manera se ven forzados a hacerse una pregunta: ¿qué es más importante, amar o ser amado?.
September
Gudrun
Don't Talk About Fate
The State Chancellery
Irmlind Heiser
Die Kolonie
Eliana
During Pinochet's military dictatorship in Chile, a father strives to free his daughter from the German religious sect, Colonia Dignidad.
Ninguém Duas Vezes
Hanna Brauer
Director Jorge Silva Melo has developed a viable, though highly intellectual mystery story about the world of art and culture and murder in this somewhat theatrical presentation. When German artist Bernd Hoffmann (Michael König) arrives in Lisbon to oversee the installation of his paintings in a joint exhibition with another Berlin artist, Hanna Brauer (Charlotte Schwab), Hanna never shows up. Hoffmann is puzzled because he is certain he saw a video sequence with Hanna at the exhibition, and he begins to look for her. Another Lisbon cultural center, a theater, is also having problems that may or may not be related -- and the mystery deepens when Hanna is found dead, either by her own hand, or murdered.
Malou
Two life stories. That of Malou, a French woman, married to a German Jew, a refugee stranded in South America: a picture of the pre-war generation reflected in the unusual destiny of an individual woman. And that of Hannah, an alert, independent, modern woman, seeking after freedom and her own identity, and trying in present-day Berlin to save her shaky marriage.
Winterreise im Olympiastadion
In the winter of 1977 Schaubühne staged texts from Hölderlin's "Hyperion" in the Olympic Stadium in Berlin, associating with historical, political events and terrorism of recent times.
Yo soy mía
La película da cuenta de las primeras luchas orgánicas feministas en Italia y su influencia en la protagonista, una maestra casada que decide dejar a su despótico marido luego de unas reveladoras vacaciones y que, al volver a la escuela, da clases de paridad a sus alumnas y alumnos.
El huevo de la serpiente
Stella
Alemania, años 20; un paquete de tabaco cuesta 40 billones de marcos. En Berlín Abel, un trapecista judio norteamericano y alcohólico encuentra el cadáver de su hermano en la habitación que ambos comparten. Se ha suicidado, y Abel se siente responsable de su cuñada, Manuela, que trabaja en un cabaret. Entre ambos surge una relación de mutua dependencia, en un mundo golpeado por la crisis, la violencia y la muerte.
Heinrich
Ulrike von Kleist
The life and struggles of the German writer Heinrich von Kleist.
Under the Pavement Lies the Strand
Writer
West Berlin, 1974. The revolution didn't happen like it was supposed. Grischa, a 30-year-old actress dissatisfied with standard left-wing politics, interviews working women to find out how they deal with being both mothers and members of society.
Under the Pavement Lies the Strand
Grischa
West Berlin, 1974. The revolution didn't happen like it was supposed. Grischa, a 30-year-old actress dissatisfied with standard left-wing politics, interviews working women to find out how they deal with being both mothers and members of society.
Vampira
Vampira
Two surveyors come under the spell of the beautiful Vampira. Vampira then celebrates occult magic rites with her new companions in her castle with the Alder Queen Belladonna, a sorceress, a hunchback, and a werewolf.
Jaider, the Lonely Hunter