Šarūnas Bartas

Šarūnas Bartas

Nacimiento : 1964-08-16, Lithuania, Šiauliai

Historia

Šarūnas Bartas (born 16 August 1964) is a Lithuanian film director. One of the most prominent Lithuanian film directors internationally from the late 20th century. His 2015 film Peace to Us in Our Dreams was screened in the Directors' Fortnight section at the 2015 Cannes Film Festival, Description above from the Wikipedia article Šarūnas Bartas, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Perfil

Šarūnas Bartas
Šarūnas Bartas

Películas

Walden
Ami à Vilnius
After 30 years of exile in Paris, Jana travels back to Vilnius. She wants to see again the lake that Paulius, her first love, called “Walden”.
In the Dusk
Producer
Lithuania, 1948. War is over, but the country is left in ruins. 19-year-old Untė is a member of the Partisan movement resisting Soviet occupation. They do not fight on equal terms, but this desperate struggle will determine the future of the whole population. At the age of discovery of life, Untė discovers violence and treachery. The lines are blurred between the burning passion of his youth and the cause for which he is fighting. He will invest himself wholeheartedly, even if it means losing his innocence…
In the Dusk
Screenplay
Lithuania, 1948. War is over, but the country is left in ruins. 19-year-old Untė is a member of the Partisan movement resisting Soviet occupation. They do not fight on equal terms, but this desperate struggle will determine the future of the whole population. At the age of discovery of life, Untė discovers violence and treachery. The lines are blurred between the burning passion of his youth and the cause for which he is fighting. He will invest himself wholeheartedly, even if it means losing his innocence…
In the Dusk
Director
Lithuania, 1948. War is over, but the country is left in ruins. 19-year-old Untė is a member of the Partisan movement resisting Soviet occupation. They do not fight on equal terms, but this desperate struggle will determine the future of the whole population. At the age of discovery of life, Untė discovers violence and treachery. The lines are blurred between the burning passion of his youth and the cause for which he is fighting. He will invest himself wholeheartedly, even if it means losing his innocence…
Frost
Screenplay
Rokas e Inga, una pareja de jóvenes lituanos, se ofrecen voluntarios para conducir un vehículo con ayuda humanitaria a Ucrania. Cuando los planes cambian y se quedan abandonados a su suerte, tienen que cruzar una zona nevada para encontrar refugio y aliados, implicándose a la vez en la vida de los afectados por la guerra.
Frost
Producer
Rokas e Inga, una pareja de jóvenes lituanos, se ofrecen voluntarios para conducir un vehículo con ayuda humanitaria a Ucrania. Cuando los planes cambian y se quedan abandonados a su suerte, tienen que cruzar una zona nevada para encontrar refugio y aliados, implicándose a la vez en la vida de los afectados por la guerra.
Frost
Director
Rokas e Inga, una pareja de jóvenes lituanos, se ofrecen voluntarios para conducir un vehículo con ayuda humanitaria a Ucrania. Cuando los planes cambian y se quedan abandonados a su suerte, tienen que cruzar una zona nevada para encontrar refugio y aliados, implicándose a la vez en la vida de los afectados por la guerra.
Sharunas Bartas: Where am I Now
Himself
In the short film "Sharunas Bartas: where am I now" director looks for an answer to the question retrospectively and with a perspective towards the future. Reflections on meaning of life and cinema blends in as do autoportrait and portrait genres. In laconic manner director Sharunas Bartas gives quintesense of his thoughts and ideas, more importantly, his feelings and experiences. The film was initiated by Pompidou Art Centre, which recently organized Retrospective of Sharunas Bartas.
Sharunas Bartas: Where am I Now
Writer
In the short film "Sharunas Bartas: where am I now" director looks for an answer to the question retrospectively and with a perspective towards the future. Reflections on meaning of life and cinema blends in as do autoportrait and portrait genres. In laconic manner director Sharunas Bartas gives quintesense of his thoughts and ideas, more importantly, his feelings and experiences. The film was initiated by Pompidou Art Centre, which recently organized Retrospective of Sharunas Bartas.
Sharunas Bartas: Where am I Now
Editor
In the short film "Sharunas Bartas: where am I now" director looks for an answer to the question retrospectively and with a perspective towards the future. Reflections on meaning of life and cinema blends in as do autoportrait and portrait genres. In laconic manner director Sharunas Bartas gives quintesense of his thoughts and ideas, more importantly, his feelings and experiences. The film was initiated by Pompidou Art Centre, which recently organized Retrospective of Sharunas Bartas.
Sharunas Bartas: Where am I Now
Director
In the short film "Sharunas Bartas: where am I now" director looks for an answer to the question retrospectively and with a perspective towards the future. Reflections on meaning of life and cinema blends in as do autoportrait and portrait genres. In laconic manner director Sharunas Bartas gives quintesense of his thoughts and ideas, more importantly, his feelings and experiences. The film was initiated by Pompidou Art Centre, which recently organized Retrospective of Sharunas Bartas.
Watermark
Director
A confessional meditation on the relation between water and land, between light and dark, between past and present, between the living and the inanimate, dreams and achievements.
Paz en nuestros sueños
En pleno verano un hombre viudo decide viajar al campo con su hija adolescente y con una violinista desequilibrada con la que mantiene una complicada relación sentimental. Allí la joven de dieciséis años intenta evadirse de la crisis familiar y de la soledad que siente. Pero la llegada de los tres al lugar, junto con un rifle robado a unos cazadores por el único amigo que hace la chica, desembocan en un momento vital para sus vidas y la de las personas con las que se cruzan
Paz en nuestros sueños
Writer
En pleno verano un hombre viudo decide viajar al campo con su hija adolescente y con una violinista desequilibrada con la que mantiene una complicada relación sentimental. Allí la joven de dieciséis años intenta evadirse de la crisis familiar y de la soledad que siente. Pero la llegada de los tres al lugar, junto con un rifle robado a unos cazadores por el único amigo que hace la chica, desembocan en un momento vital para sus vidas y la de las personas con las que se cruzan
Paz en nuestros sueños
Director
En pleno verano un hombre viudo decide viajar al campo con su hija adolescente y con una violinista desequilibrada con la que mantiene una complicada relación sentimental. Allí la joven de dieciséis años intenta evadirse de la crisis familiar y de la soledad que siente. Pero la llegada de los tres al lugar, junto con un rifle robado a unos cazadores por el único amigo que hace la chica, desembocan en un momento vital para sus vidas y la de las personas con las que se cruzan
Los canallas
Foreign Shipowner
Marco Silvestri, capitán de un carguero, recibe una llamada que reclama su presencia inmediata en París. Sandra, su hermana, está desesperada. Su marido se ha suicidado, la empresa familiar se aproxima a la quiebra y su hija ha sido internada en un centro psiquiátrico. Sandra acusa al poderoso empresario Edouard Laporte de ser el responsable de su situación. Decidido a encontrar el punto débil de este hombre de negocios y llevar a cabo una terrible venganza, Marco se muda al edificio donde vive Raphaelle, la amante de Laporte.
Marussia
Dimitri
In cities like Paris there are countless people from Eastern Europe who have forsaken their homelands because they can see no future there. Lucia and her little daughter Marussia are two such people. They have been thrown out by the Russian acquaintances they were staying with and must tramp the streets with their trolley suitcases searching for somewhere else to live. A Russian Orthodox priest offers them their first night's shelter. They spend the second night in a homeless hostel and party through the third with a chance acquaintance. On the fourth night they sleep clandestinely in a cinema and on the fifth with a Russian artist in a hotel … Lucia is good-looking, dresses elegantly and is certainly not shy of men. This serves the mother and her daughter well. In spite of all the uncertainties in their lives, the two frequently share tender moments.
Aurora
The Man
Después de experimento científico, basado en la transferencia neuronal, un tímido joven vivirá un sorprendente viaje en la mente de una mujer anónima en estado de coma. (FILMAFFINITY)
Eastern Drift
Gena
A drug smuggler is betrayed by his partner and is then forced to seek help from Russian mobsters.
Eastern Drift
Director of Photography
A drug smuggler is betrayed by his partner and is then forced to seek help from Russian mobsters.
Eastern Drift
Writer
A drug smuggler is betrayed by his partner and is then forced to seek help from Russian mobsters.
Eastern Drift
Director
A drug smuggler is betrayed by his partner and is then forced to seek help from Russian mobsters.
Sharunas Bartas: An Army of One
Himself
A subjective portrait of the famous Lithuanian filmmaker. The film combines interviews of Bartas, talking about his films, his creative intentions, reminiscing about the beginning of his career as a filmmaker, and Coudray’s personal opinion on the director.
Seven Invisible Men
Producer
A group of drop-outs, losers and criminals are travelling in a stolen Mercedes seemingly aimlessly along numerous derelict houses and impassable roads to eventually end up on an old decaying state farm in Crimea, the southern tip of the former Soviet Union, where the mother, wife and daughter of one of them live. The men kill time with smoking, drinking and staring in front of them, but an undercurrent tension is brewing. On the last night they have a party that is equally destructive as their life
Seven Invisible Men
Director of Photography
A group of drop-outs, losers and criminals are travelling in a stolen Mercedes seemingly aimlessly along numerous derelict houses and impassable roads to eventually end up on an old decaying state farm in Crimea, the southern tip of the former Soviet Union, where the mother, wife and daughter of one of them live. The men kill time with smoking, drinking and staring in front of them, but an undercurrent tension is brewing. On the last night they have a party that is equally destructive as their life
Seven Invisible Men
Writer
A group of drop-outs, losers and criminals are travelling in a stolen Mercedes seemingly aimlessly along numerous derelict houses and impassable roads to eventually end up on an old decaying state farm in Crimea, the southern tip of the former Soviet Union, where the mother, wife and daughter of one of them live. The men kill time with smoking, drinking and staring in front of them, but an undercurrent tension is brewing. On the last night they have a party that is equally destructive as their life
Seven Invisible Men
Director
A group of drop-outs, losers and criminals are travelling in a stolen Mercedes seemingly aimlessly along numerous derelict houses and impassable roads to eventually end up on an old decaying state farm in Crimea, the southern tip of the former Soviet Union, where the mother, wife and daughter of one of them live. The men kill time with smoking, drinking and staring in front of them, but an undercurrent tension is brewing. On the last night they have a party that is equally destructive as their life
Visiones de Europa
Writer
Veinticinco cineastas, uno por cada estado de la Unión Europea, realizaron una película sobre sus respectivos países. Todas tenían el mismo presupuesto, debían estar ambientadas en el presente o en un futuro inmediato y durar cinco minutos. No había otras limitaciones, de modo que los autores tenían plena libertad para expresarse. Entre los directores figuran tanto nombres consagrados como voces nuevas dentro del panorama cinematográfico. Cada corto tiene su propia identidad, por lo que es posible establecer comparaciones fascinantes; pero, además, juntos ofrecen una imagen global de la Comunidad Europea a través de la fusión de esas distintas visiones conceptuales y creativas.
Children Lose Nothing
Director
A miniature movie, kids inhabit the landscape and communicate through the river, the sky, the air.
Visiones de Europa
Director
Veinticinco cineastas, uno por cada estado de la Unión Europea, realizaron una película sobre sus respectivos países. Todas tenían el mismo presupuesto, debían estar ambientadas en el presente o en un futuro inmediato y durar cinco minutos. No había otras limitaciones, de modo que los autores tenían plena libertad para expresarse. Entre los directores figuran tanto nombres consagrados como voces nuevas dentro del panorama cinematográfico. Cada corto tiene su propia identidad, por lo que es posible establecer comparaciones fascinantes; pero, además, juntos ofrecen una imagen global de la Comunidad Europea a través de la fusión de esas distintas visiones conceptuales y creativas.
The Lease
Producer
A woman in her forties tries to find her own place in life, having experienced many personal trials.
Freedom
Producer
A few fugitives... And a very, very long way to freedom.
Freedom
Director of Photography
A few fugitives... And a very, very long way to freedom.
Freedom
Writer
A few fugitives... And a very, very long way to freedom.
Freedom
Director
A few fugitives... And a very, very long way to freedom.
Pola X
The Chief
Pierre vive felizmente con su madre, está a punto de casarse con su bella prometida y ha alcanzado un gran éxito como escritor. Una noche, sin embargo, conoce a una misteriosa muchacha que deambula por el bosque y que le hace una sorprendente revelación que cambiará su vida. (FILMAFFINITY)
The House
Director of Photography
A moving world of spirits and ghosts, condemned to brush against one another without really meeting since they have all emerged from a single perpetual dream: that of a young man who no longer wants to wake up, immersed as he is in this world of fascinating spectres.
The House
Writer
A moving world of spirits and ghosts, condemned to brush against one another without really meeting since they have all emerged from a single perpetual dream: that of a young man who no longer wants to wake up, immersed as he is in this world of fascinating spectres.
The House
Director
A moving world of spirits and ghosts, condemned to brush against one another without really meeting since they have all emerged from a single perpetual dream: that of a young man who no longer wants to wake up, immersed as he is in this world of fascinating spectres.
Few of Us
Director of Photography
A slow, dialogue-free film about a woman's journey in Siberia.
Few of Us
Writer
A slow, dialogue-free film about a woman's journey in Siberia.
Few of Us
Director
A slow, dialogue-free film about a woman's journey in Siberia.
Sur place
A mysterious foreign woman who is staying temporarily in a house there. Who she is and what her secret is are both slowly revealed in the reconstruction of a story about passion, revenge and war.
The Corridor
The atmosphere of a corridor between yesterday and tomorrow, where many doors open into the unknown. A series of faces, gestures and images both real and imagined time. A fragmentary narrative without dialogue depicting several people in Vilnius.
The Corridor
Producer
The atmosphere of a corridor between yesterday and tomorrow, where many doors open into the unknown. A series of faces, gestures and images both real and imagined time. A fragmentary narrative without dialogue depicting several people in Vilnius.
The Corridor
Writer
The atmosphere of a corridor between yesterday and tomorrow, where many doors open into the unknown. A series of faces, gestures and images both real and imagined time. A fragmentary narrative without dialogue depicting several people in Vilnius.
The Corridor
Director
The atmosphere of a corridor between yesterday and tomorrow, where many doors open into the unknown. A series of faces, gestures and images both real and imagined time. A fragmentary narrative without dialogue depicting several people in Vilnius.
Three Days
Original Music Composer
Two young men leave a neglected but cozy native nook for a strange seaport town Kenigsberg. There they meet two girls the outsiders like themselves. Any attempt to find a normal human contact leads to misunderstanding. Or perhaps they are also lonely and unhappy. The realities, provoking a forced individualism melt in the atmosphere of the town, on which there lies a seal of historical and human cataclysms.
Three Days
Writer
Two young men leave a neglected but cozy native nook for a strange seaport town Kenigsberg. There they meet two girls the outsiders like themselves. Any attempt to find a normal human contact leads to misunderstanding. Or perhaps they are also lonely and unhappy. The realities, provoking a forced individualism melt in the atmosphere of the town, on which there lies a seal of historical and human cataclysms.
Three Days
Director
Two young men leave a neglected but cozy native nook for a strange seaport town Kenigsberg. There they meet two girls the outsiders like themselves. Any attempt to find a normal human contact leads to misunderstanding. Or perhaps they are also lonely and unhappy. The realities, provoking a forced individualism melt in the atmosphere of the town, on which there lies a seal of historical and human cataclysms.
In Memory of the Day Passed By
Writer
The film is a day in the life that passes by, even if it seems neverending. In the morning the streets are alive with people, pedestrians and cars, with loud and exultant noise. Such sounds accompany the restless walk of a woman and her child across a dusty street, while Bartas’ gaze wanders through many different perspectives.
In Memory of the Day Passed By
Director
The film is a day in the life that passes by, even if it seems neverending. In the morning the streets are alive with people, pedestrians and cars, with loud and exultant noise. Such sounds accompany the restless walk of a woman and her child across a dusty street, while Bartas’ gaze wanders through many different perspectives.