Roberto Frota

Cuenta la historia de Claudia (Sophie Alexander), y Antonio (Juan Manuel Bernal), quienes están casados desde hace 15 años. Su relación es amable pero rutinaria. Después de tantos años de matrimonio se han “perdido la pista”. Una noche, después de una fuerte discusión, el inusual alineamiento de los planetas Venus, Tierra y Marte, provoca una mágica transformación: El alma de Antonio está atrapada en el cuerpo de Claudia y viceversa; haciéndolos vivir en carne propia la complicada existencia de su pareja.

The methodical day-to-day activity of a young autistic boy changes drastically when he sees a girl passing by riding a bike.

Claudio and Helena are on the verge of breaking up, until the couple experiences another strange phenomenon that looks to help them understand one another more.

"Inesquecível" cuenta la historia de un triangulo amoroso. Un actor famoso, al descubrir que la mujer de su vida ha tenido una pasión volcánica por su mejor amigo, pasa a ser atormentado por los celos y la desconfianza. Entonces, él decide tramar una venganza fantástica, usando la magia del cine como arma.

The publicist Claudio and the housewife and choral teacher Helena have been married for many years, but they do not understand and respect the feelings and view point of the partner. Claudio sees Helena as a shopper and "little teacher of a choral" and Helena sees Claudio as an insensitive and rough man. On the night before the fiftieth anniversary of Claudio, they changed places with each other.

Un joven portugués es obligado a emigrar a Brasil a principios del siglo XX por su convicciones monárquicas. En la selva amazónica tendrá que trabajar en los cauchales del interior y enfrentarse a las extremas condiciones del entorno.

An accident at a construction site, resulting in one death, sets one worker off on a struggle for justice that exposes the mechanisms of exploitation and the class relations of a country that had undergone one decade of fast-paced ‘conservative modernisation’ at the hands of the military. As a sort of sequel to the classic The Guns (1964), following the fate of those characters as they move from enforcers of exploitation to exploited, it offers more than a snapshot of the period: the correspondent time lapses in fiction and reality capture the passage of a chunk of Brazilian history between the two films, and, therefore, also the transformations in cinematographic approaches to the social and political between the two moments. Equally daring in content and form, and in the originality of the adequacy of one to the other, it won the Silver Bear at Berlin.