Roberto Frota

Claudia and Antonio have been married for 15 years. After so many years of marriage they have lost track of each other. One night, after a strong argument, the unusual alignment of the planets Venus, Earth and Mars causes a magical transformation: Antonio's soul is trapped in the body of Claudia and Claudia's in Antonio's body.

The methodical day-to-day activity of a young autistic boy changes drastically when he sees a girl passing by riding a bike.

Клаудио и Хелена находятся на грани разрыва отношений, и пока этого не случилось, должно произойти нечто такое, что помогло бы им лучше понять друг друга…

Laura goes to Buenos Aires and falls for the photographer Guilherme. When she returns to Brazil, her homeland, she discovers Guilherme is actually her fiancé's best friend.

Клаудио и Хелена находятся на грани разрыва отношений, и пока этого не случилось, должно произойти нечто такое, что помогло бы им лучше понять друг друга….

Young man, of Portuguese nobility ascendancy, starts working in a rubber plantation in the Amazon, in 1912, and falls in love with pretty Yayá, a married woman.

An accident at a construction site, resulting in one death, sets one worker off on a struggle for justice that exposes the mechanisms of exploitation and the class relations of a country that had undergone one decade of fast-paced ‘conservative modernisation’ at the hands of the military. As a sort of sequel to the classic The Guns (1964), following the fate of those characters as they move from enforcers of exploitation to exploited, it offers more than a snapshot of the period: the correspondent time lapses in fiction and reality capture the passage of a chunk of Brazilian history between the two films, and, therefore, also the transformations in cinematographic approaches to the social and political between the two moments. Equally daring in content and form, and in the originality of the adequacy of one to the other, it won the Silver Bear at Berlin.