Peter Poulsen

Liv Ulmann's directorial debut also had her co-authoring the screenplay (with poet Peter Poulsen) as based on a Henri Nathansen's 1932 novel about an affluent late 19th century Jewish merchant family in Copenhagen. Ulmann focuses on strong-willed daughter Sofie's progress through life: a love affair with a gentile painter, an arranged marriage , childbirth and ever more fateful challenges.

In this wry comedy, the self-deceiving exploits of Lasse (Peter Hesse Overgaard), are shown, as he more or less innocently runs small cons on the people in his life, all the while sponging off of his girlfriend in a bohemian quarter of Copenhagen. He is a no-count, but fairly handsome young stud who imagines that he is some sort of art promoter, or is perhaps even a video artist himself.

A comedy about the everydaylife of the 30-year-old something nurse Henriette and her life. Her boyfriend is boring and she has an affair with a violent doctor. She shares an apartment with a gay man and she is close with her brother who is a somewhat insecure and love-seeking guy. However, after some unfortunate clashes with the world, Henriette realizes she is able to stand on her own.

Ib Schønberg is again the kindly father - and now he is crowned "the ideal driver". This means that he can take all his four children to winter holiday in Norway.

Under byens tage går livet sin brogede gang. Det veksler med tårer og smil, med lykke og sorg. I kunstner-restauranten "Mona Bar" i indre by fungerer den tidligere model Mona Frank som kunstnernes gudinde. Hun hjælper både med penge og hjertesorger. Mellem de mange kunstnere har Niels Brandemose sit eget ansigt. Han er for nylig kommet til byen for at gå på Akademiet, og hele hans higen og lyst står til at blive maler.