Peter Poulsen

Liv Ulmann's directorial debut also had her co-authoring the screenplay (with poet Peter Poulsen) as based on a Henri Nathansen's 1932 novel about an affluent late 19th century Jewish merchant family in Copenhagen. Ulmann focuses on strong-willed daughter Sofie's progress through life: a love affair with a gentile painter, an arranged marriage , childbirth and ever more fateful challenges.

In this wry comedy, the self-deceiving exploits of Lasse (Peter Hesse Overgaard), are shown, as he more or less innocently runs small cons on the people in his life, all the while sponging off of his girlfriend in a bohemian quarter of Copenhagen. He is a no-count, but fairly handsome young stud who imagines that he is some sort of art promoter, or is perhaps even a video artist himself.

A comedy about the everydaylife of the 30-year-old something nurse Henriette and her life. Her boyfriend is boring and she has an affair with a violent doctor. She shares an apartment with a gay man and she is close with her brother who is a somewhat insecure and love-seeking guy. However, after some unfortunate clashes with the world, Henriette realizes she is able to stand on her own.

Ib Schønberg is again the kindly father - and now he is crowned "the ideal driver". This means that he can take all his four children to winter holiday in Norway.

Под крышами города жизнь идёт своим размеренным ходом. Всё чередуется со слезами и улыбками, со счастьем и печалью. В ресторане для художников «Мона Бар» в центре города бывшая модель Мона Франк выступает в роли музы художников. Она помогает и деньгами, и душевной болью. Среди множества художников привлекает внимание Нильс Брандемоз. Он недавно приехал в город, чтобы поступить в Академию, и все его помыслы только о том, чтобы стать истинным творцом.