Eileen McCallum

Barney Thompson es un torpe y tímido barbero que trabaja en una peluquería de Glasgow. Lleva una vida mediocre de soltero empedernido, se siente ninguneado en el trabajo y en casa, donde debe lidiar con una madre dominante. Su rutina sufre un cambio inesperado el día que su jefe le comunica que lo va a despedir por su incompetencia y por su mal talante con los clientes. Es entonces cuando un homicidio involuntario lo convierte en el principal sospechoso de una serie de macabros crímenes, obra de un psicópata. Debido al acoso al que lo somete la policía, se ve obligado a mentir e improvisar para intentar librarse de semejante acusación.

Tony Roper wrote 'The Steamie' for Glasgow's Mayfest in 1987. Return to Hogmany 1957 when a fiesty group of Glasgow women; Mrs Culfeathers, Dolly, Doreen and the irrepressible Magrit, all meet at The Steamie to do the traditional family wash before the New Year. The Steamie is a hilarious cameo of Glasgow's social history where the washing was always easier to do when the Women shared their laugher and sorrow and a scandalous supply of gossip. This is the definitive version of the most popular play of the last 20 years with the all star cast of Dorothy Paul as Magrit, Eileen McCallum as Dolly, Kate Murphy as Doreen, Sheila McDonald as Mrs Culfeathers and a very young Peter Mullan as Andy, the whisky loving handy man.

A remote farmhouse on an isolated island. Strangers with English accents. Quarrels and a lonely child. The year is 1946. The man is George Orwell. The book he has come to write is Nineteen Eighty-four.

Jake lives in the shadow of his dying grandfather, who was once the town's toughest hard man. Despite their hatred of each other, Jake's sole aim is to be as tough as the old man was. One day in Jake's life, as he drifts, drinks and fights, leads to a bleak realisation.

"Ploughman! Nobody calls you that. You're a has-been. Your head and heart went into a museum wi' that lot you keep in there. Face it: you're redundant." Ploughman Duncan Brewster faces redundancy in late life.

Jack Flea finds himself living with a woman nearly twice his age, who decides to make him her fantasy child. It is a role our young hero cannot resist.

TV dramatisation of the trilogy by Lewis Grassic Gibbon.

It's the day of the Orange Parade in Glasgow, but for Jon, the thrill of leading the parade and swinging the mace soon turns to horror as he learns the truth behind the costumes and songs.

An episode of the BBC drama series Second City Firsts. Jackie is leaving the army. While waiting for her car to arrive, she encounters Corporal Harvey, the woman who used to be her lover.

When Alison unexpectedly falls pregnant after a brief encounter with Alex (David Hayman's first TV role) they decide to marry. The joining of two seemingly different families opens into a witty and audacious tale, which caused uproar after its first broadcast in 1972. An early triumph for Peter McDougall, when it was proclaimed the most exciting writing debut since John Osborne's Look Back in Anger.

Primera parte de la trilogía autobiográfica de Bill Douglas sobre el hecho de crecer en un pueblo pobre de Escocia dedicado a la minería. La penuria, tanto emocional como física, es retratada con libertad, ayudándose de actores locales y no profesionales. (FILMAFFINITY)