Eileen McCallum

Барни Томсон — отмороженный парикмахер-неудачник из Глазго, чья жизнь идет по накатанной колее. Но все круто меняется, когда Барни случайно закалывает ножницами своего босса. Жизнь парикмахера разом превращается в хаос, но максимального безумия события достигают, когда в игру вступает невозмутимая мамаша Барни. За пропавшим парикмахером на скорости 100 трупов/час гонятся все от полиции до криминальных авторитетов. Может, это неслучайно, что оставляемые перепуганным Барни следы подозрительно смахивают на почерк орудующего в городе маньяка-расчленителя? Неожиданно для себя Барни оказывается в центре жаркого замеса, о котором он и мечтать не смел. Но сможет ли Барни выйти сухим из воды и сделать свое имя легендарным?

Tony Roper wrote 'The Steamie' for Glasgow's Mayfest in 1987. Return to Hogmany 1957 when a fiesty group of Glasgow women; Mrs Culfeathers, Dolly, Doreen and the irrepressible Magrit, all meet at The Steamie to do the traditional family wash before the New Year. The Steamie is a hilarious cameo of Glasgow's social history where the washing was always easier to do when the Women shared their laugher and sorrow and a scandalous supply of gossip. This is the definitive version of the most popular play of the last 20 years with the all star cast of Dorothy Paul as Magrit, Eileen McCallum as Dolly, Kate Murphy as Doreen, Sheila McDonald as Mrs Culfeathers and a very young Peter Mullan as Andy, the whisky loving handy man.

A remote farmhouse on an isolated island. Strangers with English accents. Quarrels and a lonely child. The year is 1946. The man is George Orwell. The book he has come to write is Nineteen Eighty-four.

Jake lives in the shadow of his dying grandfather, who was once the town's toughest hard man. Despite their hatred of each other, Jake's sole aim is to be as tough as the old man was. One day in Jake's life, as he drifts, drinks and fights, leads to a bleak realisation.

"Ploughman! Nobody calls you that. You're a has-been. Your head and heart went into a museum wi' that lot you keep in there. Face it: you're redundant." Ploughman Duncan Brewster faces redundancy in late life.

Jack Flea finds himself living with a woman nearly twice his age, who decides to make him her fantasy child. It is a role our young hero cannot resist.

TV dramatisation of the trilogy by Lewis Grassic Gibbon.

It's the day of the Orange Parade in Glasgow, but for Jon, the thrill of leading the parade and swinging the mace soon turns to horror as he learns the truth behind the costumes and songs.

An episode of the BBC drama series Second City Firsts. Jackie is leaving the army. While waiting for her car to arrive, she encounters Corporal Harvey, the woman who used to be her lover.

When Alison unexpectedly falls pregnant after a brief encounter with Alex (David Hayman's first TV role) they decide to marry. The joining of two seemingly different families opens into a witty and audacious tale, which caused uproar after its first broadcast in 1972. An early triumph for Peter McDougall, when it was proclaimed the most exciting writing debut since John Osborne's Look Back in Anger.

The first part of Bill Douglas' influential trilogy harks back to his impoverished upbringing in early-'40s Scotland. Cinema was his only escape - he paid for it with the money he made from returning empty jam jars - and this escape is reflected most closely at this time of his life as an eight-year-old living on the breadline with his half-brother and sick grandmother in a poor mining village.