Charlotte Flemming

In the 26th century the inhabitants of Utopia have so lost their individuality, which varies in number. They live in glass houses (this was written before the invention of television), which allows the political police, called “Keepers” can easily supervise them. They all wear the same uniform and usually turn to each other or as a ”cipher-so” or "UNIFEM" (uniform). They feed on artificial food and rest hour marching in fours in a row the anthem of the One State, pouring out of the loudspeakers. As they are allowed to put a break on the hour (known as the ”sexy time“), draw the curtains of their glass houses. At the head of the One State is one called The Benefactor, which are replaced every year the whole population, usually unanimously. The guiding principle of the State is that happiness and freedom are incompatible.

The divorced and emancipated Margarete Johnson falls in love with her young and extremely medical bandaged nephew.

Peter Egerman comete un horrible crimen: viola y estrangula a una prostituta. Del caso se ocupa el psicoanalista Mogens Jensen, pues Egerman ya le había confesado en su consulta su deseo de asesinar a su mujer. A través de una investigación policíaca narrada en forma semidocumental, se va reconstruyendo el inquietante retrato del asesino, un hombre frustrado, sobre todo por el fracaso de su matrimonio, cuya única válvula de escape parece ser la violencia.

Fedora, una famosa actriz, fallece en París atropellada por un tren. En su funeral, un productor de cine recapacita sobre los hechos ocurridos en las dos últimas semanas y se pregunta hasta qué punto podría él haber influido en su muerte. Todo empezó cuando fue a Corfú para verla y descubrió que vivía en una isla privada con una enfermera, una anciana condesa y el cirujano plástico que conseguía mantenerla con una asombrosa apariencia juvenil.

Alemania, años 20; un paquete de tabaco cuesta 40 billones de marcos. En Berlín Abel, un trapecista judio norteamericano y alcohólico encuentra el cadáver de su hermano en la habitación que ambos comparten. Se ha suicidado, y Abel se siente responsable de su cuñada, Manuela, que trabaja en un cabaret. Entre ambos surge una relación de mutua dependencia, en un mundo golpeado por la crisis, la violencia y la muerte.

The unsuccessful writer Ritchie can't stand his brother, a criminal businessman. When both fall in love with the beautiful Lilian, a dangerous game of revenge begins.

Berlín, años 30, en plena República de Weimar y antes de la Segunda Guerra Mundial. A pesar de la crisis del momento, los berlineses prefieren vivir la magia que les ofrece cada noche un cabaret cuya estrella es Sally, una bailarina y cantante que se enamorará de dos hombres muy diferentes entre sí.

King's swordsman Captain Buridan, hero of the Flanders campaign, returns to Paris to find it in a grip of fear -a "vampire/witch" in the "Tower of Sin" is luring young men to their deaths by offering them a night of sexual ecstasy followed by savage slaughter. Buridan is holding secrets of his own and his battle to save France from an evil Chancellor, an impotent King and a lascivious, wanton Queen make the battlefields of war seem like child's play.

A one-hour version of Tchaikovsky's classic ballet, with a somewhat revised storyline reminiscent of "The Wizard of Oz".

A music comedy directed by Dietrich Haugk based on the play by Gotthold Ephraim Lessing.

Una banda de delincuentes tiene atemorizada la ciudad de Londres con sus delitos: tras cada fechoría dejan como señal la marca de una rana, y su misterioso jefe oculta la identidad bajo un grotesco disfraz, en el que destacan unos ojos terroríficos. El inspector Elk, encargado del caso, se enfrenta a un problema insoluble: no hay pistas útiles, y los testigos potenciales guardan silencio por miedo a morir. Richard Gordon, sobrino del jefe de Scotland Yard, inicia su propia investigación, y sus pesquisas le llevan a un club nocturno, el “Lolita”. Varios personajes sospechosos se cruzan en su camino...

London, in 1730. Charly, Jim and Ben work hard, with the brave Maud, in a cotton mill to earn a few shillings. They all dream of the wonderful island told by Daniel Defoe. The latter lives in a miserable room. He is disgraced and rejected by his son Tom, a scoundrel who blames his father for losing his position at the Court ...

Berlin tongue encounters Munich lifestyle. A comedy around Oktoberfest. Movies, FRG, 1951 Fita Benkhoff, Paul Kemp, Liesl Karlstadt, etc. A Berlin producer of nerve healing, vitamin-enriched and expanding its life-prolonging lemonade stand in front of all the Schottenhammel at the Oktoberfest on - under the slogan helps Berlin Munich: an intolerable provocation. And then come the Saxons ... Turbulent comedy about beer, Oktoberfest and a lot of originals from Germany!

Germany, 1914: The bourgeois austerity of the small, northern German town in which Ulyssa lives conflicts sharply with her desire to flirt with and be ensnared by charming, young men. That she's married is irrelevant; it's a marriage which exists only on paper. Among all the men Ulyssa flirts with, there is one for which she has genuine affection: Stefen Marbach, an upright and sincere man, far superior to her other men. And, indeed, the two are honest with one another about their feelings, but the outbreak of the First World War separates them. Sometime later, Ulyssa finds out that not only her husband, but Stefan, too, has fallen in battle. The news of this disaster leads her to reconsider and eventually give in to the constant urgings of the Viennese merchant Reindl. Ulyssa joins Reindl in Vienna and lives a life of wealth and comfort, until one day, Stefan shows up.