Charlotte Flemming

In the 26th century the inhabitants of Utopia have so lost their individuality, which varies in number. They live in glass houses (this was written before the invention of television), which allows the political police, called “Keepers” can easily supervise them. They all wear the same uniform and usually turn to each other or as a ”cipher-so” or "UNIFEM" (uniform). They feed on artificial food and rest hour marching in fours in a row the anthem of the One State, pouring out of the loudspeakers. As they are allowed to put a break on the hour (known as the ”sexy time“), draw the curtains of their glass houses. At the head of the One State is one called The Benefactor, which are replaced every year the whole population, usually unanimously. The guiding principle of the State is that happiness and freedom are incompatible.

The divorced and emancipated Margarete Johnson falls in love with her young and extremely medical bandaged nephew.

Made during Bergman's tax-related exile in Germany, the film continues the story of Katarina and Peter Egermann, the feuding, childless, professional couple who appear in one episode of "Scenes From A Marriage." After Peter perpetrates a horrendous crime in its first scene, the rest of the film consists of a non-linear examination of his motivations, incorporating a police psychological investigation, scenes from the Egermanns' married life, and dream sequences.

An ambitious Hollywood hustler becomes involved with a reclusive female star whom he tries to lure out of retirement.

Berlin, 1923. Following the suicide of his brother, American circus acrobat Abel Rosenberg attempts to survive while facing unemployment, depression, alcoholism and the social decay of Germany during the Weimar Republic.

The unsuccessful writer Ritchie can't stand his brother, a criminal businessman. When both fall in love with the beautiful Lilian, a dangerous game of revenge begins.

若いが唄も踊りもこなすスター、サリー。彼女は、性格も生き方も全くかみ合わないロンドンから来た語学生ブライアンと知り合い、恋に落ちる。そんな中、2人の間に金持ちでハンサムなマクシミリアンという貴族の青年が入ってくる。

King's swordsman Captain Buridan, hero of the Flanders campaign, returns to Paris to find it in a grip of fear -a "vampire/witch" in the "Tower of Sin" is luring young men to their deaths by offering them a night of sexual ecstasy followed by savage slaughter. Buridan is holding secrets of his own and his battle to save France from an evil Chancellor, an impotent King and a lascivious, wanton Queen make the battlefields of war seem like child's play.

A one-hour version of Tchaikovsky's classic ballet, with a somewhat revised storyline reminiscent of "The Wizard of Oz".

A music comedy directed by Dietrich Haugk based on the play by Gotthold Ephraim Lessing.

Both Scotland Yard and an amateur American sleuth are tracking a master criminal known as The Frog. This moniker refers to the bulging-eyed mask worn by the evildoer, and is reflected by the frog icons painfully tatooed onto the forearms of his henchmen. The trail leads to the country manor of an enigmatic, steely-eyed nabob, whose repressed son has eyes for the artistes at the Lolita cabaret, and whose lovely daughter captures the fancy of both the American playboy and the villain himself. Murder, kidnapping and seduction ensue.

London, in 1730. Charly, Jim and Ben work hard, with the brave Maud, in a cotton mill to earn a few shillings. They all dream of the wonderful island told by Daniel Defoe. The latter lives in a miserable room. He is disgraced and rejected by his son Tom, a scoundrel who blames his father for losing his position at the Court ...

Berlin tongue encounters Munich lifestyle. A comedy around Oktoberfest. Movies, FRG, 1951 Fita Benkhoff, Paul Kemp, Liesl Karlstadt, etc. A Berlin producer of nerve healing, vitamin-enriched and expanding its life-prolonging lemonade stand in front of all the Schottenhammel at the Oktoberfest on - under the slogan helps Berlin Munich: an intolerable provocation. And then come the Saxons ... Turbulent comedy about beer, Oktoberfest and a lot of originals from Germany!

Germany, 1914: The bourgeois austerity of the small, northern German town in which Ulyssa lives conflicts sharply with her desire to flirt with and be ensnared by charming, young men. That she's married is irrelevant; it's a marriage which exists only on paper. Among all the men Ulyssa flirts with, there is one for which she has genuine affection: Stefen Marbach, an upright and sincere man, far superior to her other men. And, indeed, the two are honest with one another about their feelings, but the outbreak of the First World War separates them. Sometime later, Ulyssa finds out that not only her husband, but Stefan, too, has fallen in battle. The news of this disaster leads her to reconsider and eventually give in to the constant urgings of the Viennese merchant Reindl. Ulyssa joins Reindl in Vienna and lives a life of wealth and comfort, until one day, Stefan shows up.