Antoine Parouty

The moment a teenage girl begins to “spread her wings” coincides with a global health crisis. Locked indoors, she experiences life in a state of limbo. In between reveries and video chats with her friends, she follows an influencer named Patricia Coma. A device she buys from her, called a “revelator”, leads her to question how much free will she actually has.

Emma y Anaïs son las mejores amigas y, sin embargo, todo en su vida parece diferenciarlas, sus antecedentes sociales pero también sus personalidades. De los trece a los dieciocho años, Adolescentes sigue a los dos adolescentes durante estos años donde las transformaciones radicales y los primeros tiempos marcan la vida cotidiana. A través de sus historias personales, la película ofrece un retrato poco común de Francia y su historia reciente.

Lucas lives in a farm in southwest France. For his 17th birthday, his uncle Nico offers him a special surprise : a trip to Lady Dallas.

Como el escritor ruso Boris Pasternak (1890-1960) considera imposible que su novela «Doctor Zhivago» se publique en la Unión Soviética, porque supuestamente muestra una visión crítica de la Revolución de Octubre, decide sacar de contrabando del país varios ejemplares del manuscrito. Se publica por primera vez en 1957 en Italia y el autor recibe el Premio Nobel de Literatura en 1958, lo que tiene consecuencias.

The end of summer. Five young thieves wander through the city. Among them Stefan attempts to read French.

Amel is a young photographer. When she loses her husband, her life changes. Encouraged by her father-in-law, she takes a taste of life by photographing street boys. Without fear of being scandalous, she makes the choice to look at men as men look at women.

A car trip will be an opportunity for a son to at last tell his father everything that is weighing on his heart.

Recounts the epic of Vincennes Experimental University Center, from its creation after the events of May 68 until its demolition in the summer of 1980. To talk about Vincennes is to relive unique ten years of intense intellectual and political extravaganza, educational and artistic inventiveness, utopias, hopes, and betrayals that marked the history in a unique place, the forest with the eponymous name.

A companion to the director's Le Dos Rouge/Portrait of the Artist. A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters.

A companion to the director's Le Dos Rouge/Portrait of the Artist. A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters.

Un cineasta reconocido que trabaja en su próxima película, dedicada a la monstruosidad en la pintura. Se guía en su investigación en una historiadora del arte con la que comenzó unos extraños y apasionados debates.

A look back at the life of Jacques Derrida, on the 10th anniversary of the philosopher's death.

In Madeleine Among the Dead, Bonello wanted to tell Hitchcock’s Vertigo from the perspective of Madeleine (played by Kim Novak), not Scottie (James Stewart). He only filmed a scene of this project as part of another film by Antoine Barraud, Le Dos Rouge, in which Bonello plays the role of a director by the same name; a director whose films are all either invented or his “ghost-movies.”

An autobiographical essay film structured as a letter to the director’s young daughter, "Où en êtes-vous, Bertrand Bonello?" weaves clips from Bonello’s films, excerpts from his scripts, pop songs, and snippets of original footage into a lyrical, reflexive cinematic self-portrait. "Où en êtes-vous?" is a collection initiated by Centre Pompidou, who asked directors to make retrospective and introspective films.

Three female friends recall their misadventures (more sexual than cinematical) attending the Locarno Film Festival.

Three female friends recall their misadventures (more sexual than cinematical) attending the Locarno Film Festival.

Introduced with a quote that invents its own creator, someone is dancing in a figure skating costume to a piece of music that conceals its source.

Initially, there's that moment of happiness: an African-American celebrating in Harlem cheers "We're free!" as if Barack Obama's victory meant the ultimate end of slavery. AMERICAN PASSAGES is an associative journey through the United States: a disillusioned Iraq veteran, gay adoptive fathers, black judges, white party animals and a pimp at a casino table in Las Vegas. The extreme contrasts of black and white, rich and poor, winners and losers are often as surprising as the meaning of the constitutional right to the pursuit of happiness in these times of crisis. An epic panorama of America.

Six years ago, Yoshido directed La Vie lointaine, the adaptation of the eponymous novel of Haruki. Two days before the end of the shooting, a sudden and strange rise of fever struck the members of the crew causing the film to stop. Today, Yoshido is an old and weakened man. When he leaves the hospital, he knows he only has little time to live. During the night, after a few glasses of saké, he decides to resume the shooting of his unfinished film.

Suddenly, Roman asks himself a first question, followed by a multitude of others that nobody can answer.

The film takes place in a Parisian suburb and brings us into the closest possible contact with the people who live here and takes us into the privacy of their lives. A series of personal accounts and shots of the decorated interiors of apartments and houses with no hint as to where we are, no names. No stigma attached, no label given. For these are not the subject of the film, which seeks instead to give a face and a voice – a sort of private landscape – to a space that has come to represent all that is standardized and anonymous.