Jonathan Bloom

Películas

CzechMate: In Search of Jiří Menzel
Director of Photography
An epic exploration of the Czechoslovak New Wave cinema of the 1960s and 70s, structured around a series of conversations with one of its most acclaimed exponents - Closely Observed Trains director Jiří Menzel.
Tracks Across Sand
Director of Photography
In sixteen chapters containing four and a half hours of materials, Tracks Across Sand offers a unique chance to travel to the edge of the Kalahari, to a struggle for indigenous rights, and into the heart of contemporary South Africa. Driven from their lands, forced into a life of destitution, and denied the right even to speak their own languages, the ‡Khomani San fight for their heritage. Culled from over 130 hours of video recorded between 1996 and 2010, Tracks presents a unique record of the ‡Khomani San, bringing together the story of Africa's first Bushman claim, from preparation through to ten years after the claim was granted. Seen through the eyes and told in the words of the ‡Khomani San themselves, this film chronicles the struggle for indigenous rights by a people who are defying a history that has attempted and failed to make them disappear.
Mum & Dad
Director of Photography
Mum and Dad, and their 'adopted' children, Birdie & Elbie, work at the airport. The family live off whatever they scavenge from cargo holds, offices and hotels - including a steady stream of transient workers who populate the airport's soulless hub. When Lena, a young Polish office cleaner, is befriended by Birdie, she gets drawn into a nightmarish world of torture, murder and perversity.
Daddy's Girl
Director of Photography
Nina, a troubled teen, is fixed on an uninterrupted feast of destruction when she’s forced to confront her immortality and twisted blood lust. Trapped between light and dark, psychosis and reality, the living and the dead, she’ll stop at nothing to satiate her CRAVINGS. Every addiction has a price, and usually it’s the cost of a life. Her price will be life too…but never her own.
Is That All There Is?
Camera Operator
Award winning director Lindsay Anderson subverts the mockumentary genre and presents to the audience a detailed and humored account of what truly means to be Lindsay Anderson.
A Kind of English
Director of Photography
Ruhul Amin's quiet, humane dramatic feature explores the conflicting influences in the life of Samir, a 9-year-old Bengali boy growing up in the East End of London.