Jonathan Bloom

An epic exploration of the Czechoslovak New Wave cinema of the 1960s and 70s, structured around a series of conversations with one of its most acclaimed exponents - Closely Observed Trains director Jiří Menzel.

In sixteen chapters containing four and a half hours of materials, Tracks Across Sand offers a unique chance to travel to the edge of the Kalahari, to a struggle for indigenous rights, and into the heart of contemporary South Africa. Driven from their lands, forced into a life of destitution, and denied the right even to speak their own languages, the ‡Khomani San fight for their heritage. Culled from over 130 hours of video recorded between 1996 and 2010, Tracks presents a unique record of the ‡Khomani San, bringing together the story of Africa's first Bushman claim, from preparation through to ten years after the claim was granted. Seen through the eyes and told in the words of the ‡Khomani San themselves, this film chronicles the struggle for indigenous rights by a people who are defying a history that has attempted and failed to make them disappear.

엄마, 아빠와 그들의 '입양한' 아이들인 Birdie 와 Elbie는 공항에서 일한다. 그 가족은 공항의 영혼이 없는 허브를 가득 채우는 끊임없이 이어지는 임시직 근로자들을 포함하여 화물 보관소, 사무실, 호텔에서 그들이 긁어모은 모든 것을 먹고 산다. 폴란드의 젊은 사무실 청소부 레나가 Birdie와 친구가 되었을 때, 그녀는 고문, 살인, 그리고 위증이라는 악몽 같은 세계에 빠진다.

Nina, a troubled teen, is fixed on an uninterrupted feast of destruction when she’s forced to confront her immortality and twisted blood lust. Trapped between light and dark, psychosis and reality, the living and the dead, she’ll stop at nothing to satiate her CRAVINGS. Every addiction has a price, and usually it’s the cost of a life. Her price will be life too…but never her own.

Award winning director Lindsay Anderson subverts the mockumentary genre and presents to the audience a detailed and humored account of what truly means to be Lindsay Anderson.

Ruhul Amin's quiet, humane dramatic feature explores the conflicting influences in the life of Samir, a 9-year-old Bengali boy growing up in the East End of London.