Kim Mordaunt

Películas

El cohete
Writer
Un chico que cree traer mala suerte a todos los que le rodean se dirige junto a su familia y dos amigos, a través de Laos, para encontrar un nuevo hogar. Tras un viaje lleno de calamidades a través de una tierra marcada por la guerra, para demostrar que no es mala suerte el chaval decide construir un cohete gigante para entrar en la competición más emocionante y peligroso del año: el Rocket Festival. (FILMAFFINITY)
El cohete
Director
Un chico que cree traer mala suerte a todos los que le rodean se dirige junto a su familia y dos amigos, a través de Laos, para encontrar un nuevo hogar. Tras un viaje lleno de calamidades a través de una tierra marcada por la guerra, para demostrar que no es mala suerte el chaval decide construir un cohete gigante para entrar en la competición más emocionante y peligroso del año: el Rocket Festival. (FILMAFFINITY)
Bomb Harvest
Director
Laos: the most bombed country, per capita, on the planet. Australian bomb disposal specialist Laith Stevens has to train a new young "big bomb" team to deal with bombs left from the US "Secret War", but meanwhile, the local children are out hunting for bomb scrap metal. Vividly depicting the consequences of war with the incredible bravery of those trying to clear up the mess.
Copyrites
Producer
A 1997 documentary which demonstrates the way in which art is central to the lives of Aboriginal people in maintaining their culture, expressing their laws and history and their connection to the land. Explains the effect the misuse of their artwork for commerce has on their communities. Discusses the problems with western copyright law when applied to Aboriginal art and the Aboriginal concept of ownership. Also looks at the issue of authenticity of Aboriginal art.
Copyrites
Director
A 1997 documentary which demonstrates the way in which art is central to the lives of Aboriginal people in maintaining their culture, expressing their laws and history and their connection to the land. Explains the effect the misuse of their artwork for commerce has on their communities. Discusses the problems with western copyright law when applied to Aboriginal art and the Aboriginal concept of ownership. Also looks at the issue of authenticity of Aboriginal art.