Writer
Set against the lush backdrop of rural Laos, this spirited drama tells the story of scrappy ten-year-old Ahlo, who yearns to break free from his ill-fated destiny. After his village is displaced to make way for a massive dam, Ahlo escapes with his father and grandmother through the Laotian outback in search of a new home. Along the way, they come across a rocket festival that offers Ahlo a lucrative but dangerous chance to prove his worth.
Director
Set against the lush backdrop of rural Laos, this spirited drama tells the story of scrappy ten-year-old Ahlo, who yearns to break free from his ill-fated destiny. After his village is displaced to make way for a massive dam, Ahlo escapes with his father and grandmother through the Laotian outback in search of a new home. Along the way, they come across a rocket festival that offers Ahlo a lucrative but dangerous chance to prove his worth.
Director
Laos: the most bombed country, per capita, on the planet. Australian bomb disposal specialist Laith Stevens has to train a new young "big bomb" team to deal with bombs left from the US "Secret War", but meanwhile, the local children are out hunting for bomb scrap metal. Vividly depicting the consequences of war with the incredible bravery of those trying to clear up the mess.
Producer
A 1997 documentary which demonstrates the way in which art is central to the lives of Aboriginal people in maintaining their culture, expressing their laws and history and their connection to the land. Explains the effect the misuse of their artwork for commerce has on their communities. Discusses the problems with western copyright law when applied to Aboriginal art and the Aboriginal concept of ownership. Also looks at the issue of authenticity of Aboriginal art.
Director
A 1997 documentary which demonstrates the way in which art is central to the lives of Aboriginal people in maintaining their culture, expressing their laws and history and their connection to the land. Explains the effect the misuse of their artwork for commerce has on their communities. Discusses the problems with western copyright law when applied to Aboriginal art and the Aboriginal concept of ownership. Also looks at the issue of authenticity of Aboriginal art.
