Director of Photography
Summer, 1988 in Corsica. Vanina, fourteen years old, paints the town red with her cousin and sixteen-year-old sister. The teenagers slip out of the house on the quiet to go and dance and meet up with boys in the only nearby disco.
Director of Photography
Daniel, a young pianist, learns that his birth mother is still alive. Becoming nostalgic, he remembers his childhood. Alone with Mother Nature and his memories, he looks for this woman, hoping to find if not the truth at least consolation.
Director of Photography
Virginie, a charming young woman, has an appointment with a friend recently rediscovered on Facebook. In the cafe, a young man, Leonard takes advantage of her falsified delay of the appointment to approach her. What may seem like a simple attempt at seduction may be a more Machiavellian strategy. Leonard was once Leonore and Virginie's lover.
Director of Photography
Belle Époque. El payaso Chocolat (Omar Sy), el primer negro que trabajó en un circo francés, tuvo un enorme éxito a finales del siglo XIX. Fue también el primero en hacer publicidad, el que inspiró a otros artistas de la época como Toulouse Lautrec o a los hermanos Lumière participando en varias de sus primeras películas. Él y el payaso Foottit (James Thierrée) fueron pioneros en la creación de un dúo entre un payaso “Carablanca” y un payaso “Augusto” negro. Chocolat, cuyo nombre era Rafael Padilla, nació en Cuba hacia 1865 y, siendo un niño, se trasladó a Europa. En España trabajó como sirviente, limpiabotas y minero. El destino lo llevó a Francia a trabajar en el circo. Pasó de ser esclavo a ser un hombre libre, del circo al teatro, y del anonimato a la fama.
Cinematography
Lucas and his team are after a gang of Serbian criminals using NATO-issued weapons. As the investigation leads him to Paris, Lucas attempts to reconnect with his estranged daughter, a young narc officer.
Director of Photography
The middle-aged titular heroine (Masiero) of this bare-bones, Dardenne-esque debut has certainly fallen on hard times: Living between her car and a storage shed, working a part-time job as a hotel chambermaid, and trying against all odds to obtain public housing, Louise scrapes by on a day-to-day subsistence that’s only a few Euros away from skid row.
Paris, in the 1960s. A series of crimes troubles the public tranquility. On March, 22, 1968, Hélène Picard, a prostitute sentenced to death two years before for several murders, is killed by executioner Louis Guilbeau. Immediately, the violent crimes, similar to Hélène’s ones, go on again. In parallel, Louis is having an affair with the police woman in charge of the investigation… What are the obscure relations hidden behind the executioner and the mysterious killer? Who is this dark man in reality?
